| General Editor's Introduction |
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| Acknowledgments |
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xiii | |
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PART I The Tempest and the Critical Legacy |
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Interpreting The Tempest: A History of Its Readings |
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3 | (72) |
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PART II The Tempest and the Critics |
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Preface to The Tempest, or The Enchanted Island |
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75 | (2) |
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77 | (2) |
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The Adventurer, Number 93 Tuesday, September 25, 1753 |
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79 | (5) |
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The Transcript of Lecture 9 |
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84 | (17) |
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101 | (6) |
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107 | (7) |
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114 | (9) |
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123 | (17) |
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140 | (10) |
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Shakespeare's Tempest as Originally Produced at Court |
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150 | (23) |
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173 | (17) |
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Romance, Farewell! The Tempest |
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190 | (10) |
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200 | (23) |
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The Miranda Trap: Sexism and Racism in Shakespeare's Tempest |
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223 | (8) |
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231 | (14) |
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"Remember / First to Possess His Books": The Appropriation of The Tempest, 1700--1800 |
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245 | (12) |
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Local Tempest: Shakespeare and the Work of the Early Modem Playhouse |
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257 | (20) |
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277 | (16) |
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Fanstasy and History in The Tempest |
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293 | (34) |
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PART III Performances of The Tempest |
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The Tempest at Covent-Garden |
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327 | (3) |
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Shakespeare, Illustrated: Charles Kean's 1857 Production of The Tempest |
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330 | (11) |
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The Tempest at the Turn of the Century: Cross-Currents in Production |
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341 | (16) |
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357 | (4) |
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The Tempest: (National Theatre at the Old Vic on 5 March 1974) |
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361 | (3) |
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Prospero, or the Director: Giorgio Strehler's The Tempest |
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364 | (7) |
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371 | (8) |
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379 | (19) |
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Tampering with The Tempest |
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398 | (6) |
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Shakespeare at the Guthrie: The Tempest Through a Glass, Darkly |
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404 | (9) |
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413 | (6) |
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PART IV New Essays on The Tempest |
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Listening for the Playwright's Voice: The Tempest, 4.1.139--5.1.132 |
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419 | (20) |
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Alien Habitats in The Tempest |
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439 | (24) |
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Peopling, Profiting, and Pleasure in The Tempest |
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463 | (19) |
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Print History of The Tempest in Early America, 1623--1787 |
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482 | (27) |
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"Their senses I'll restore": Montaigne and The Tempest Reconsidered |
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509 | (23) |
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Drama's "Inward Pinches": The Tempest |
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532 | (11) |
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Modernist Versions of The Tempest: Auden, Woolf, Tippett |
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543 | (18) |
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The Tempest as Political Allegory |
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561 | |
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