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E-raamat: Reworking the Ballet: Counter Narratives and Alternative Bodies [Taylor & Francis e-raamat]

(University of Northampton, UK)
  • Formaat: 240 pages
  • Ilmumisaeg: 08-Nov-2007
  • Kirjastus: Routledge
  • ISBN-13: 9780203937235
Teised raamatud teemal:
  • Taylor & Francis e-raamat
  • Hind: 161,57 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 230,81 €
  • Säästad 30%
  • Formaat: 240 pages
  • Ilmumisaeg: 08-Nov-2007
  • Kirjastus: Routledge
  • ISBN-13: 9780203937235
Teised raamatud teemal:

Challenging and unsettling their predecessors, modern choreographers such as Matthew Bourne, Mark Morris and Masaki Iwana have courted controversy and notoriety by reimagining the most canonical of Classical and Romantic ballets.

In this book, Vida L. Midgelow illustrates the ways in which these contemporary reworkings destroy and recreate their source material, turning ballet from a classical performance to a vital exploration of gender, sexuality and cultural difference.

Reworking the Ballet: Counter Narratives and Alternative Bodies articulates the ways that audiences and critics can experience these new versions, viewing them from both practical and theoretical perspectives, including:

  • eroticism and the politics of touch
  • performing gender
  • cross-casting and cross-dressing
  • reworkings and intertextuality
  • cultural exchange and hybridity.
List of plates xi
Acknowledgements xiii
Introduction 1
PART I Approaching reworkings of the ballet in theory and practice 7
1 Reworking the ballet: (en)countering the canon
9
Reworking the ballet
9
Defining the terms of the discourse
10
Reviewing five Giselles
14
Counter-discourses and the canon
22
Reconsidering the past: reworking) as postmodern historiography
24
Reworkings as intertextual practices
28
Towards a definition of reworking
30
Conclusion
34
2 Canonical crossings: narratives and forms revisioned
36
Strategies of dissonance — moments of sameness
36
Inverting bodies: reformulating the dance vocabulary
37
Retelling tales: new contexts, new narratives
47
Gender bending: cross-casting and cross-dressing
51
Feathered pantaloons and homoeroticism
51
Hyperbole and eccentricity
58
The heterosexual matrix and beyond
64
Strategies of dispersal: intertextuality and the carnivalesque
67
Conclusion
77
PART II Refiguring the body and the politics of identity 79
3 Female bodies and the erotic: performativity, becoming and the phallus
81
Encounters between reworkings and feminism
81
Lac de Signes (1983) and The Ballerina's Phallic Pointe (1994) by Susan Leigh Foster
84
Looking-at-to-be-looked-at-ness: performance and spectacle
87
Trans-contextualizing bodies: postmodern parody and hybridity
88
Parodic comedy and the performativity of gender
91
The phallus, the penis, the dildo and the ballerina
94
O (a set of footnotes to Swan Lake) (2002) by Vida L. Midgelow
99
Open texts - enacting becomings
104
Hybrid body — plural bodies — my body
106
Breaking the gaze — inscribing a haptic presence
109
Eroticism and the politics of touch
112
Conclusion
115
4 Princely revisions: stillness, excess and queerness
116
Masculinities, the male dancer and reworkings
116
Javier de Frutos and The Hypochondriac Bird (1998)
120
Raimund Hoghe and Swan Lake, 4 Acts (2005)
123
In the gaps and absences
128
Excess: de Frutos and homoeroticism
131
Stillness and (dis)ability: Hoghe and the ontology of dance
136
(Auto)corpography and (beyond) queer theory
141
Conclusion
144
5 Intercultural encounters: flesh, hybridity and the exotic
145
Reworkings as intercultural discourse
145
Shakti and Swan Lake (098)
148
Masaki Iwana and The Legend of Giselle (jizeru-den) (1994)
153
Cultural (ex)change and hybridity
158
Orientalism and the exotic
166
Enter the silver swan: excess and the erotic
172
Fleshly metamorphosis and becomings in butoh
177
Commodification, appropriation and the global market
183
Conclusion
184
6 Conclusion: transgressive desires
186
Reworkings as canonical counter-discourse
187
The double gesture: moving beyond binaries
189
Diversity and dfference: (re)inscribing the body
191
Pleasure and power: the (re)-eroticised body
192
Notes 195
References and bibliography 202
Index 217


Dr. Vida L Midgelow is a Reader in Performance Studies and Dance at The University of Northampton, UK and Director of The Choreographic Lab. Her research activities cross between practice-as-research and traditional written modes. She has presented papers and toured her movement based works in the UK and internationally. She has particular expertise in current European dance practices, the radical reworking of the classics, gender and sexuality in performance, choreographic methodologies and improvisation. Her essay Decentred Bodies: Postfeminist Corporealities Dance (in The Postfeminist Handbook, 2006) brings together several of these concerns. In recent years she has also made a number of choreographic installation pieces, these include; O (a set of footnotes to Swan Lake) and Threshold : Fleshfold.