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E-raamat: Routledge Handbook of Wine and Culture [Taylor & Francis e-raamat]

Edited by , Edited by (University of Leicester, UK), Edited by , Edited by , Edited by , Edited by , Edited by
  • Formaat: 472 pages, 20 Tables, black and white; 24 Line drawings, black and white; 24 Halftones, black and white; 48 Illustrations, black and white
  • Ilmumisaeg: 27-Apr-2022
  • Kirjastus: Routledge
  • ISBN-13: 9781003034711
  • Taylor & Francis e-raamat
  • Hind: 258,50 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 369,29 €
  • Säästad 30%
  • Formaat: 472 pages, 20 Tables, black and white; 24 Line drawings, black and white; 24 Halftones, black and white; 48 Illustrations, black and white
  • Ilmumisaeg: 27-Apr-2022
  • Kirjastus: Routledge
  • ISBN-13: 9781003034711
This title was a prize winner at the OIV (International Organisation of Vine and Wine) Awards 2023.

The link between culture and wine reaches back into the earliest history of humanity. The Routledge Handbook of Wine and Culture brings together a newly comprehensive, interdisciplinary overview of contemporary research and thinking on how wine fits into the cultural frameworks of production, intermediation and consumption.

Bringing together many leading researchers engaged in studying these phenomena, it explores the different ways in which wine is constructed as a social artefact and how its representation and use acquire symbolic meaning. Wine can be analysed in different ways by varying disciplines involved in exploring wine and culture (anthropology, economics and business, geography, history and sociology, and as text). The Handbook uses these as lenses to consider how producers, intermediaries and consumers use and create cultural significance. Specifically, the work addresses the following: how wine relates to place, belief systems and accompanying rituals; how it may be used as a marker of the identity and mechanisms of civilising processes (often in conjunction with food and the arts); how its framing intersects with science and nature; the ideologies and power relations which arise around all these activities; and the relation of this to wine markets and public institutions.

