| About the Series --- Sur la collection |
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| Introduction |
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3 | (10) |
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"The Madness of the Unexpected" Duchamp's Readymades and the Survival of "High" Art |
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13 | (20) |
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Instrument of Inspiration High/Low Illusions in British Experimental Music and After |
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33 | (11) |
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English Rebels in Art Circles: The New Age in its Elitist and Populist Dimension |
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44 | (13) |
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Kinaesthetic Modernism? Rhythms, Bodies and Motion across the Great Divide |
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57 | (12) |
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Art, Nation and Political Discourse |
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69 | (15) |
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Culture en quete de reperes |
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84 | (15) |
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Dada, Carnival and Revolution |
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99 | (16) |
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Spuren der Volksdichtung in der ungarischen Avantgardeliteratur |
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115 | (14) |
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Musical Boxes: The Impersonal Avant-Garde Poem, Everyday Language and Popular Song |
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129 | (13) |
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What Did They Need Jazz For? Jazz Music in Polish Interwar Poetry |
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142 | (18) |
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Der junge Borges und die ultraistische Avantgarde Das Populare als Taktik |
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160 | (15) |
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The Theatre of Ramon del Valle-Inclan: Between Modernism and the Popular Imagination |
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175 | (16) |
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Sitting Pretty: Modernism and the Municipal Chair in the Photographs of Andre Kertesz and Robert Doisneau |
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191 | (14) |
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Everyday Life in Andre Breton's Trilogy Nadja, Vases Communicants and L'Amour fou |
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205 | (10) |
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Entre mime et possession: recits surrealistes et fictions populaires |
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215 | (12) |
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The Blood of the Poet: Cocteau, Surrealism and the Politics of the Vulgar |
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227 | (13) |
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"Broken Clouds - also by Instalments": Mediating Art and the Everyday, the High and the Low in the Finnish Literary Avant-Garde of the 1960s |
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240 | (13) |
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The "Abakans" and the Feminist Revolution |
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253 | (13) |
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A Glossier Shade of Brown: Imi Knoebel's Raum 19 |
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266 | (15) |
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Selling Dada: New York Dada (1921) and Its Dialogue with the European Avant-Garde |
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281 | (12) |
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Wyndham Lewis and the Inter-War Popular Novel Potboilers and Gunman Bestsellers |
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293 | (13) |
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Le Douanier Rousseau, Fantomas & Cie: La culture populaire, ressort majeur des Soirees de Paris |
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306 | (15) |
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Between the Old and the New: The Surrealist Outmoded as a Radical Third Term |
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321 | (17) |
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"The Hidden Network of the Avant-Garde": der farbige Werbefilm als eine zentraleuropaische Erfindung? |
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338 | (25) |
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Lessons from the Press: Picasso and Mass Print Media, 1911-37 |
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363 | (16) |
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Film und Filmprojekte in der Wiener Avant-Garde Zeitschrift Ma (1920-25) |
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379 | (15) |
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"Produktion - Reproduktion": Echos von Lazlo Moholy-Nagys Medientheorie in der Geschichte von Film und Medienkunst |
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394 | (16) |
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Modernism in the Ether: Middlebrow Perspectives on European Literature in Flemish Radio Talks (1936-37) |
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410 | (15) |
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A Second Avant-Garde without a First: Greek Avant-Garde Artists in the 1960s and 1970s |
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425 | (20) |
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Mass Media Avant-Garde: Dislocating the Hi/Lo in the Swedish 1960s |
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445 | (13) |
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A Tentative Embrace Superstudio's New Media Nomads |
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458 | (13) |
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| Index |
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471 | |
Rohkem infot De Gruyter e-raamatute kohta