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E-raamat: Scenography of Howard Barker: The Wrestling School Aesthetic 1998-2011 [Taylor & Francis e-raamat]

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Scenography of Howard Barker: The Wrestling School Aesthetic 1998-2011Suurem pilt
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Taylor & Francis e-raamatudRohkem infot Taylor & Francis e-raamatute kohta
Raamatu kodulehekülg: https://www.taylorfrancis.com/books/9780429021893
"Influential contemporary British playwright and director Howard Barker has been engaging with the scenography of The Wrestling School's productions since 1998. Despite this active involvement in the design of set, costume, lighting and sound, no in-depth published study on this aspect of his work exists to date. This monograph therefore offers the first comprehensive and detailed analysis of Barker's scenographic practice. Combining aesthetic analysis of play texts and production records with original interview materials, this book presents the first full-length foray into Barker's scenography. It features extracts from conversations with designers working with Barker, and with Barker himself. In addition, it presents the first printed versions of select set and costume designs by Barker. With the first fully detailed analysis of Barker's scenographic work, this book will be a vital read for scholars and postgraduates of Barker Studies, contemporary British and European Drama, Theatre, and Scenography"--

Influential contemporary British playwright and director Howard Barker has been engaging with the scenography of The Wrestling School’s productions since 1998. Despite this active involvement in the design of set, costume, lighting and sound, no in-depth published study on this aspect of his work exists to date. This monograph therefore offers the first comprehensive and detailed analysis of Barker’s scenographic practice.

Combining aesthetic analysis of play texts and production records with original interview materials, this book presents the first full-length foray into Barker’s scenography. It features extracts from conversations with designers working with Barker, and with Barker himself. In addition, it presents the first printed versions of select set and costume designs by Barker.

With the first fully detailed analysis of Barker’s scenographic work, this book will be a vital read for scholars and postgraduates of Barker Studies, contemporary British and European Drama, Theatre, and Scenography.

Acknowledgements viii
Introduction: Two decades of scenographic imagination 1(19)
Approaching scenographic analysis through aesthetics
4(4)
From Wagner, Appia, and Craig to Wilson, Goebbels, and Barker
8(12)
1 Space and place
20(29)
Landscape plays
21(12)
Chamber plays
33(11)
Conclusion: not nowhere, but...
44(5)
2 Light and darkness
49(24)
Chiaroscuro and side-lighting
51(15)
The Ganzfeld effect and the limits of perception
66(7)
3 Costume and styling
73(34)
Material matters
74(12)
The body (un) dressed
86(16)
Grades of likeness
102(5)
4 Sound and silence
107(41)
(In) human voices and de-naturalised sounds
110(10)
Ubiquity and the end of meaning
120(15)
Conclusion
135(13)
Appendix 148(45)
References 193(8)
Index 201
Lara Maleen Kipp is an early career researcher, scenographer, and theatre practitioner. Her PhD at Aberystwyth University engaged in an aesthetic analysis of Howard Barkers scenography. Previously, she completed a Masters degree in Practising Theatre & Performance and a joint BA (Hons) in Scenography & Theatre Design and Drama & Theatre Studies. Her work experiences include Vivienne Westwood Studios, the Salzburg Opera Festival, and a lectureship at the University of Derby. She has published with Intellect, De Gruyter, Palgrave Macmillan, Sorbonne University, and Taylor & Francis. Her research interests include scenography, voice and performance, and contemporary European Theatre.
Püsilink: https://www.kriso.ee/db/9780429021893_pe.html
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