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E-raamat: Sculpted Thresholds and the Liturgy of Transformation in Medieval Lombardy [Taylor & Francis e-raamat]

  • Formaat: 238 pages, 69 Halftones, black and white; 69 Illustrations, black and white
  • Sari: Routledge Research in Art and Religion
  • Ilmumisaeg: 24-Jun-2022
  • Kirjastus: Routledge
  • ISBN-13: 9781003222415
  • Taylor & Francis e-raamat
  • Hind: 161,57 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 230,81 €
  • Säästad 30%
  • Formaat: 238 pages, 69 Halftones, black and white; 69 Illustrations, black and white
  • Sari: Routledge Research in Art and Religion
  • Ilmumisaeg: 24-Jun-2022
  • Kirjastus: Routledge
  • ISBN-13: 9781003222415
This book explores the issue of ecclesiastical authority in Romanesque sculpture on the portals and other sculpted gateways of churches in the north Italian region of Lombardy.

Gillian B. Elliott examines the liturgical connection between the ciborium over the altar (the most sacred threshold inside the church), and the sculpted portals that appeared on church exteriors in medieval Lombardy. In cities such as Milan, Civate, Como, and Pavia, the liturgy of Saint Ambrose was practiced as an alternative to the Roman liturgy and the churches were constructed to respond to the needs of Ambrosian liturgy. Not only do the Romanesque churches in these places correspond stylistically and iconographically, but they were also linked politically in an era of intense struggle for ultimate regional authority. The book considers liturgical and artistic links between interior church furnishings and exterior church sculptural programs, and also applies new spatial methodologies to the interior and exterior of churches in Lombardy.

The book will be of interest to scholars working in art history, medieval studies, architectural history, and religious studies.
List of Figures
ix
List of Maps
xiii
Acknowledgments xiv
Introduction: Sculpted Thresholds and the Liturgy of Transformation in Medieval Lombardy 1(13)
Art, Authority, and Milanese Politics
3(3)
The Liminal Motif and the Experience of Liturgical Space
6(2)
Chapter Outlines
8(6)
1 The Origins of the porta coeli in Milan: Saint Ambrose and the Progression of the Soul through Sacred Space
14(27)
Saint Ambrose's Theology of the Gate and the Basilica Martyrum
18(5)
The Early Christian Porta Lignea: Entry through "Royal Doors" to the Royal Audience Hall
23(4)
The Early Christian City-Gate Sarcophagus and Humble Petition before the Throne of God
27(3)
The Early Christian Ciborium and Atonement at the porta coeli
30(3)
The Apse Mosaic and Spiritual Ascent to Paradise
33(8)
2 Activating the Ciborium at Sant'Ambrogio in Milan: Liturgical Gestures and Neoplatonic Gifts
41(29)
Ciboria in Lombardy and Byzantium: Figure and Form
44(7)
The Function of Ciboria as the "Gate of Heaven," East and West
51(3)
Priestly Gestures of Oblation on the Ciborium
54(1)
Ambrose and the Heavenly Court
55(1)
Christ as the Mercy Seat at the Gate of Heaven
56(2)
Lay Sacrificial Gifts and Reconciliation at the Gate of Heaven
58(2)
Transformation at the Gate of Heaven through Neoplatonic Gifts
60(10)
3 Saint Ambrose Enthroned at the Gate: Bishop as Judge in the Atrium
70(27)
The Sculptures of the Narthex and the Cult of Saints in the Atrium
73(6)
The Commemoration of Ambrose and Jordan at the Gate
79(6)
The Bishop at the Gates of Justice
85(3)
Archbishop Jordan of Clivio at the Gate
88(9)
4 From Jerusalem to Civate: The Ciborium as Ark and Tomb
97(26)
The traditio legis et clavium as Key to Heaven
102(2)
The imago clipeata as Ark Cover
104(3)
The Crucifixion and the Resurrection at Civate and Jerusalem
107(1)
The Ciborium at Civate and Interactions with Byzantium
108(15)
5 The Saint at the Dragon Portal of San Fedele in Como
123(29)
Milan and Como: Historical, Liturgical, and Sculptural Ties
124(6)
The Ascent of the Soul at the Dragon Portal
130(3)
Unveiling Baptismal Mysteries at the Dragon Portal
133(3)
San Fedele and Liturgical Processions for Baptism
136(3)
Penitence and Judgment at the Dragon Portal of San Fedele
139(1)
The Military Saint and Clerical Reform at San Fedele
140(12)
6 San Pietro in Ciel d'Oro at Pavia: The Angel at the porta coeli
152(26)
Ambrose in Milan and Augustine in Pavia: Neighbors and Rivals
154(4)
Angelic, Royal, and Ecclesiastic Protection at San Pietro
158(3)
The Angel of Peace and the Liturgy of Church Consecration
161(3)
The "Ins" and "Outs" of Church Consecration
164(5)
Ascent of the Soul at the Threshold
169(9)
7 Conclusion
178(6)
Appendix 184(4)
Bibliography 188(43)
Index 231
Gillian B. Elliott is Professorial Lecturer of Art History at George Washington University.