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E-raamat: New Dramaturgies of Contemporary Opera: The Practitioners Perspectives [Taylor & Francis e-raamat]

Edited by
  • Formaat: 118 pages
  • Sari: Focus on Dramaturgy
  • Ilmumisaeg: 16-Sep-2024
  • Kirjastus: Routledge
  • ISBN-13: 9781003462286
Teised raamatud teemal:
  • Taylor & Francis e-raamat
  • Hind: 70,16 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 100,22 €
  • Säästad 30%
  • Formaat: 118 pages
  • Sari: Focus on Dramaturgy
  • Ilmumisaeg: 16-Sep-2024
  • Kirjastus: Routledge
  • ISBN-13: 9781003462286
Teised raamatud teemal:

This book is the first and only book that approaches the dramaturgy of contemporary opera from the unique perspectives of living practitioners who provide valuable first-hand insight into the coming into being of an opera today.



New Dramaturgies of Contemporary Opera is the first and only book that approaches the dramaturgy of contemporary opera from the unique perspectives of living practitioners (composers, librettists, directors, producers, singers, dramaturgs, administrators) who provide valuable first-hand insight into the coming into being of an opera today.

The edited collection captures the ethos of contemporary opera-making in the global context and serves as a timely intervention in addressing the array of heterogenous dramaturgical practices that goes into making an opera today in an era of flux. The collection is split into four parts: Part I presents the new dramaturgical considerations that the field is currently exploring; Part II investigates the ways in which non-Western cultures and perspectives can and have been represented; Part III explores the roles of space, nature, and environment in contemporary opera and finally Part IV looks at the ways in which technology has intersected with the creation of contemporary opera.

With perspectives from practitioners throughout, this collection is essential reading for advanced students, researchers, and scholars of contemporary opera as well as practicing dramaturgs in this field.

About the Contributors

Acknowledgments

Introduction: Contemporary Opera and New Dramaturgies

JINGYI ZHANG

PART I: New Dramaturgical Considerations

1. Washington National Operas American Opera Initiative: The First Ten
Years

KELLEY ROURKE

2. Interview with Beth Morrison

BETH MORRISON AND JINGYI ZHANG

3. Seeking the Philosophers Stone: On the Alchemy of Time in Creative
Dramaturgy

DAVID T. LITTLE

PART II: Representing Non-Western Cultures and Perspectives

4. Musicalizing the World: Dramaturgical Considerations of Non-European
Culture in Contemporary Opera

KAMALA SANKARAM

5. Investigating Operatic Decolonization in the Hypermobility Turn: The
Industry's Sweet Land (2020)

JINGYI ZHANG

6. Interview with Du Yun

DU YUN AND JINGYI ZHANG

PART III: Site-Specific Dramaturgies

7. Landscape Dramaturgy and (Post)Opera: Singing after Perspective

JELENA NOVAK

8. Pastoral Paradox: Staging Ted Hearnes Farming (2023) and Kate Sopers The
Hunt (2023)

ASHLEY KELLY TATA

9. Interview with Pamela Z

PAMELA Z AND JINGYI ZHANG

PART IV: Creative Possibilities of Transmedia Dramaturgy

10. Tradition, Transmedia, and Music in Contemporary Japanese Performing
Arts

KRISZTINA ROSNER

11. Biometrics, AI, Embodiment, Performative Practices, and the New
Dramaturgy

ELLEN PEARLMAN

12. Interview with Noa Frenkel

NOA FRENKEL AND JINGYI ZHANG
Jingyi Zhang is a Ph.D. candidate in musicology at Harvard University. As a music and cultural historian, her research interests center on themes of racial identity, mobility, media technology, and decolonial thinking in 19th to 21st century songs, opera, and theater.