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E-raamat: Music of Franz Liszt: Stylistic Development and Cultural Synthesis [Taylor & Francis e-raamat]

(Virginia Tech University, USA)
  • Formaat: 302 pages
  • Ilmumisaeg: 30-Jun-2020
  • Kirjastus: Routledge
  • ISBN-13: 9781351243339
  • Taylor & Francis e-raamat
  • Hind: 198,49 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 283,56 €
  • Säästad 30%
  • Formaat: 302 pages
  • Ilmumisaeg: 30-Jun-2020
  • Kirjastus: Routledge
  • ISBN-13: 9781351243339

Much of Franz Liszt's musical legacy has often been dismissed as 'trivial’ or 'merely showy,' more or less peripheral contributions to nineteenth-century European culture. But Liszt was a mainstream composer in ways most of his critics have failed to acknowledge; he was also an incessant and often extremely successful innovator. Liszt's mastery of fantasy and sonata traditions, his painstaking settings of texts ranging from erotic verse to portions of the Catholic liturgy, and the remarkable self-awareness he demonstrated even in many of his most 'entertaining' pieces: all these things stamp him not only as a master of Romanticism and an early Impressionist, but as a precursor of Postmodern 'pop.' Liszt's Music places Liszt in historical and cultural focus. At the same time, it examines his principal contributions to musical literature -- from his earliest operatic paraphrases to his final explorations of harmonic and formal possibilities. Liszt's compositional methods, including his penchant for revision, problems associated with early editions of some of his works, and certain aspects of class and gender issues are also discussed. The first book-length assessment of Liszt as composer since Humphrey Searle’s 1956 volume, Liszt's Music is illustrated with well over 100 musical examples.

List of musical examples
ix
Acknowledgments xiv
Abbreviations and sigla used throughout the present volume including the bibliography xv
Introduction 1(5)
1 Liszt's apprenticeship: the performer as emerging composer
6(30)
The prodigy as piano improviser and interpreter
6(3)
Liszt and his teachers
9(3)
Liszt as emerging composer
12(16)
Liszt and his youthful contemporaries
28(8)
2 Liszt comes of age: the composer as fantasist
36(86)
Liszt and the fantasy: an introduction
36(3)
Fantasy conventions and Lisztian innovations
39(27)
Nineteenth-century fantasy types and forms of expression
66(3)
Liszt and the dramatic fantasy
69(20)
Liszt's caprices, character pieces, and descriptive pieces
89(7)
Liszt's fantasies on national themes
96(12)
Liszt's fantasies and his reputation as a composer
108(14)
3 Liszt adapts and transforms: the fantasist/composer as re-composer
122(51)
Liszt's adaptations: a survey
122(6)
Critical approaches to Liszt's adaptations and transformations
128(7)
Individual Liszt transcriptions and adaptations
135(27)
Clusters and constellations of Liszt's (re-) compositions
162(2)
Terminology, reception, and profit: Liszt's prolific (self-) adaptations
164(9)
4 Liszt orchestrates and explains: the fantasist/(re-)composer as tone poet
173(62)
Liszt and the orchestra, 1825--1848
173(28)
Liszt's "Weimar" works for instrumental ensembles
201(16)
Liszt's later orchestral works
217(2)
Liszt as master orchestrator
219(4)
Liszt and programmism
223(12)
5 Liszt and the voice
235(40)
Liszt and the solo song
236(13)
Liszt's sacred and secular concerted vocal music
249(17)
Liszt, Catholicism, and prayer: a speculative conclusion
266(9)
Bibliography 275(14)
Index 289
Michael Saffle is Professor of Music and Humanities at Virginia Tech. His publications include Franz Liszt: A Guide to Research (2009) as well as articles and reviews in Acta Musicologica, Notes, and the Journal of Musicological Research. In addition to Humboldt and Rockefeller fellowships, Saffle held the 2000-2001 Bicentennial Fulbright Professorship of American Studies at the University of Helsinki.