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E-raamat: Pina Bausch Sourcebook: The Making of Tanztheater [Taylor & Francis e-raamat]

Edited by (The New School for Liberal Arts, New York, USA)
  • Formaat: 356 pages, 16 Halftones, black and white
  • Ilmumisaeg: 02-Aug-2012
  • Kirjastus: Routledge
  • ISBN-13: 9780203125243
  • Taylor & Francis e-raamat
  • Hind: 129,25 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 184,65 €
  • Säästad 30%
  • Formaat: 356 pages, 16 Halftones, black and white
  • Ilmumisaeg: 02-Aug-2012
  • Kirjastus: Routledge
  • ISBN-13: 9780203125243
Pina Bauschs work has had tremendous impact across the spectrum of late twentieth-century performance practice, helping to redefine the possibilities of what both dance and theater can be. This edited collection presents a compendium of source material and contextual essays that examine Pina Bausch's history, practice and legacy, and the development of Tanztheater as a new form, with sections including:











Dance and theatre roots and connections;





Bauschs developmental process;





The creation of Tanztheater;





Bauschs reception;





Critical perspectives.

Interviews, reviews and major essays chart the evolution of Bauschs pioneering approach and explore this evocative new mode of performance. Edited by noted Bausch scholar, Royd Climenhaga, The Pina Bausch Sourcebook aims to open up Bauschs performative world for students, scholars, dance and theatre artists and audiences everywhere.
List of figures
xi
Acknowledgements xii
Introduction 1(8)
I Dance and theatre roots and connections
9(50)
Dance Theatre from Rudloph Laban to Pina Bausch
12(7)
Isa Partsch-Bergsohn
Expressionism?: "Ausdruckstanz" and the New Dance Theatre in Germany
19(12)
Hedwig Muller
An American perspective on Tanztheater
31(14)
Susan Allene Manning
The theatre of images: Pina Bausch and the expressionist temperament
45(4)
Barbara Confino
The mistrust of life - relations in dance: connections between Butoh, Ausdruckstanz and Dance Theatre in contemporary experimental dance
49(6)
Eva Van Schaik
Hurts so good
55(4)
Judith Mackrell
II Creating Bausch's world
59(70)
Into myself - a twig, a wall: an essay on Pina Bausch and her theatre
62(12)
Raimund Hoghe
In rehearsal with Pina Bausch
74(7)
Renate Klett
Pina Bausch: "You can always look at it the other way around"
81(7)
Anne Cattaneo
"I pick my dancers as people": Pina Bausch discusses her work with the Wuppertal Dance Theatre
88(11)
Glenn Loney
"Every day a discovery ...": interview with Pina Bausch
99(4)
Christopher Bowen
Working with Pina Bausch: a conversation with Tanztheater Wuppertal
103(6)
Faynia Williams
Nur Du (Only You); Pina Bausch, Tanztheater Wuppertal in a newly commissioned piece
109(14)
Royd Climenhaga
Dancing through the dark: Pina Bausch finds a ray of light
123(6)
Rita Felciano
III Tanztheater: a new form
129(50)
"But is it dance ...?"
132(5)
Richard Sikes
Please do it again, do it again, again, again...
137(5)
Deborah Jowitt
Dance Theatre: rebellion of the body, theatre of images and an inquiry into the sense of the senses
142(10)
Inge Baxmann
Gunsmoke
152(15)
Anita Finkel
"Come dance with me": interview with Pina Bausch
167(12)
Nadine Meisner
IV Bausch's reception
179(68)
Tanztheater Wuppertal
182(6)
Horst Koegler
New York City
188(4)
Amanda Smith
Bausch's theatre of dejection
192(4)
Arlene Croce
Wuppertal in London
196(4)
Judith Cruikshank
Exits And Entrances
200(3)
Leonetta Bentivoglio
Dance View: The Bausch Imagination Still Bedazzles
203(3)
Anna Kisselgoff
Theatre of despair and survival
206(6)
Chris De Marigny
Bausch's inferno
212(5)
Joan Ross Acocella
Pina, queen of the deep
217(7)
Valerie Lawson
Dancing in the dark
224(9)
John O'Mahony
Pornography of pain: dancer Pina Bausch's turbulent career
233(3)
Zoe Anderson
In memoriam: Pina Bausch (1940-2009)
236(4)
Deborah Jowitt
Kontakthof, Tanztheater Wuppertal Pina Bausch, Barbican Theatre
240(3)
Ismene Brown
Tanztheater Wuppertal Pina Bausch
243(4)
Luke Jennings
V Critical perspectives
247(66)
Tanztheater: the thrill of the lynch mob or the rage of a woman
250(14)
Ann Daly
Artifice and authenticity: gender scenarios in Pina Bausch's Dance Theatre
264(14)
Marianne Goldberg
The weight of time
278(10)
Marianne Van Kerkhoven
The totality of the body: an essay on Pina Bausch's aesthetic
288(12)
Kay Kirchman
Bausch and phenomenology
300(7)
Susan Kozel
On the seduction of angels: conjectures about the Zeitgeiz
307(6)
Norbert Servos
Further research 313(22)
Index 335
Royd Climenhaga is on the Arts Faculty at Eugene Lang College/The New School University in New York City. He writes on intersections between dance and theatre, including the book Pina Bausch in Routledges Performance Practitioner series, and develops and produces new performance work as Co-Artistic Director of Human Company.