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E-raamat: Woven Arch Bridge: Histories of Constructional Thoughts [Taylor & Francis e-raamat]

(Lecturer at Kunming University of Science and Technology, China)
  • Formaat: 390 pages, 1 Tables, color; 2 Tables, black and white; 361 Halftones, color; 361 Illustrations, color
  • Sari: China Perspectives
  • Ilmumisaeg: 01-Dec-2020
  • Kirjastus: Routledge
  • ISBN-13: 9781003109341
  • Taylor & Francis e-raamat
  • Hind: 258,50 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 369,29 €
  • Säästad 30%
  • Formaat: 390 pages, 1 Tables, color; 2 Tables, black and white; 361 Halftones, color; 361 Illustrations, color
  • Sari: China Perspectives
  • Ilmumisaeg: 01-Dec-2020
  • Kirjastus: Routledge
  • ISBN-13: 9781003109341
"This book focuses on the woven arch bridge, an arch-shaped structure that is one of the most extraordinary timber building traditions of the world. The woven arch bridge exists widely in different cultures and its specific nature is conceptualized by the author as a kind of "universal uniqueness", challenging widespread viewpoints on its origin and genealogy. Taking this argument as its main thread, the book traces the histories of different woven-arch-bridge-cultures and investigates in particular the woven arch bridge in the mountains of Southeast of China from three angles, using both archaeological and anthropological methods. Resting upon these case studies, a definition of typology and a new theory of structural evolution are established, while the book also draws comparisons between western and eastern timber building cultures and offers new insights on the differences between East Asia and Europe. The book also provides a large number of examples and illustrations of the bridge, and will be of great value and inspiration for architects and scholars studying the history of architecture, bridges and construction, while also appealing to general readers interested in historical bridges and traditional construction technology"--

This book focuses on the woven arch bridge, an arch-shaped structure that is one of the most extraordinary timber building traditions of the world. The woven arch bridge exists widely in different cultures and its specific nature is conceptualized by the author as a kind of “universal uniqueness”, challenging widespread viewpoints on its origin and genealogy.
Taking this argument as its main thread, the book traces the histories of different woven-arch-bridge-cultures and investigates in particular the woven arch bridge in the mountains of Southeast of China from three angles, using both archaeological and anthropological methods. Resting upon these case studies, a definition of typology and a new theory of structural evolution are established, while the book also draws comparisons between western and eastern timber building cultures and offers new insights on the differences between East Asia and Europe.
The book also provides a large number of examples and illustrations of the bridge, and will be of great value and inspiration for architects and scholars studying the history of architecture, bridges and construction, while also appealing to general readers interested in historical bridges and traditional construction technology.

List of figures
x
Introduction 1(6)
PART I Woven arch bridges: three stories
7(114)
1 From Caesar to Da Vinci: the woven structure's Italian root
9(37)
1.1 Glory to Caesar!
9(15)
1.2 Leonardo da Vinci, the genius mind
24(22)
2 A full moon in another land: the Moon Bridge in the Japanese Garden of the Huntington Library
46(43)
2.1 A Japanese landscape in California
46(5)
2.2 Toichiro Kawai, the Japanese carpenter
51(3)
2.3 The Moon Bridge: the art of construction
54(10)
2.4 The Moon Bridge: construction secrets
64(8)
2.5 Reconstruction of an unwritten history
72(15)
2.6 Conclusions: curriculum vitae of the Huntington Moon Bridge
87(2)
3 Searching for the Chinese wooden arch bridges
89(32)
3.1 Discovery of the Chinese wooden arch bridges: from the Rainbow Bridge to the Min-Zhe area bridges
89(9)
3.2 Rainbow Bridge re-observed through the lens of the MZ bridges
98(12)
3.3 The origin of the MZ bridges
110(6)
3.4 Wooden arch bridges: the dedication of two generations of Chinese scholars
116(5)
PART II Woven arch bridges in Southeast China
121(216)
Introduction to Part II
123(1)
II.1 Rules of terminology and abbreviation of the structural members
124(2)
II.2 General building process of a typical MZ bridge
126(1)
II.3 Basic information of the research
126(6)
4 Building a woven arch bridge: local knowledge
132(100)
4.1 Organization and preparation
132(6)
4.2 Material and tools
138(15)
4.3 Design of the woven arch and the production of its building members
153(20)
4.4 Processing the wooden arch elements
173(9)
4.5 Erection of the wooden arch
182(37)
4.6 Constructional perspective of the bridge carpenters
219(11)
4.7 A short summary of the mechanical features of the MZ bridges
230(2)
5 The Rulong Bridge: a detective story
232(28)
5.1 The dragon-like bridge
232(6)
5.2 The measured drawings
238(7)
5.3 Solving the jigsaw puzzle
245(12)
5.4 Conclusions
257(3)
6 Technique and craftsmen: pedigree of the bridge carpenters and the diffusions of the technique
260(77)
6.1 Our sources of information about the bridge carpenter families
260(5)
6.2 Stories of the bridge carpenter families
265(29)
6.3 Construction features and technical evolution
294(20)
6.4 Marginal variant: atypical MZ bridges
314(12)
6.5 Technique inheritance and dissemination
326(11)
PART III Conclusion
337(37)
7 Rethinking the histories of woven arch bridges
339(35)
7.1 Universal uniqueness
339(1)
7.2 Typology of the woven arch structures
340(13)
7.3 From idea to technique
353(4)
7.4 Structural thoughts: dealing with the challenge of the span in different cultures
357(9)
7.5 Seed, soil, growing environment
366(8)
Afterword 374(4)
Acknowledgements 378(3)
List of referred historical MZ bridges 381(4)
Index 385
Liu Yan , an architectural historian, earned the degree of Doktor-Ingenieurin Bauforschung (Building Archaeology) from the Technical University of Munich, Germany. He is a Member of the Koldewey-Gesellschaft and a Junior Fellow at the Society of Fellows in Liberal Arts, Southern University of Science and Technology and now works as a lecturer at Kunming University of Science and Technology, China.