The book describes the main semiotic concepts that can be used to analyse space, illustrating them with carefully chosen case studies of memory spaces – monuments, museums, post-war urban restoration, filmed and virtual space – in order to show the applicability and efficacy of a semiotic methodology.
What can space tell us about our past? Which stories do memory sites narrate? Which memories do they transmit? And, more importantly, how can we read their meanings? Semiotics can provide us with a homogeneous, shareable and theoretically sound methodology to analyse space within a comparable and common frame of reference for scholars of memory studies and traumatic heritage, as well as for historians, architects and museum curators. The book describes in clear and understandable language the main semiotic concepts that can be used to analyse space, illustrating them with carefully chosen case studies of memory spaces – monuments, museums, post-war urban restoration, filmed and virtual space – in order to show the applicability and efficacy of a semiotic methodology.
1 Stories that Shape Spatialities,Lieu and Milieu de Mémoire through the
Lens of Narrativity (Daniele Salerno), 2 Interpretation and Use of Memory,
How Practices Can Change the Meanings of Monuments (Mario Panico), 3
Uncomfortable Memories of Fascist Italy: The Case of Bigio of Brescia (Anna
Maria Lorusso), 4 What Does Fascist Architecture Still Have to Tell Us?
Preservation of Contested Heritage as a Strategy of Re-Enunciation and 'Voice
Remodulation' (Francesco Mazzucchelli), 5 Berlin, the Jewish Museum and the
Holocaust Memorial (Isabella Pezzini), 6 Making Space for Memory, Collective
Enunciation in the Provincial Memory Archive of Córdoba, Argentina (Paola
Sozzi), 7 Ruins of War, The Green Sea and the Mysterious Island (Gianfranco
Marrone), 8 Turning Spaces of Memory into Memoryscapes, Cinema as Counter
Monument in Jonathan Perel's El Predio and Tabula Rasa (Cristina Demaria), 9
Voices from the Past: Memories in a Digital Space, The Case of AppRecuerdos
in Santiago, Chile (Patrizia Violi), 10 500,000 Dirhams in Scandinavia, from
Mobile Silver to Land Rent, A Semiotic Analysis ( Manar Hammad), Index, Index
of names.
Cristina Demaria is Professor of Semiotics at the Department of the Arts of the University of Bologna, where she teaches semiotics of conflict, gender studies and semiotics of social sciences. She has worked extensively on traumatic memories and their representation, on visual culture and documentary films, and on gender studies and post-feminism. Her latest publications include Post-Conflict Cultures. A Reader (2021), and Reading Memory Sites Through Signs: Hiding into Landscape (2023). Patrizia Violi is an Alma Mater Professor at the University of Bologna and the founder of TraMe - Centre for the Semiotic Study of Memory at the same university. She was director of the Centro Internazionale di Studi Umberto Eco and PI of various European funded projects on trauma and urban space. She has published internationally on the relationship between trauma and memory, with a specific focus on Chile, Argentina and Colombia. Her latest publications include Landscapes of Memory: Trauma, Space, History (2017), and Reading Memory Sites Through Signs: Hiding into Landscape (2023).
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