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"Employing an interdisciplinary approach, this book breaks new ground by considering how Robert Motherwell's abstract expressionist art is indebted to Alfred North Whitehead's highly original process metaphysics. Motherwell first encountered Whitehead and his work as a philosophy graduate student at Harvard University, and he continued to espouse Whitehead's processist theories as germane to his art throughout his life. This book examines how Whitehead's process philosophy-inspired by quantum theory and focusing on the ongoing ingenuity of dynamic forces of energy rather than traditional views of inert substances-set the stage for Motherwell's future art. This book will be of interest to scholars in twentieth-century modern art, philosophy of art and aesthetics, and art history"--

    Employing an interdisciplinary approach, this book breaks new ground by considering how Robert Motherwell’s abstract expressionist art is indebted to Alfred North Whitehead’s highly original process metaphysics.

    Motherwell first encountered Whitehead and his work as a philosophy graduate student at Harvard University, and he continued to espouse Whitehead’s processist theories as germane to his art throughout his life. This book examines how Whitehead’s process philosophy—inspired by quantum theory and focusing on the ongoing ingenuity of dynamic forces of energy rather than traditional views of inert substances—set the stage for Motherwell’s future art.

    This book will be of interest to scholars in twentieth-century modern art, philosophy of art and aesthetics, and art history.

    Acknowledgments viii
    1 Introduction
    1(13)
    2 Robert Motherwell, Harvard, and Alfred North Whitehead
    14(24)
    3 Motherwell's Whitehead: The Felt Quality of Reality
    38(10)
    4 Surrealism's Psychic Automatism, Motherwell's Plastic Automatism, and Whitehead's Process
    48(19)
    5 Motherwell's Collage Aesthetic
    67(9)
    6 Whitehead's Process and Susanne K. Langer's Symbol
    76(9)
    7 Conclusion: Material Means, Immaterial Results
    85(6)
    Appendix A Metaphors as Whiteheadian Prehensive Tools 91(6)
    Appendix B Mallarme's Materiality and Althusser's Aboutness 97(8)
    Appendix C Dore Ashton: The Arabesque 105(4)
    Index 109
    Robert Hobbs has served as associate professor at Cornell University and long-term visiting professor at Yale University; he has also held the Thalhimer Endowed Chair of American Art at Virginia Commonwealth University.