"This book provides a comprehensive account of Austrian animation history, as well as an analysis of the current state of the industry in competition with American and cheaper international products in the face of dwindling budgets. The book outlines thehistory of Austrian animated film Austria from the actual beginnings at the time of the First World War. It looks at the reconstruction of the animation industry during the 1950s and 60s and covers experimental animation from the 1970s onwards. The finalpart of the book explores modern Austrian animation and looks ahead to the future of animation production within the country. This book will be of great interest to academics, students, and professionals working and researching in the field of animation"-- Provided by publisher.
This book provides a comprehensive account of Austrian animation history, as well as an analysis of the current state of the industry in competition with American and cheaper international products in the face of dwindling budgets.
The book outlines the history of Austrian animated film from the actual beginnings at the time of the First World War. It looks at the reconstruction of the animation industry during the 1950s and 60s and covers experimental animation from the 1970s onwards. The final part of the book explores modern Austrian animation and looks ahead to the future of animation production within the country.
This book will be of great interest to academics, students, and professionals working and researching in the field of animation.
This book provides a comprehensive account of Austrian animation history, as well as an analysis of the current state of the industry in competition with American and cheaper international products in the face of dwindling budgets.
Prologue A Nation of Animation Without Animation, Part 1 From Flickers
to Frames: Animation Through the Lens of Innovation and War, 1.1 Turning the
Wheel: Pre-Cinema Animation, 1.2 The Emperors New Films: Animations
Emergence During WWI, 1.3 Imperial Frames: Austrias Animation Legacy in
Habsburg Successor States, 1.4 Twenties Turnaround: The Rise and Fall of
Animation, 1.5 Its a Mouse! Disney Copycats in the 1930s, 1.6 An Austrian
Superman: Austrias Heroes in the World of Animation, Part 2 From War Rooms
to Animation Studios: Austrias Journey into the Digital Age, 2.1 Animated
Exile: Austrian Creators During WWII, 2.2 Animating the Boom: How Economic
Growth Rebuilt the Industry, 2.3 For a Piece of Heart: Austrias Animated
Reanimation, 2.4 Cinema Is Not Movement: Animated Experiments, 2.5 New
Austrian Animated Film: Postmodernism in Motion, 2.6 Ink and Pixels Unite:
The Evolution of Animation in the Digital Age, Part 3 What Was Once
Invisible: Austrias Animation Claims Its Place, 3.1 From Sketches to
Statues: Austrias Animated Ascent to the Oscars, 3.2 New Austrian Animation:
A Return to Narrative Storytelling, 3.3 Thrice the First: The Quest for
Austrias First Animated Feature, 3.4 Animation Becoming Tricky Realities:
Austrian Film Festivals, 3.5 How Duckburg Became Austrian: Character Designer
Florian Satzinger, 3.6 Very British? Very Austrian! Animation on Stage,
Epilogue
Florian Schmidlechner has been researching animation history at the University of Viennas Institute of Contemporary History since 2007. Alongside his publishing and lecturing, he has contributed to international projects such as the US DVD More Cartoons for Victory! (2012) and a 2015 documentary for German television. Recently, he co-authored a chapter on the history of Austrian animated film for The Encyclopedia of Animation Studies, published by Bloomsbury.
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