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E-raamat: Theatre of the Book 1480-1880: Print, Text and Performance in Europe New edition [Oxford Scholarship Online e-raamatud]

(, Professor of English and Comparative Literature, Columbia University, NY)
  • Formaat: 508 pages, numerous halftones
  • Ilmumisaeg: 06-Mar-2003
  • Kirjastus: Oxford University Press
  • ISBN-13: 9780199262168
  • Oxford Scholarship Online e-raamatud
  • Raamatu hind pole hetkel teada
  • Formaat: 508 pages, numerous halftones
  • Ilmumisaeg: 06-Mar-2003
  • Kirjastus: Oxford University Press
  • ISBN-13: 9780199262168
Theatre of the Book is an account of the entangled histories of print and the theatre in Europe between the Renaissance and the late nineteenth century: a history of European dramatic publication (providing comparative and historical perspective to the growing field of textual studies); an examination of the creation of the modern notion of text and performance; and a comparative genealogy of ideas about theatrical and textual reception. It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of 'theatre' as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's continual refashioning of itself in the world of print.

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Winner of The American Comparative Literature Association's Harry Levin prize for the best book in comparative literary history published between 1999-2002.The American Comparative Literature Association's Harry Levin prize for the best book in comparative literary history published between 1999-2002

Introduction
I: PRINTING THE DRAMA
1. Experimenting on the page, 1480-1630
2. Drama as institution, 1630-1760
3. Illustrations, promptbooks, stage texts, 1760-1880
II: THEATRE IMPRIMATUR
4. Reinventing 'theatre' via the printing press
5. Critical law, theatrical licence
6. Accurate texts, authoritative editions
III THE SENSES OF MEDIA
7. The sense of the senses: sounds, gesture and the body on stage
8. Narrative form and theatrical illusions
9. Framing space: time, perspective, and motion in the image
IV: THE COMMERCE OF LETTERS
10. Dramatists, poets, and other scribblers
11. Who owns the play? Pirate, plagiarist, imitator, thief
12. Making it public
V: THEATRICAL IMPRESSIONS
13. Scenic pictures
14. Actor/author
15. A theatre too much with us
Epilogue
Notes
Works Cited
Index
Julie Stone Peters is Professor of English and Comparative Literature at Columbia University NY. Her publications include Congreve, the Drama, and the Printed Word (Standford UP 1990) and, with Andrea Wolper, Women's Rights, Human Rights: International Feminist Perspectives (Routledge 1995).