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E-raamat: Visual-Gestural Communication: A Workbook in Nonverbal Expression and Reception [Taylor & Francis e-raamat]

  • Formaat: 242 pages, 64 Line drawings, black and white; 43 Halftones, black and white; 107 Illustrations, black and white
  • Ilmumisaeg: 16-Apr-2019
  • Kirjastus: Routledge
  • ISBN-13: 9780429467905
  • Taylor & Francis e-raamat
  • Hind: 166,18 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 237,40 €
  • Säästad 30%
  • Formaat: 242 pages, 64 Line drawings, black and white; 43 Halftones, black and white; 107 Illustrations, black and white
  • Ilmumisaeg: 16-Apr-2019
  • Kirjastus: Routledge
  • ISBN-13: 9780429467905

Visual-Gestural Communication is a truly unique volume in non-language communication devoted to the study of universal gestures, facial expressions, body language, and pantomime. Readers develop the skill and confidence to interact -- sans shared language -- with individuals, such as someone who is deaf or hard of hearing, or who speaks a foreign language. The text and accompanying online resources feature a wealth of icebreakers, sequenced yet modular activities and assignments, as well as resources, student exercises, and teacher-guided tasks that explore aspects and amalgamations of nonverbal communication, theatre, and sign language. It is a tremendous resource for students of visual-gestural communication, sign language interpretation, American Sign Language (and other foreign sign languages), nonverbal communication, theatre, and performance studies, as well as community educators in deaf awareness and advocacy. In addition to the text's vital use in the theatrical arena, it is also applicable to teachers who wish to help their students maximize the use of their facial expressions, gestures, and body language as a prerequisite to learning ASL.

Acknowledgments xiv
Chapter 1 Introduction
2(38)
Inherent Benefits
3(7)
An Abridged, Concise (Perhaps Quirky) History of Gestures
10(6)
Gesture-Sign Language Connections
16(2)
Gesture and Pantomime in Theatre
18(5)
Nonverbal Applications
23(2)
Some Iconic Gestures in Culture, Film, and TV
25(13)
Self-Awareness
38(2)
Chapter 2 Warm-Ups, Icebreakers, And Exercises
40(90)
Physical Warm-Ups and Icebreakers
41(30)
Point and Go
41(1)
Anthropomorphic Ball
42(3)
Energy Ball
45(2)
Rhythm Game
47(2)
Who's the Leader?
49(2)
Real and Imaginary Jump Roping
51(1)
Real and Imaginary Tug-of-War
52(2)
Invisible Puppetry
54(2)
Elephant Gestures
56(2)
Fear the Sword
58(1)
Group Arm Wave
59(2)
Group Clap
61(1)
Newspaper Tag
62(2)
Group Sculpture
64(2)
Factory Assembly Line
66(2)
Emotional Symphony
68(1)
Observing, Copying, and Exaggerating Walks
69(2)
Facial Expression Exercises
71(7)
What's My Face Saying?
71(1)
"Go Face!" Card Game
72(2)
Mask Makers
74(2)
Yes/No Game
76(2)
Visual Exercises
78(9)
Mirror Game
78(1)
Visual Instincts
79(2)
What Changed?
81(1)
What's Wrong with This Picture?
82(4)
Who's the Killer?
86(1)
Visual-Gestural Exercises
87(43)
Gesturing Tips
87(1)
Gestural Name Game
88(3)
Celebrity Party: Who Am I?
91(1)
Enacting Wordless Comic Strips
92(5)
Sports Fans
97(1)
Polaroids
98(2)
I Am a Camera
100(2)
What Are We Doing?
102(2)
Manual Gibberish
104(3)
Transformation Exercises
107(2)
Where Are We?
109(1)
Down to the Last Detail
110(1)
Your Game
111(1)
Get That Person Off the Chair!
112(2)
What's in the Room?
114(1)
Guesstures
115(2)
Gestural Competition
117(2)
Clay/Model/Artist
119(3)
Telephone Game
122(2)
Let's Go Shopping
124(2)
The Elevator
126(1)
United Nations of Gestures
127(1)
Gift Giving in Gestures
128(2)
Chapter 3 Visual-Gestural Communication Assignments
130(63)
Your Gestural Introduction
131(1)
Personal Coat of Arms
132(1)
Universal Gestures
133(3)
International Sign
136(3)
Random Universal Phrases or Questions
139(1)
Weekend Highlight in Universal Gestures
140(1)
Cirque du Soleil: Nouvelle Experience Clown Performance by David Shiner
141(1)
Body Language
142(1)
Some Basic Hand Orientations for 2D Gestures
143(16)
Developing a Pantomime With 2D Gestures
159(1)
Abstract 2D Gestures
160(2)
Practice With Basic 3D Hand Shapes: Objects
162(3)
Creating 3D Objects
165(1)
Continued Practice with 3D Hand Shapes: Buildings and Structures
166(4)
Arrangement of Related Objects
170(2)
Repeating Patterns
172(2)
Angles and Perspectives
174(2)
Environmental Gestures
176(2)
Cooking Up a Storm
178(2)
Character Description
180(3)
Character Icons
183(2)
Animal Character Description
185(1)
Vehicle Gestures
186(1)
Visual Vernacular: An Aspect Using Body Movement Designators
186(7)
Chapter 4 Projects Playwriting, and Performing With Gestures and Movement
193(22)
Creating a Scene and Script Development
193(2)
Performance
195(1)
Gestures in the Work World
196(3)
Creating an Original, Visual, Nonverbal, Comical Script a la Mr. Bean
199(1)
Assessing Your Facial Expressions
199(2)
Facial Storytelling
201(2)
Performance Reaction Paper
203(2)
Visual-Gestural Translation of a Haiku
205(1)
Re-enacting Little Miss Muffet in Gestures and Movement
205(2)
Two Crows Project
207(1)
Two Crows
207(1)
Visual Theatre Project
208(3)
Remains of [ Bosnians]
209(2)
Research Project
211(1)
Final Project
212(3)
Appendix 215(23)
Bibliography 238
Willy Conley is a professor of Theatre and Dance at Gallaudet University in Washington, DC. He is is an award-winning playwright whose work has appeared in American Theatre, Theatre for Young Audiences Today, Stages of Transformation and numerous anthologies. He specializes in teaching visual-gestural communication to undergraduate and graduate deaf, hard-of-hearing, and hearing students. His publications include Listening Through the Bone: Collected Poems (2018), The Deaf Heart: A Novel (2015) and Vignettes of the Deaf Character and Other Plays (2009).