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E-raamat: Screenwriting With a Conscience: Ethics for Screenwriters [Taylor & Francis e-raamat]

  • Taylor & Francis e-raamat
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Screenwriting With a Conscience: Ethics for Screenwriters is for screenwriters who care deeply about what they write; who are aware that movie images matter and can influence audiences; and who want to create meaningful screenplays that make powerful statements while entertaining and winning over audiences. A user-friendly guide to ethical screenwriting, this book makes the case that social responsibility is endemic to public art while it emphatically champions First Amendment rights and condemns censorship.

In this dynamic and practical volume, author Marilyn Beker provides methods for self-assessment of values, ideas, and ethical stances, and demonstrates the application of these values to the development of plot, character, and dialogue. Screenwriters are introduced to ethical decision making models and shown--through specific film examples--how they can be utilized in plot and character development. In addition, specific techniques and exercises are supplied to help screenwriters determine the difference between "good" and "evil," to write realistic and compelling characters based on this determination, and to present "messages" and write dialogue powerfully without preaching. This book also puts forth a livable work philosophy for dealing with the ethics of the screenwriting business, and presents a viable personal philosophy for surviving in the screenwriting world.

Screenwriting With a Conscience: Ethics for Screenwriters is an indispensible, dynamic guide for the ethics-conscious screenwriter. It is intended for screenwriters at the student and professional level, and is appropriate for beginning to graduate screenwriting courses in film and English programs, and for film courses dealing with Ethics in the Media.
Preface xiii
Why Ethics? Why Me? Why Now?
xv
Introduction 1(14)
Thinking Before Writing
3(1)
Looking Ahead: The Process
4(1)
A Practical Definition of Ethics
5(3)
This Book's Ethics
8(3)
Spoilers Warning
11(1)
Movies Versus Television
12(3)
PART I: WHY?
Ethics? For Screenwriters????
15(3)
Message and Meaning
18(7)
What About the First Amendment
21(4)
The Certainty of Why
25(19)
Yuks: As Good As Bucks
37(2)
Because It Matters
39(5)
Social Responsibility
44(3)
What's Art Got to Do With It?
47(8)
PART II: THE CERTAINTY OF WHAT: ANYTHING GOES?
A Glimpse of Stocking
55(14)
Something Shocking
69(7)
Where Have All the Elders Gone?
76(10)
Recapturing Innocence:
A Resensitizing Exercise
82(4)
Conscience
86(5)
PART III: WHAT REALLY MATTERS
What's It Worth?
91(10)
The Good, the Bad, the Blurry
101(6)
Nothing Left to Chance
107(18)
Ethical Decision-Making Models
109(11)
Who Chooses?
120(5)
PART IV: WHITE HATS, BLACK HATS
White Hats, Black Hats
125(6)
Good
131(11)
Bad
142(7)
The Villanero
149(4)
Practical Writing Techniques
153(9)
Creating Good Guys
153(2)
Creating Bad Guys
155(4)
Ethical Biographies
159(3)
Angelic Acts, Dastardly Deeds
162(6)
Crime and Punishment
168(4)
Special Circumstances
172(11)
Funny or Not, Here I Come!
172(4)
Caper Films: Barely Dark
176(7)
PART V: KILLING THE MESSENGER
No Sermons
183(7)
Words of Wisdom
190(15)
PART VI: HAVING WRITTEN AND WRITING MORE
What's the Idea?
205(9)
All's Fair in Love, War, and Showbiz?
214(12)
Agreements, Contracts, and Pitches
217(9)
Courage
226(5)
CONCLUSION
An Ethics Check List
231(2)
Only the Beginning
233(1)
Acknowledgments
234(3)
References 237(4)
Index 241


Marilyn Beker