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E-raamat: Routledge Handbook of Chinese Media 2nd edition [Taylor & Francis e-raamat]

Edited by (University of Leeds, UK), Edited by (University of Leeds, UK), Edited by
  • Formaat: 492 pages, 16 Tables, black and white; 17 Halftones, black and white; 17 Illustrations, black and white
  • Ilmumisaeg: 19-Aug-2025
  • Kirjastus: Routledge
  • ISBN-13: 9781003362500
  • Taylor & Francis e-raamat
  • Hind: 258,50 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 369,29 €
  • Säästad 30%
  • Formaat: 492 pages, 16 Tables, black and white; 17 Halftones, black and white; 17 Illustrations, black and white
  • Ilmumisaeg: 19-Aug-2025
  • Kirjastus: Routledge
  • ISBN-13: 9781003362500

The new 2nd edition of this successful Handbook explores the growing and evolving field of Chinese media, offering a window to observe multi-directional flows of information, culture and communications within the contexts of globalization and regionalization.



The new 2nd edition of this successful Handbook explores the growing and evolving field of Chinese media, offering a window to observe multi-directional flows of information, culture and communications within the contexts of globalization and regionalization.

Bringing together the research of an international and interdisciplinary team providing expert analysis of the media in China, Hong Kong, Taiwan, Macau and among other Chinese communities, this new edition:

· Highlights how new social, economic, and political forces have emerged to challenge the production and consumption of media outputs.

· Reveals how the growing prevalence of social media, such as WeChat and TikTok, continues to blur the boundary between online and offline, allowing state institutions to interfere in the lives of their users, and civil societies to mobilise and articulate their interests and grievances.

· Outlines how the development of new communications technologies and their use by political and economic actors, journalists, civil societies, and diaspora communities contributes to the complex multi-directional flow of information, culture, and communications in the twenty-first century.

Contributing to the growing and evolving field of Chinese media studies, this Handbook is an essential and comprehensive reference work for students of all levels and scholars in the fields of Chinese Studies and Media Studies.

Introduction Part 1: The Development of the Study of Chinese Media
1.
China, Soft Power and Cultural Imperialism
2. Cyber Security, Cyber
Sovereignty and Cyber Governance: The Party-States Approach to Controlling
and Harnessing the Internet in China
3. The Future of Work: Digital Labour
Research in China
4. Using Netnography to Study Chinese Social Media: A
Methodological Reflection
5. #MilkTeaAlliance as Minor Solidarity: How a
Taiwan-Centred Perspective Engages and Challenges the Global South
Theoretical Framework Part 2: Journalism, Press Freedom and Social
Mobilisation
6. Press Freedom in PostNational Security Law Hong Kong
7.
Media and Social Mobilisation in Hong Kong
8. Localisation as Negotiation:
Practising Solutions Journalism in Hong Kong
9. Mechanisms to Deal with
Misinformation and Disinformation in Taiwan: Covid-19 and Beyond
10.
Contested and Negotiated Discourses: Media Framing of LGBTQ Issues in Taiwan
11. The Manufacturing of Correct Collective Memory in Chinese Media and the
Resistance of Chinese Netizens: From the Covid-19 Outbreak to the Blank White
Paper Movement Part 3: The Internet, Public Sphere and Media Culture
12.
Digital Media and Politics in China
13. Chinese Nationalism in the Age of
Social Media: Competing Actors, Discourses and Interests
14. Online Tucao
Subculture in China: A Case Study of Youni Discourse on Weibo
15. Popular
Feminism with Chinese Characteristics: A Feminist Study of the First Season
of Reality TV Show Sisters Who Make Waves
16. Comparing Utopias: Shifts in
Cinematic Representations of Chinese Power in New Mainstream Films
17.
Guiding the Public: Documentary Films in China
18. Museum Collections and
Literary Games in Taiwan: The Crazy Gods Show and Literature Lockdown Part 4:
Market, Production and the Media Industries
19. The Evolution of Media in
Macao: From the Jesuit Press to the Digital Age
20. Gamers, the State and
Online Games
21. Wuxia in the Digital Realm: Transmedia Storytelling and
Player Immersion in Role-Playing Games
22. Copyright and Chinas Evolving
Media Economy: From Marketisation to Platformisation
23. Navigating Copyright
in Chinas Digital Music Ecosystem: Socially Mediated Discourses and Legal
Reforms
24. Crafting Visibility: Authenticity, Intimacy and Networked
Relations in Chinese Online Celebrity Culture Part 5: Chinese Media and the
World
25. From Institutional Nationalism to Platform Cosmopolitanism: A
Genealogical Review of Chinas Global Communication Strategy
26. Broadcasting
China: Strategies and Trends in the Global Expansion of Chinese Television
27. The Unresolvable Imbalances of Chinas English-Language Media: The Case
of CGTN
28. Chinas Soft Power and Documentary Co-production: Navigating
Public Diplomacy in the Covid and Post-Covid Era
29. Transnational Platform
Governance amid Geopolitical Rivalries: The Case of TikTok in Sino-India
Relations
Ming-Yeh T. Rawnsley is Research Associate, Centre of Taiwan Studies at the School of Oriental and African Studies (SOAS), University of London, UK.

Yiben Ma is Convenor of the Preliminary Year Programme for International Communications Studies at the University of Nottingham Ningbo China.

Gary D. Rawnsley is Head of the School of Social and Political Sciences and Professor of Public Diplomacy at the University of Lincoln, UK.