|
|
Introduction |
|
xiv | |
A structured learning approach |
|
xv | |
Supporting DVD |
|
xv | |
Research and resources |
|
xv | |
Essential information |
|
xvi | |
|
|
1 | (22) |
|
A new look and a new direction |
|
|
2 | (21) |
|
|
23 | (24) |
|
|
24 | (1) |
|
The CS6 version of Bridge |
|
|
25 | (1) |
|
|
26 | (6) |
|
|
32 | (13) |
|
Using Bridge to access the project resources |
|
|
45 | (2) |
|
|
47 | (40) |
|
|
48 | (2) |
|
A few key concepts before we start... |
|
|
50 | (5) |
|
|
55 | (1) |
|
|
55 | (5) |
|
Downloading files - Step 2 |
|
|
60 | (2) |
|
Image management - Step 3 |
|
|
62 | (1) |
|
|
63 | (1) |
|
Rotating and cropping an image - Step 4 |
|
|
63 | (2) |
|
Color adjustments - Step 5 |
|
|
65 | (2) |
|
Tonal adjustments - Step 6 |
|
|
67 | (8) |
|
Cleaning an image - Step 7 |
|
|
75 | (2) |
|
Sharpening an image - Step 8 |
|
|
77 | (1) |
|
Setting Workflow Options - Step 9 |
|
|
78 | (1) |
|
Applying changes to multiple files - Step 10 |
|
|
79 | (2) |
|
Outputting processed files - Step 11 |
|
|
81 | (2) |
|
Saving, duplicating and resizing for web - Step 12 |
|
|
83 | (4) |
|
|
87 | (42) |
|
|
88 | (1) |
|
|
89 | (1) |
|
|
90 | (1) |
|
Lens corrections - Step 1 |
|
|
90 | (2) |
|
Straighten, crop and size - Step 2 |
|
|
92 | (1) |
|
|
93 | (1) |
|
Choosing a bit depth - Step 4 |
|
|
94 | (1) |
|
|
95 | (4) |
|
Global tonal adjustments - Step 6 |
|
|
99 | (1) |
|
Controlling saturation and vibrance - Step 7 |
|
|
100 | (1) |
|
Localized correction - Step 8 |
|
|
101 | (5) |
|
Grayscale conversion and toning - Step 9 |
|
|
106 | (5) |
|
Adding special effects - Step 10 |
|
|
111 | (2) |
|
Noise reduction and sharpening - Step 11 |
|
|
113 | (3) |
|
|
116 | (2) |
|
|
118 | (1) |
|
Preliminary enhancements - Step 1 |
|
|
118 | (1) |
|
Add Graduated Filter effect - Step 2 |
|
|
119 | (1) |
|
Adjust the Graduated Filter effect - Step 3 |
|
|
119 | (1) |
|
Reclaim some of the filtered detail - Step 4 |
|
|
120 | (1) |
|
Add a film-like grain effect - Step 5 |
|
|
120 | (1) |
|
|
121 | (1) |
|
Adjusting exposure in ACR |
|
|
122 | (1) |
|
|
122 | (4) |
|
Dust on the sensor --- batch removal |
|
|
126 | (1) |
|
Archiving Raw files as digital negatives |
|
|
127 | (2) |
|
|
129 | (18) |
|
|
130 | (1) |
|
The problem and the solution |
|
|
131 | (1) |
|
Prepare your print workshop |
|
|
132 | (1) |
|
|
133 | (1) |
|
Prepare your inkjet printer |
|
|
134 | (1) |
|
Select appropriate color setting |
|
|
135 | (1) |
|
|
136 | (1) |
|
Print the target using Adobe® Color Print Utility |
|
|
136 | (1) |
|
Alternative: Printing a target from Photoshop |
|
|
137 | (1) |
|
Adjust the printer settings |
|
|
138 | (1) |
|
Create and install custom profile |
|
|
139 | (1) |
|
Tag images with the Adobe RGB profile |
|
|
139 | (1) |
|
Test your color managed workflow |
|
|
140 | (1) |
|
|
140 | (1) |
|
Assessing the test print for accuracy |
|
|
141 | (1) |
|
|
142 | (1) |
|
|
143 | (1) |
|
Printing using a professional lab |
|
|
144 | |
|
Digital Basics - DVD Chapter 1 |
|
|
1 | (2) |
|
|
3 | (1) |
|
|
4 | (1) |
|
|
5 | (1) |
|
Hue, Saturation and Brightness |
|
|
6 | (2) |
|
|
8 | (2) |
|
|
10 | (1) |
|
|
11 | (1) |
|
|
12 | (3) |
|
|
15 | (2) |
