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E-raamat: Twentieth Century German Art Exhibition: Answering Degenerate Art in 1930s London [Taylor & Francis e-raamat]

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Twentieth Century German Art Exhibition: Answering Degenerate Art in 1930s LondonSuurem pilt
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Raamatu kodulehekülg: https://www.taylorfrancis.com/books/9781351004145
This book represents the first study dedicated to Twentieth Century German Art, the 1938 London exhibition that was the largest international response to the cultural policies of National Socialist Germany and the infamous Munich exhibition Degenerate Art. Provenance research into the catalogued exhibits has enabled a full reconstruction of the show for the first time: its contents and form, its contributors and their motivations, and its impact both in Britain and internationally.





Presenting the research via six case-study exhibits, the book sheds new light on the exhibition and reveals it as one of the largest émigré projects of the period, which drew contributions from scores of German émigré collectors, dealers, art critics, and from the degenerate artists themselves. The book explores the shows potency as an anti-Nazi statement, which prompted a direct reaction from Hitler himself.
List of Figures vii
List of Plates x
Acknowledgements xi
List of Abbreviations xii
Introduction 1(21)
1 Twentieth Century German Art: Showcasing German Modernist Culture in 1930s London
1(2)
2 A Political Exhibition
3(7)
3 The Problem of Primary Sources
10(3)
4 A New Approach: Provenance Research
13(2)
5 Structure of This Book
15(7)
1 The Organisation of Twentieth Century German Art 22(17)
1 London-Zurich-Paris: The Beginnings of an International Project
22(5)
2 Mixed Motivations
27(2)
3 From Collaboration to Conflict
29(3)
4 The Limitations of the British Public Sphere
32(2)
5 The Final Stages
34(5)
2 Campendonk's 'Jumping Beast': Neutrality and Resistance in Swiss Museums 39(13)
1 The Nell Walden Collection at Twentieth Century German Art
40(3)
2 Max Huggler and the Contribution of the Kunsthalle Bern
43(3)
3 Utilising the Connections of Swiss Museums
46(2)
4 The London Exhibition and Swiss Institutional Activism
48(4)
3 Schmitt-Rottluff's 'Fishermen's Houses': Art and Status in Exile 52(17)
1 The Karl Goritz Collection: From Chemnitz to London
52(5)
2 The Extent of Emigre Collections at the New Burlington Galleries
57(6)
3 Art Collections and Status Building in Exile
63(6)
4 Liebermann's 'The Potato Gatherer': German Modernism, German Dealers and the London Art Market 69(12)
1 Dealers as Lenders to Twentieth Century German Art
69(3)
2 A Market for German Modernism in 1930s London?
72(3)
3 The Experience of the Emigre Art Dealer in Britain
75(3)
4 German Modernism, German Dealers and the London Art Market
78(3)
5 Schwitters's 'The Golden Ear': 'Degenerate' Artists as Lenders to London 81(11)
1 Kurt Schwitters and Twentieth Century German Art
81(4)
2 The Extent of Artist Loans to Twentieth Century German Art
85(1)
3 The Motivations for Artistic Involvement
86(3)
4 Marketplace, Showcase, Political Statement
89(3)
6 Macke's 'Men on a Bridge': Loans from the Reich 92(14)
1 Connections to the Reich: 1937-1938
92(1)
2 The Hess Collection at the New Burlington Galleries
93(4)
3 Other German Collections Represented in London
97(2)
4 The Westheim Collection in London?
99(2)
5 London as an Illicit Marketplace for German Modernism
101(5)
7 Baumeister's 'Kneeling Group': The British and Twentieth Century German Art 106(8)
1 British Collections at the New Burlington Galleries
106(2)
2 Michael Sadler and the Continuation of a Germanist Project
108(2)
3 Evidence of a Wider British Educational Impulse
110(1)
4 Herbert Read and the Defence of German Modernism
110(4)
8 The Reception of Twentieth Century German Art in Britain and Germany 114(23)
1 The British Reaction to Twentieth Century German Art
119(5)
2 Reaction from the Third Reich
124(6)
3 Summarising Public Attitudes to the London Exhibition
130(7)
Conclusion 137(6)
1 Re-evaluating Twentieth Century German Art
137(3)
2 Next Steps
140(1)
3 Final Remarks
141(2)
Appendix I: Index of Twentieth Century German Art Exhibits 143(36)
Appendix II: Index of Twentieth Century German Art Lenders 179(27)
Bibliography 206(24)
Index 230
Lucy Wasensteiner is Lecturer in Art History at the University of Bonn, and Associate Lecturer at the Courtauld Institute of Art in London.
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