"Subversion and Conformity of Literary Collage: Between Cut and Glue fills a gap in the current scholarship on literary collage, by addressing how different the interpretations of the concept are, depending on the author who uses the concept and the material and writers surveyed. The book studies writers who employed literary collage during the twentieth and twenty-first centuries, some whose works have been intensely analyzed from this perspective (William S. Burroughs and Walter Benjamin), but also some whose collage-writing style has recently been investigated by writers, being usually placed under the umbrella term of artist books (Stelio Maria Martini)"--
Subversion and Conformity of Literary Collage: Between Cut and Glue fills a gap in the current scholarship on literary collage, by addressing how different the interpretations of the concept are, depending on the author who uses the concept and the material and writers surveyed. The book studies writers who employed literary collage during the twentieth and twenty-first centuries, some whose works have been intensely analyzed from this perspective (William S. Burroughs and Walter Benjamin), but also some whose collage-writing style has recently been investigated by writers, being usually placed under the umbrella term of artist books (Stelio Maria Martini).
The book fills a gap in the current scholarship on literary collage, by addressing how different the interpretations of the concept are, depending on the author who uses the concept and the material and writers surveyed.
Contents
List of Figures
List of Contributors
Preface
Acknowledgements
Introduction
1. The Long History of Collage: from Early Modern Commonplace Books to
Twenty-First-Century Experimental Writing, David Banash
2. Little Forms of the Avant-Garde: Walter Benjamins Einbahnstraße
(One-Way Street, 1928) Sofia Cumming
3. Weaponizing the Cut: William S. Burroughss Transmedial Experiments
Benjamin J. Heal
4.Unappendice sensibile del cervello: Stelio Maria Martinis Collage
between Neurosis and Sensitivity Dalila Colucci
5. Collage and Late Style Wojciech Drg
6. A heuristic of thought itself Montage, Writing, Method Heath
Valentine
7. Collage with Words and Images or the Empiricist Turn in the Arts Magda
Dragu
Index
Magda Dragu is a is a Technical writer at Rohde & Schwarz Topex, Bucharest and scholar of modernism and the arts. She wrote on various topics in comparative arts (illuminated manuscripts, musicalized fictions and musicalized pictures, and artists with multiple talents).
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