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Paradata and Transparency in Virtual Heritage [Kõva köide]

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Computer-Generated Images (CGIs) are widely used and accepted in the world of entertainment but the use of the very same visualization techniques in academic research in the Arts and Humanities remains controversial. The techniques and conceptual perspectives on heritage visualization are a subject of an ongoing interdisciplinary debate. By demonstrating scholarly excellence and best technical practice in this area, this volume is concerned with the challenge of providing intellectual transparency and accountability in visualization-based historical research. Addressing a range of cognitive and technological challenges, the authors make a strong case for a wider recognition of three-dimensional visualization as a constructive, intellectual process and valid methodology for historical research and its communication. Intellectual transparency of visualization-based research, the pervading theme of this volume, is addressed from different perspectives reflecting the theory and practice of respective disciplines. The contributors - archaeologists, cultural historians, computer scientists and ICT practitioners - emphasize the importance of reliable tools, in particular documenting the process of interpretation of historical material and hypotheses that arise in the course of research. The discussion of this issue refers to all aspects of the intellectual content of visualization and is centred around the concept of 'paradata'. Paradata document interpretative processes so that a degree of reliability of visualization outcomes can be understood. The disadvantages of not providing this kind of intellectual transparency in the communication of historical content may result in visual products that only convey a small percentage of the knowledge that they embody, thus making research findings not susceptible to peer review and rendering them closed to further discussion. It is argued, therefore, that paradata should be recorded alongside more tangible outcomes of research, preferably as an integral part of virtual models, and sustained beyond the life-span of the technology that underpins visualization.

Arvustused

'By addressing a range of conceptual and technological challenges this title demonstrates that providing intellectual accountability, or transparency, is the key to establishing computerised visualisation methods as a rigorous, constructive, and vital contribution to historical research and its communication.' Library and Information Research

List of Figures and Tables
x
List of Plates
xiii
Notes on Contributors xv
Series Preface xxi
Acknowledgements xxiii
Abbreviations and Acronyms xxv
1 Introduction
1(6)
Anna Bentkowska-Kafel
Hugh Denard
PART I CONVENTIONS AND EMERGING STANDARDS
2 Defining our Terms in Heritage Visualization
7(6)
Richard C. Beacham
3 Scientific Method, chaine operatoire and Visualization: 3D Modelling as a Research Tool in Archaeology
13(10)
Sorin Hermon
4 Setting Standards for 3D Visualization of Cultural Heritage in Europe and Beyond
23(14)
Franco Niccolucci
5 More than Pretty Pictures of the Past: An American Perspective on Virtual Heritage
37(20)
Donald H. Sanders
6 A New Introduction to The London Charter
57(16)
Hugh Denard
7 The London Charter for the Computer-based Visualisation of Cultural Heritage (Version 2.1, February 2009)
73(8)
PART II DATA INTERPRETATION: METHODS AND TOOLS
8 Walking with Dragons: CGIs in Wildlife `Documentaries'
81(14)
Mark Carnall
9 Hypothesizing Southampton in 1454: A Three-dimensional Model of the Medieval Town
95(14)
Matt Jones
10 Paradata in Art-historical Research: A Visualization of Piet Mondrian's Studio at 5 rue de Coulmiers
109(16)
Ryan Egel-Andrews
11 Just how Predictable is Predictive Lighting?
125(10)
Kate Devlin
12 Lies, Damned Lies and Visualizations: Will Metadata and Paradata be a Solution or a Curse?
135(10)
Martin J. Turner
13 Intricacies and Potentials of Gathering Paradata in the 3D Modelling Workflow
145(18)
Sven Havemann
PART III DATA MANAGEMENT AND COMMUNICATION
14 Defining Paradata in Heritage Visualization
163(14)
Drew Baker
15 Transparency for Empirical Data
177(12)
Mark Mudge
16 Behaviours, Interactions and Affordance in Virtual Archaeology
189(14)
Maurizio Forte
Sofia Pescarin
17 How to make Sustainable Visualizations of the Past: An EPOCH Common Infrastructure Tool for Interpretation Management
203(42)
Daniel Pletinckx
PART IV CONCLUSION
18 Processual Scholia: The Importance of Paradata in Heritage Visualization
245(16)
Anna Bentkowska-Kafel
Glossary of Terms 261(4)
Selected Bibliography 265(20)
Index 285
Anna Bentkowska-Kafel is a Research Associate at the Department of Digital Humanities; Hugh Denard is Lecturer at the Department of Digital Humanities and Associate Director of the King's Visualisation Lab and Drew Baker is Senior Research Fellow at the Department of Digital Humanities, all at Kings College London, UK