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William Blake - Songs of Innocence and of Experience [Hardback]

3.57/5 (14 ratings by Goodreads)
, (University of Cambridge, UK)
  • Format: Hardback, 212 pages, height x width: 216x138 mm, weight: 368 g, 212 p., 1 Hardback
  • Series: Readers' Guides to Essential Criticism
  • Pub. Date: 28-Nov-2013
  • Publisher: Red Globe Press
  • ISBN-10: 0230220096
  • ISBN-13: 9780230220096
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  • Price: 119,00 €*
  • * This title is out of print. Used copies may be available, but delivery only inside Baltic States
  • This title is out of print. Used copies may be available, but delivery only inside Baltic States.
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  • Format: Hardback, 212 pages, height x width: 216x138 mm, weight: 368 g, 212 p., 1 Hardback
  • Series: Readers' Guides to Essential Criticism
  • Pub. Date: 28-Nov-2013
  • Publisher: Red Globe Press
  • ISBN-10: 0230220096
  • ISBN-13: 9780230220096
Other books in subject:
Outlines the initial critical responses to "Songs of Innocence and of Experience" and posthumous reputation, discusses key topics, and explores modern critical approaches and debates.

Songs of Innocence and of Experience (1794) is William Blake's best-known work, containing such familiar poems as 'London', 'Sick Rose' and 'The Tyger'. Evolving over the author's lifetime, the collection was printed by Blake himself on his own press.

This Reader's Guide:

• explains the unique development of Songs as an illuminated book
• considers the earliest reactions to the text during Blake's lifetime, and his gathering posthumous reputation in the nineteenth century
• explores modern critical approaches and recent debates
• discusses key topics that have been of abiding interest to critics, including the relationship between text and image in Blake's 'composite art'.

Insightful and stimulating, this introductory guide is an invaluable resource for anyone who is seeking to navigate their way through the mass of criticism surrounding Blake's most widely-studied work.
Acknowledgements viii
List Of Abbreviations
ix
Introduction `Piping down the valleys wild' 1(5)
Chapter One Producing Songs: `In a Book that All May Read'
6(17)
Chapter Two Blake's Contemporaries on Songs: Simplicity, Madness, Genius, and Swedenborgianism
23(19)
Chapter Three Reviving Blake in the 1820s and 1830s: Obituaries, Biographies, and the First New Editions
42(14)
Chapter Four Enshrining Blake in the 1860s and 187Os: Pre-Raphaelitism, Aestheticism, and Counter-Attack
56(25)
Chapter Five Blake and the Moderns: Symbolism and Scholarship
81(23)
Chapter Six The Post-War Foundations: System, Myth, and History
104(20)
Chapter Seven Freedom and Repression in the 1960s and 1970s: Form, Ideology, and Gender
124(21)
Chapter Eight Blake's Composite Art in the 1980s and 1990s: Textuality and the Materiality of the Book
145(18)
Chapter Nine Worlding Blake Today: `Past, Present and Future Sees'
163(18)
Notes 181(3)
Bibliography 184(13)
Index 197
Sarah Haggarty is University Lecturer in English and Fellow of Queens' College, Cambridge, UK.

Jon Mee is Professor of Eighteenth-Century Studies at the University of York, UK.