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E-raamat: Body, Paper, Stage: Writing and Performing Autoethnography [Taylor & Francis e-raamat]

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Tami Spry provides a methodological introduction to the budding field of performative autoethnography including examplars and exercises for the novice.


Tami Spry provides a methodological introduction to the budding field of performative autoethnography. She intertwines three necessary elements comprising the process. First one must understand the body – navigating concepts of self, culture, language, class, race, gender, and physicality. The second task is to put that body on the page, assigning words for that body’s sociocultural experiences. Finally, this merger of body and paper is lifted up to the stage, crafting a persona as a method of personal inquiry. These three stages are simultaneous and interdependent, and only in cultivating all three does performance autoethnography begin to take shape. Replete with examples and exercises, this is an important introductory work for autoethnographers and performance artists alike.
Foreword Performing Authoethnography: Making the Personal Political 11(4)
Norman K. Denzin
Preface Autoethnography Lost and Found 15(2)
Acknowledgments The Textualizing Body 17(2)
Introduction 19(22)
Chapter One Body
41(36)
Conceptualizing Performative Autoethnography
Why Do Performative Autoethnography?
41(10)
Self-Other-Context
51(1)
Connection
52(1)
Performative Autoethnography and the Performative-I Disposition
53(4)
Agency and Representation
57(5)
Embodiment
62(3)
Rupture and Fragmentation
65(1)
In-and-Between Bodies
66(4)
The Performance Studies Classroom and Beyond
70(5)
Questions for Further Consideration
75(2)
Chapter Two Paper
77(38)
Writing the Body
Putting the Body On Paper, or, Writing the Performative Body
100(1)
Our Relationship with Language
101(2)
Autoethnography Descriptives
103(2)
An Ethic of Aesthetics in Performative Autoethnography
105(2)
Language of the Body
107(2)
Aesthetic Accountability
109(1)
The Answerable Body
110(4)
Questions for Further Consideration
114(1)
Chapter Three Paper
115(42)
Composing Performative Autoethnography
Writing Bodies into Being
115(11)
Methodology for Composing Performative Autoethnography
126(2)
Sociocultural Context
128(1)
Critical Self-Reflection
129(3)
Self-Other Interaction
132(1)
The Body
133(1)
Ethics
134(6)
Form
140(5)
Research
145(3)
Metaphor
148(1)
Time and Space
148(2)
Additional Persona
150(1)
Structuring Performative Autoethnography: From Fragments to Collage
151(2)
Warm-ups for Writing Performative Autoethnography
153(4)
Chapter Four Stage
157(22)
Performing the Autoethnographic Body
Why Perform Autoethnography?
157(3)
Conceptualizing Performance
160(2)
The Weight of Performative Embodiment: Putting Flesh on the Bones of Discourse
162(5)
Practiced Vulnerability as Agency
167(4)
Who and What Are We Performing in Performative Autoethnography?
171(6)
Questions for Further Consideration
177(2)
Chapter Five Stage
179(30)
Embodying Performative Autoethnography
Elements of an Embodied Performance
182(1)
Artistic Work Ethic
183(2)
Dialogical Performance
185(3)
Preparing for Rehearsal
188(1)
Internal/External Dichotomy
189(3)
Step One Analyzing Internal Elements
192(2)
Step Two Connecting Internal and External Elements for Performance Choices
194(2)
Step Three Making Performance Choices of Voice, Body, Audience, and Space
196(10)
Warm-ups for Embodying Performative Autoethnography
206(3)
Chapter Six Body, Paper, Stage and Back Again
209(4)
References 213(12)
Index 225(6)
About the Author 231