This is essential reading for researchers and students in education for the wine industry and in the humanities and social sciences engaged in understanding patterns of human ingenuity and interaction, such as sociology, anthropology, economics, health, geography, business, tourism, cultural studies, food studies and history.
List of figures
x
List of tables
xii
List of contributors
xiii
Preface xii
Culture and wine: an introduction 1(12)
Tim Unwin
PART I Context: disciplinary perspectives on wine and culture
13(46)
1 Anthropology, wine and culture
15(5)
Marion Demossier
Clelia Viecelli
2 Business, wine and culture
20(7)
Steve Charters
3 Economics, wine and culture
27(8)
Denton Marks
4 Geography, wine and culture
35(6)
Tim Unwin
5 History, wine and culture
41(5)
Graham Harding
6 Sociology, wine and culture
46(5)
Jennifer Smith Maguire
7 Text, wine and culture
51(8)
Jacqueline Dutton
PART II Production and place
59(74)
8 Cultures of terroir
61(11)
Tim Unwin
9 Sites and sights of production: spaces and performances of winemaking
72(10)
John Overton
10 Wine islands: colonial cultures of the vine
82(8)
Jacqueline Dutton
11 Expressing sense of place and terroir through wine tourism encounters: antipodal reflections from France and New Zealand
90(9)
Rory Hill
Joanna Fountain
12 Wine, culture and environment: a study of the Sierra (Nevada) Foothills American Viticultural Area
99(11)
Michele M. Tobias
Colleen C. Myles
13 Making wine, making home
110(7)
William Skinner
14 Climats and the crafting of heritage value in Burgundy terroir
117(8)
Marion Demossier
15 Wine, deep in the heart of Texas
125(8)
Colleen C. Myles
Kourtney Collins
Christi G. Townsend
PART III Intermediation and consumption
133(98)
16 Characters of wine: the cultural meanings of typefaces and fonts in wine labels
135(10)
Franck Celhay
17 `Making the right impression': Irish wine culture, c. 1700-present
145(10)
Charles C. Ludington
Graham Harding
18 Wine as part of Polish identity in early modern times: constructing wine culture in non-wine countries
155(10)
Dorota Dias-Lewandowska
19 The shape of luxury: three centuries of the champagne glass in British material culture
165(11)
Graham Harding
20 `For us as experimentalists': an Australian case study of scientific values in nineteenth-century New World winegrowing
176(11)
Julie McIntyre
21 Tasting as expertise: scientific agronomists and sommeliers in France in the first half of the twentieth century
187(9)
Scnia Fedoul
22 Wine writing as lifestyle writing: communicating taste and constructing lifestyle in The Saturday Times wine column
196(8)
Ana Tominc
Nikki Welch
23 Some practical economics of selling wine as a cultural good
204(13)
Ben Christiansen
Denton Marks
24 Champagne - a global symbol of contemporary consumer culture
217(14)
Joonas Rokka
PART IV Belief and representation
231(66)
25 Wine and religion: Part 1, antiquity to 1700
233(8)
Mack P. Holt
26 Wine and religion: Part 2, 1700 to the present
241(9)
Rod Phillips
27 Wine as metaphor
250(9)
Azelina Jaboulet-Vercherre
28 New World wine and the evolution of universal, vernacular, metro-rural and indigenous idylls
259(10)
Peter J. Howland
29 Narratives of science and culture in winemaking
269(8)
Ian Malcolm Taplin
30 Applying fashion theory to wine: a production of culture example
277(11)
Richard Mitchell
31 Spending, taste and knowledge: logics of connoisseurship and good taste in the age of cultural democratisation
288(9)
Sarah Cappeliez
PART V Power and contestation
297(86)
32 Competing and complementary Utopias: towards an understanding of entangled wine ideals
299(12)
Jacqueline Dutton
Peter J. Howland
33 Threats of pleasure and chaos: wine and gendered social order
311(9)
Anna-Mari Almila
David Inglis
34 Women in wine occasionally: gendered roles in the wine industry
320(11)
Florine Livat
Clara Jaffre
35 Sustainable wine: the discursive production of sustainability in the wine field
331(11)
Gianmarco Navarini
Lorenzo Domaneschi
36 The triumph of the holy trinity: terroir, typicity and quality anchoring the AOC model in the second half of the twentieth century
342(11)
Olivier Jacquet
37 What can winemakers' business models tell us about the cultural traits of wine regions? A comparative analysis
353(10)
Jean-Guillaume Ditter
Paul Midler
Corinne Tanguy
38 Repudiation not withstanding: critics and the case for hybrid grape wines
363(9)
Connor Fitzmaurice
39 If it's famous, it must be good: the social construction of brand value in the US wine market
372(11)
Gregory S. Carpenter
Ashlee Humphreys
PART VI Change and the future
383(59)
40 Internationalisation of winegrape varieties and its implications for terroir-based cultural assets
385(11)
Kym Anderson
Signe Nelgen
41 Cultural heritage and migration in the wine world
396(9)
Chantal Crenn
42 The China wine market: how wine is gaining cultural value in Chinese culture
405(10)
Justin Cohen
Larry Lockshin
Armando Corsi
Johan Bruwer
Carl Driesener
Richard Lee
43 Beyond white: on wine and ethnicity
415(9)
David Inglis
Hang Kei Ho
44 Climate or technical change in wine? Confronting climatologists' and winegrowers' analyses
424(10)
Genevieve Teil
45 Winegrowing, climate change and a case for biodynamic viticulture
434(8)
Robert Swinburn
Conclusion 442(13)
Graham Harding
Steve Charters
Index 455
Steve Charters is Professor of Wine Marketing and a researcher at Burgundy School of Business in Dijon, and is responsible for developing teaching and research programmes focusing on all aspects of the business, culture and history of wine. He is also adjunct professor in the Adelaide Business School at the University of Adelaide, Australia.

Marion Demossier is Professor of Social Anthropology in the Department of Modern Languages and Linguistics at the University of Southampton. She has recently completed a monograph on the anthropology of wine and terroir: Burgundy, a Global Anthropology of Place and Taste.

Jacqueline Dutton is Professor of French Studies at the University of Melbourne. She co-edited Wine, Terroir and Utopia: Making New Worlds (with Peter J. Howland) and her research focuses on the cultural history of wine in Bordeaux, Burgundy, and Champagne.

Graham Harding is a wine historian attached to the history faculty of the University of Oxford. His Champagne in Britain, 18001914: How the English Transformed a French Luxury was published in 2021.

Jennifer Smith Maguire is Professor of Cultural Production and Consumption at the Sheffield Business School, Sheffield Hallam University. Her expertise lies in the socio-cultural study of consumer culture and cultural intermediaries, with a special focus on the construction of markets, tastes and value.







Denton Marks

is Professor Emeritus of Economics at the University of Wisconsin-Whitewater and fellow of the American Association of Wine Economists. His research involves a range of aspects of wine as a cultural good, and his Wine and Economics: Transacting the Elixir of Life is used internationally in various oenological programs. Tim Unwin is Emeritus Professor of Geography at Royal Holloway, University of London. He co-founded the Journal of Wine Research in 1990 and was external examiner and academic advisor to the Institute of Masters of Wine from 2004 to 2011.