Reframing Faith in Balkan Documentary Film presents the first systematic study of the cinematic representations of religion in the early documentary film on the Balkan Peninsula from 1896 to 1939.
By looking at faith through the concept of frame, the book sheds new light on the historical realties of the period as seen by the filmmakers and facilitates rediscovering the world of lost religious communities on the territory of Yugoslavia. Placing film language at the heart of scientific research and introducing frame as a method of analysis, the book proposes novel ways of reading history as written on the reel.
This intricate and in-depth study will interest film historians, particularly those interested in the Balkan and European cinema, as well as historians of the Balkans, of religion, and of Eastern Europe.
This book presents the first systematic study of the cinematic representations of religion in the early documentary film on the Balkan Peninsula from 1896 to 1939. It will interest film historians, particularly those interested in the Balkan and European cinema, as well as historians of the Balkans, of religion, and of Eastern Europe.
