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Symbolic Interactionist Takes on Music [Hardback]

Edited by (Texas State University, USA), Edited by (Brandon University, Canada), Series edited by (University of Illinois at Urbana-Champaign, USA)
  • Format: Hardback, 232 pages, height x width x depth: 229x152x17 mm, weight: 666 g
  • Series: Studies in Symbolic Interaction
  • Pub. Date: 06-Oct-2016
  • Publisher: Emerald Group Publishing Limited
  • ISBN-10: 1786350483
  • ISBN-13: 9781786350480
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  • Price: 121,59 €
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  • Format: Hardback, 232 pages, height x width x depth: 229x152x17 mm, weight: 666 g
  • Series: Studies in Symbolic Interaction
  • Pub. Date: 06-Oct-2016
  • Publisher: Emerald Group Publishing Limited
  • ISBN-10: 1786350483
  • ISBN-13: 9781786350480
Other books in subject:
Revised versions of papers presented by sociologists from the US, Singapore, and Canada at the Couch-Stone Symposium in 2014 at Texas State U., the 11 essays in this volume discuss symbolic interactionist research on the role of music in making sense of, managing, and designing everyday lives. The examine such topics as Lou Reed, jam festival scenes, women's participation as barbershop singers, the creative songwriting process, fan identities in K-pop music culture, participatory culture in terms of music videos on YouTube, girls who like and use rap music for empowerment, the Christian hip hop music scene in Central Texas, role embracement among online rock fans, Matisyahu, and spontaneous gesture and improvisation in blues. Distributed in North America by Turpin Distribution. Annotation ©2017 Ringgold, Inc., Portland, OR (protoview.com)

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Revised versions of papers presented by sociologists from the US, Singapore, and Canada at the Couch-Stone Symposium in 2014 at Texas State U., the 11 essays in this volume discuss symbolic interactionist research on the role of music in making sense of, managing, and designing everyday lives. The examine such topics as Lou Reed, jam festival scenes, women's participation as barbershop singers, the creative songwriting process, fan identities in K-pop music culture, participatory culture in terms of music videos on YouTube, girls who like and use rap music for empowerment, the Christian hip hop music scene in Central Texas, role embracement among online rock fans, Matisyahu, and spontaneous gesture and improvisation in blues. -- Annotation ©2017 * (protoview.com) *

List Of Contributors
vii
Introduction -- Popular Music In Everyday Lives ix
Joseph A. Kotarba
Saved By Rock `N' Roll: Lou Reed, His Fans, And The Becoming Of The (Marginal) Self
1(20)
Thaddeus Muller
Crews, Camps, And Communities: Place And Belonging In Jam Festival Scenes
21(24)
Robert Owen Gardner
Feminizing A Musical Form: Women's Participation As Barbershop Singers
45(16)
Jeffrey E. Nash
Dina C. Nash
"When I Feel A Song In Me": Exploring Emotions Through The Creative Songwriting Process
61(20)
Maggie Colleen Cobb
Negotiating Fan Identities In K-Pop Music Culture
81(16)
J. Patrick Williams
Music Videos On Youtube: Exploring Participatory Culture On Social Media
97(22)
Christopher J. Schneider
Musical Interactions: Girls Who Like And Use Rap Music For Empowerment
119(32)
Raphael Travis
Scott W. Bowman
Joshua Childs
Renee Villanueva
The Church And The Streets: An Ethnographic Study Of The Christian Hip Hop Music Scene In Central Texas
151(18)
Jonafa Banbury
"Are You In The Pit?" Role Embracement Among Online Rock Fans
169(16)
Andrea Baker
Musical Pastiche: The Case Of Matisyahu
185(12)
Thaddeus Atzmon
Music Is Rhythm, Rhythm Is Life: The Living Moment
197(16)
Eugene Halton
About The Authors 213
Edited by Christopher J. Schneider, Brandon University, Canada Joseph A. Kotarba, Texas State University, USA