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E-raamat: Routledge International Handbook of Ethnographic Film and Video [Taylor & Francis e-raamat]

Edited by (Royal Roads University, Canada)
  • Formaat: 360 pages, 1 Tables, black and white; 1 Line drawings, black and white; 23 Halftones, black and white; 24 Illustrations, black and white
  • Sari: Routledge International Handbooks
  • Ilmumisaeg: 16-Apr-2020
  • Kirjastus: Routledge
  • ISBN-13: 9780429196997
  • Taylor & Francis e-raamat
  • Hind: 244,66 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 349,51 €
  • Säästad 30%
  • Formaat: 360 pages, 1 Tables, black and white; 1 Line drawings, black and white; 23 Halftones, black and white; 24 Illustrations, black and white
  • Sari: Routledge International Handbooks
  • Ilmumisaeg: 16-Apr-2020
  • Kirjastus: Routledge
  • ISBN-13: 9780429196997

The Routledge International Handbook of Ethnographic Film and Video is a state-of-the-art volume which encompasses the breadth and depth of the field of ethnographic film and video-based research. With more and more researchers turning to film and video as a key element of their projects, and as research video production becomes more practical due to technological advances as well as the growing acceptance of video in everyday life, this critical volume supports young researchers looking to develop the skills necessary to produce meaningful ethnographic films and videos, and serves as a comprehensive resource for social scientists looking to better understand and appreciate the unique ways in which film and video can serve as ways of knowing and as tools of knowledge mobilization.

Comprised of 31 chapters authored by some of the world’s leading experts in their respective fields, the book’s contributors synthesize existing literature, introduce the historical and conceptual dimensions of the field, illustrate innovative methodologies and techniques, survey traditional and new technologies, reflect on ethics and moral imperatives, outline ways to work with people, objects, and tools, and shape the future agenda of the field. With a particular focus on making ethnographic film and video, as opposed to analysing or critiquing it, from a variety of methodological approaches and styles, the Handbook provides both a comprehensive introduction and up-to-date survey of the field for a vast variety of audio-visual researchers, such as scholars and students in sociology, anthropology, geography, communication and media studies, education, cultural studies, film studies, visual arts and related social science and humanities. As such, it will appeal to a multidisciplinary and international audience, and features a dynamic, forward-thinking, innovative, and contemporary focus oriented toward the very latest developments in the field, as well as future possibilities.

List of figures
xi
Acknowledgments xii
List of contributors
xiv
1 Introduction
1(12)
Phillip Vannini
PART I Practicing the art and science of ethnographic film and video
13(68)
2 Defining ethnographic film
15(15)
P. Kerim Friedman
3 Theorizing in/of ethnographic film
30(10)
Jenny Chio
4 Filming the Other
40(9)
Stephanie Spray
5 The new art of ethnographic filmmaking
49(12)
Christopher Wright
6 Beyond ethnographic representation
61(10)
Robert Willim
7 From ethnographic media to multimodality
71(10)
Samuel Gerald Collins
Matthew Durington
PART 2 Applying and extending approaches and methodologies
81(54)
8 Ethnomethodological approaches
83(12)
Asta Cekaite
9 Oral history, visual ethnography, and the interactive documentary
95(11)
Kathleen M. Ryan
David Staton
10 Visual psychological anthropology
106(10)
Robert Lemelson
Annie Tucker
11 Video diaries
116(10)
Charlotte Bates
12 Feminist and queer approaches
126(9)
Molly Merry man
PART 3 Developing genres and styles
135(58)
13 Interactive media
137(17)
Peter Biella
14 Sound matters
154(10)
Alexandrine Boudreault-Fournier
15 Documentary hybrids
164(9)
Lorenzo Ferrarini
16 Sensory Verite
173(10)
Kathy Kasic
17 Ethnocinema
183(10)
Anne Harris
PART 4 Working with others
193(42)
18 Respect, integrity, trust
195(9)
Paul Wolffram
19 Participation, reception, consent, and refusal
204(10)
Arjun Shankar
20 Collaborative post-production
214(10)
Jasper Chalcraft
Rose Satiko Gitirana Hikiji
21 Filming with nonhumans
224(11)
Sarah Abbott
PART 5 Working with tools and techniques
235(44)
22 Mobile video methods and wearable cameras
237(10)
Katrina M. Brown
Petra Lackova
23 Drones
247(9)
Adam Fish
24 360° Video
256(11)
Mark R. Westmoreland
25 Screens as film locations
267(12)
Steffen Kohn
PART 6 Distributing and circulating
279(76)
26 How to Distribute Your Ethnographic Film
281(12)
Harjant S. Gill
27 Circulating ethnographic films in the digital age
293(9)
Ethiraj Gabriel Dattatreyan
28 Ethnographic film/video as a graduate thesis
302(11)
Catherine Gough-Brady
29 Ethnographic Film Festivals
313(12)
Carlo Cubero
Conclusion
323(2)
30 Everything you've always wanted to ask ethnographic filmmaker but never had a chance to: A roundtable discussion
325(23)
Phillip Vannini
Peter Biella
Alexandrine Boudreault-Fournier
Carlo Cubero
Lorenzo Ferrarini
Harjant Gill
Kathy Kasic
Molly Merriman
Mark Westmoreland
Chris Wright
31 Conclusion: The world according to Rouch
348(7)
Paul Stoller
Index 355
Phillip Vannini is a Professor in the School of Communication and Culture at Royal Roads University in Victoria, Canada, as well as Canada Research Chair in Public Ethnography. He is the author/editor of 15 books, including recent methodological texts such as Doing Public Ethnography and Non-Representational Methodologies. Vanninis research interests, typically pursued from an ethnographic approach, span the fields of social and cultural geographies, cultural studies, and sociology.