Foreword |
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11 | (4) |
Performing Authoethnography: Making the Personal Political |
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Preface |
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15 | (2) |
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Autoethnography Lost and Found |
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Acknowledgments |
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17 | (2) |
Introduction |
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19 | (58) |
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41 | (1) |
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Conceptualizing Performative Autoethnography |
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Why Do Performative Autoethnography? |
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41 | (10) |
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51 | (1) |
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52 | (1) |
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Performative Autoethnography and the |
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53 | (4) |
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Performative-I Disposition |
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Agency and Representation |
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57 | (5) |
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62 | (8) |
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Rupture and Fragmentation |
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65 | (1) |
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66 | (4) |
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The Performance Studies Classroom and Beyond |
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70 | (5) |
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Questions for Further Consideration |
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75 | (2) |
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77 | (38) |
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Putting the Body On Paper, or, Writing the Performative Body |
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100 | (1) |
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Our Relationship with Language |
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101 | (2) |
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Autoethnography Descriptives |
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103 | (2) |
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An Ethic of Aesthetics in Performative Autoethnography |
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105 | (2) |
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107 | (2) |
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109 | (1) |
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110 | (4) |
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Questions for Further Consideration |
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114 | (1) |
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115 | (42) |
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Composing Performative Autoethnography |
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Writing Bodies into Being |
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115 | (11) |
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Methodology for Composing Performative Autoethnography |
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126 | (2) |
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128 | (1) |
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129 | (3) |
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132 | (1) |
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133 | (1) |
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134 | (6) |
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140 | (5) |
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145 | (3) |
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148 | (1) |
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148 | (2) |
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150 | (1) |
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Structuring Performative Autoethnography: From Fragments to Collage |
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151 | (2) |
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Warm-ups for Writing Performative Autoethnography |
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153 | (4) |
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157 | (22) |
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Performing the Autoethnographic Body |
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Why Perform Autoethnography? |
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157 | (3) |
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Conceptualizing Performance |
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160 | (2) |
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The Weight of Performative Embodiment: Putting Flesh on the Bones of Discourse |
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162 | (5) |
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Practiced Vulnerability as Agency |
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167 | (4) |
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Who and What Are We Performing in Performative Autoethnography? |
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171 | (6) |
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Questions for Further Consideration |
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177 | (2) |
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179 | (30) |
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Embodying Performative Autoethnography |
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Elements of an Embodied Performance |
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182 | (1) |
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183 | (2) |
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185 | (3) |
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188 | (1) |
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Internal/External Dichotomy |
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189 | (3) |
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Step One Analyzing Internal Elements |
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192 | (2) |
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Step Two Connecting Internal and External Elements for Performance Choices |
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194 | (2) |
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Step Three Making Performance Choices of Voice, Body, Audience, and Space |
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196 | (10) |
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Warm-ups for Embodying Performative Autoethnography |
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206 | (3) |
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Chapter Six Body, Paper, Stage and Back Again |
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209 | (4) |
References |
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213 | (12) |
Index |
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225 | (6) |
About the Author |
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231 | |