|
|
17 | (4) |
|
|
21 | (3) |
|
|
24 | (4) |
|
Digital Darkroom - DVD Chapter 2 |
|
|
27 | (1) |
|
|
28 | (1) |
|
|
29 | (1) |
|
|
30 | (1) |
|
Getting started with Photoshop |
|
|
30 | (3) |
|
|
33 | (2) |
|
Navigation and viewing modes |
|
|
35 | (3) |
|
|
38 | (109) |
|
|
|
|
147 | (14) |
|
|
148 | (1) |
|
|
149 | (3) |
|
|
152 | (4) |
|
|
156 | (2) |
|
Adjustment and filter layers and editing quality |
|
|
158 | (1) |
|
Layer masks and editing adjustments |
|
|
159 | (2) |
|
|
161 | (26) |
|
|
162 | (1) |
|
|
162 | (1) |
|
Shape-based selections with the Marquee tools |
|
|
162 | (1) |
|
Drawn selections using the Lasso tools |
|
|
163 | (2) |
|
Customizing your selections |
|
|
165 | (2) |
|
|
167 | (1) |
|
|
168 | (2) |
|
Saving and loading selections |
|
|
170 | (1) |
|
|
171 | (1) |
|
|
172 | (1) |
|
Quick Mask or Refine Edge |
|
|
173 | (1) |
|
|
174 | (1) |
|
|
175 | (2) |
|
Tone-based selections and masks |
|
|
177 | (4) |
|
|
181 | (6) |
|
|
187 | (26) |
|
|
188 | (1) |
|
The `Smart' way to filter |
|
|
189 | (2) |
|
|
191 | (1) |
|
|
192 | (1) |
|
Improving filter performance |
|
|
192 | (1) |
|
Installing and using third party filters |
|
|
192 | (1) |
|
Filtering a shape, text or vector layer |
|
|
193 | (1) |
|
|
193 | (1) |
|
|
194 | (2) |
|
|
196 | (2) |
|
|
198 | (1) |
|
|
199 | (1) |
|
|
200 | (2) |
|
Correcting lens distortion with filters |
|
|
202 | (4) |
|
|
206 | (2) |
|
|
208 | (1) |
|
|
209 | (1) |
|
|
210 | (1) |
|
|
211 | (2) |
|
|
213 | (16) |
|
|
214 | (2) |
|
|
216 | (3) |
|
|
219 | (3) |
|
|
222 | (2) |
|
|
224 | (1) |
|
Hue, Saturation and Color |
|
|
225 | (2) |
|
|
227 | (2) |
|
|
|
|
229 | (86) |
|
Standard edit in ACR - Project 1 |
|
|
230 | (25) |
|
Extreme contrast edits in ACR - Project 2 |
|
|
255 | (6) |
|
Tone Curves and luminosity masks - Project 3 |
|
|
261 | (10) |
|
Black and White in ACR - Project 4 |
|
|
271 | (6) |
|
Lens corrections - Project 5 |
|
|
277 | (7) |
|
Working spaces - Project 6 |
|
|
284 | (11) |
|
Clone and stamp - Project 7 |
|
|
295 | (10) |
|
Gradients and vignettes - Project 8 |
|
|
305 | (10) |
|
|
315 | (108) |
|
|
316 | (5) |
|
Refine Edge (take two) - Project 2 |
|
|
321 | (12) |
|
Paths, masks and blend modes - Project 3 |
|
|
333 | (14) |
|
Replacing a sky - Project 4 |
|
|
347 | (7) |
|
Composite studio lighting and action - Project 5 |
|
|
354 | (7) |
|
Preserving shadows - Project 6 |
|
|
361 | (11) |
|
Replacing a studio background - Project 7 |
|
|
372 | (8) |
|
High Dynamic Range (HDR) - Project 8 |
|
|
380 | (1) |
|
HDR problems and solutions - Project 9 |
|
|
380 | (16) |
|
|
396 | (18) |
|
Vertical panoramas - Project 11 |
|
|
414 | (9) |
|
|
423 | (74) |
|
Smooth Tone technique - Project 1 |
|
|
424 | (6) |
|
|
430 | (9) |
|
Color Grading - Project 3 |
|
|
439 | (9) |
|
Reduced Depth of Field - Project 4 |
|
|
448 | (11) |
|
Tilt-Shift effect - Project 5 |
|
|
459 | (4) |
|
|
463 | (12) |
|
Lens Flare effect - Project 7 |
|
|
475 | (5) |
|
Split-grade blur and split tone - Project 8 |
|
|
480 | (10) |
|
Borders and textures - Project 9 |
|
|
490 | (7) |
Glossary |
|
497 | (10) |
Keyboard Shortcuts |
|
507 | (2) |
Web Links |
|
509 | (1) |
Index |
|
510 | |