Muutke küpsiste eelistusi

E-raamat: Rhythm Changes: Jazz, Culture, Discourse [Taylor & Francis e-raamat]

(University of Toronto, Canada)
  • Formaat: 362 pages, 28 Halftones, black and white; 28 Illustrations, black and white
  • Sari: Transnational Studies in Jazz
  • Ilmumisaeg: 30-Mar-2023
  • Kirjastus: Routledge
  • ISBN-13: 9781003281979
  • Taylor & Francis e-raamat
  • Hind: 152,33 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 217,62 €
  • Säästad 30%
  • Formaat: 362 pages, 28 Halftones, black and white; 28 Illustrations, black and white
  • Sari: Transnational Studies in Jazz
  • Ilmumisaeg: 30-Mar-2023
  • Kirjastus: Routledge
  • ISBN-13: 9781003281979
"Rhythm Changes: Jazz, Culture, Discourse addresses the development of jazz, the music, its makers, and its socio-cultural contexts, as well as the various discourses - especially those of academic analysis and journalistic criticism - that have influenced the creation, interpretation, and reception of jazz. Tackling diverse issues, such as race, class, nationalism, art, authenticity, irony, parody, romanticism, commercialism, technology, recording, and musical form and style, the book's viewpoint on artistic and cultural practices suggests new ways of thinking about jazz history. It challenges many established scholarly approaches in jazz research, providing a much-needed intervention in the current academic orthodoxies of Jazz Studies. Perhaps the moststriking and distinctive aspect of the book is the extraordinary eclecticism of the wide-ranging but carefully chosen case studies and examples referenced throughout the text, from nineteenth century literature, through 1930s Broadway and film, to twentieth and twenty- first century jazz and popular music"--

Rhythm Changes: Jazz, Culture, Discourse addresses the development of jazz, the music, its makers, and its socio-cultural contexts, as well as the various discourses – especially those of academic analysis and journalistic criticism – that have influenced the creation, interpretation, and reception of jazz.

List of Figures
x
Preface and Acknowledgements xii
Introduction: The Persistence of Authenticity 1(14)
Rhythm Changes Playlists
11(2)
Notes
13(2)
1 The Challenge of the Past: Jazz, Parody, and Jazz Discourse
15(40)
They Brainwash and Teach You Hate: From Parody to Protest
17(5)
It Ain't Necessarily So: From Caricature to Celebration
22(17)
In a Sentimental Mood: From Ridicule to Romanticism
39(9)
Notes
48(7)
2 A Few of My Favorite Things: Analyzing Jazz, Interpreting Irony, Assessing Value
55(40)
"Saying Something": Coltrane, Irony, and "My Favorite Things"
56(3)
"White Things," Black Things, and a Few Other Things
59(6)
"Undeniable Qualities": Homage, Value-For, and Ideological Hegemony
65(8)
"Myriad Subtleties," Bebop Parody, and the Question of Context
73(6)
"We're in the Money": Irony, Complexity, and Social Normativity
79(10)
Notes
89(6)
3 My Only Sunshine: Jazz, Country Music, George Russell, and Musical Meaning
95(46)
Way Out West: From Cowhand Sonny to Dangerous Davey
96(10)
Cowboy Favorites: Jazz Meets Country Music
106(8)
You Arc My Sunshine: From Singing Cowboys to Gassed Soulsters
114(4)
Happy Endings: George Russell Meets "You Are My Sunshine"
118(12)
Sunshine Redux: From Kiddies Songs to Kitchen Appliances
130(7)
Notes
137(4)
4 Divine Revelations: Keith Jarrett, Acoustic Authenticity, and Romantic Genius
141(50)
Fun with Toys: Miles, Electricity, and Acoustic Relief
142(8)
A Blazing Forth of a Divine Will: Blank Slates, Claptrap, and Eniphysemic Goats
150(5)
Body and Soul: Sacred Space, the State of Grace, and Everyday Ecstasy
155(6)
Blessed with Genius: The Flame Itself, the Man from Porlock, and the Heavenly Ostrich
161(5)
Play On, Play On: Robert Bly, the Wild Man, and the Neglected Male Psyche
166(8)
Touch the Soil: Elemental Instruments, Indian Country, and the Noble Savage
174(10)
Notes
184(7)
5 The Body Electric: Music, Machines, and Mechanical Reproduction
191(52)
I Sing the Body Electric: Aesthetic Materialism, Technological Humanism, and Electrical Grandmothers
192(8)
Spark of Being: Frankenstein, Electricity, and the Merging of Text and Form
200(12)
Undervaluing Overdubbing: Jazz, Spontaneity, and Recording Studio Trickery
212(9)
Essential and Divine: Faithful Fidelity, Analogue Authenticity, and "exactly what was played"
221(9)
Preserving Spontaneity: Free Improvisation, Live Performance, and the Paradox of Sound Recording
230(7)
Notes
237(6)
6 Can Blue Men Sing the Whites? African American Exceptionalism, European Stereotypes, and the Jazz Studies Debate
243(98)
Getting to Know You: The "Afrological," the "Eurological," and the Illogical
245(4)
The Anxiety of Affluence: Race, Class, and European "Privilege"
249(8)
A Pan-European Conspiracy? Cultural Nationalism, Nativist Politics, and Foreign Competitors
257(7)
The Emancipation Problem: African American Models and German Belligerents
264(3)
A Delicate, Nuanced Approach? Humour, Improvisation, and Composer-Centred Music
267(14)
Networks of Power: Whiteness, Erasure, and World Harmony
281(3)
Postscript: Say It Loud, I'm British and I'm Proud
284(2)
Notes
286(9)
References
295(22)
Discography
317(20)
Filmography
337(4)
Index 341
ALAN STANBRIDGE is an Associate Professor in Music and Culture at the University of Toronto, Canada