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xi | |
Foreword |
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xvii | |
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Acknowledgments |
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xxi | |
Driven heritage: introduction |
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1 | (16) |
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PART I Defining automotive heritage from other forms of heritage studies |
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17 | (40) |
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1 Preservation education and automotive heritage: a holistic approach |
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19 | (16) |
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2 The treatment of historic automohiles and buildings: conservation charters and impacts on practice |
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35 | (12) |
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3 Archaeology and the automobile |
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47 | (10) |
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PART II Conservation and preservation of historic vehicles and associated built environments |
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57 | (92) |
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4 The "original car": conservation, preservation, and the dilemma of mass production |
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59 | (11) |
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5 Customized vehicles as material culture: a tale of two hot rods |
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70 | (16) |
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6 Thinking before restoration: case studies from France's National Automobile Museum's Schlumpf Collection |
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86 | (13) |
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7 Restoring the "unrestored": new challenges in the preservation of historic vehicles |
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99 | (13) |
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8 Made in England: how the British set the world standard in preserving motorcycle history and historic motorcycles |
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112 | (16) |
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9 Adaptive reuse: parking, zoning, and shopping malls |
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128 | (21) |
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PART III The future of the automotive museum |
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149 | (54) |
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10 Motor museums in Germany, Austria, and Switzerland |
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151 | (13) |
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11 Do you wear white gloves when changing a tire? The role of museums in historic vehicle preservation |
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164 | (11) |
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12 Rolling sculpture: fine cars as fine art it's about time |
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175 | (16) |
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13 A shared heritage of modernity: telling inclusive motoring stories in the National Motor Museum of Australia |
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191 | (12) |
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PART IV The significance of experiencing intangible automotive heritage |
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203 | (78) |
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14 Sociologizing automotive heritage: traditions of automobile folklore and the challenges of risk society |
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205 | (10) |
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15 What moves us: differences in cultural attitudes toward automotive preservation and use between Scandinavia and the United States |
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215 | (18) |
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16 Pebble Beach and Barrett-Jackson: the nexus of automobile heritage and tourism |
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233 | (12) |
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17 Golcien boy in a brave new world: Mike Hawthorn and motorsports heritage in a cultural landscape |
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245 | (10) |
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18 Car(acter)s in cinematic culture |
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255 | (13) |
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19 Driving in the dark: automobilities in film noir landscapes |
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268 | (13) |
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PART V Car design and heritage identity making |
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281 | (50) |
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20 Branding an American icon: cultural heritage and the Corvette community |
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283 | (15) |
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21 Casting values: molding the Israeli national car |
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298 | (7) |
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22 Driving patriotism: the shaping of British nationalism and nostalgia in Motor Sport magazine |
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305 | (15) |
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23 From hobby to high end via heritage: becoming "Bentley" |
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320 | (11) |
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PART VI Sustainable futures for personal mobility |
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331 | (43) |
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24 What will remain of automobilism and car culture? Current issues of global and local automotive heritage |
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333 | (8) |
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25 It's the end of the car as we know it: the transformational impact of autonomous cars |
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341 | (11) |
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26 In search of the greenest car: automobility and sustailiability |
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352 | (16) |
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27 Heritage driven: conclusion |
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368 | (6) |
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Afterword |
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374 | (4) |
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Index |
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378 | |