| Notes on Contributors |
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| Introduction: Critical Approaches to Africa's Cinema, From the Age of Liberation and Struggle to the Global, Popular, and Curatorial |
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1 | (20) |
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Part I Time/Crisis/Uncertainty |
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21 | (68) |
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1 Cinematic Economies of the Hypercontemporary in Haroun and Sissako |
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23 | (21) |
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2 Approaching the Uncertain Turn in African Video-Movies: Subalternity, Superfluity, and (Non-)Cinematic Time |
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44 | (25) |
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3 Life in Cinematic Urban Africa: Inertia, Suspension, Flow |
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69 | (20) |
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Part II Trauma/Violence/Precarity in an Age of Global Neoliberalism |
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89 | (66) |
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4 At the Intersection of Trauma, Precarity, and African Cinema: A Reflection on Mahamat-Saleh Haroun's Grigris |
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91 | (21) |
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5 Reframing Human Rights: Hotel Rwanda (2004), A Screaming Man (2010), Global Conflict, and International Intervention |
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112 | (24) |
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6 "The Invisible Government of the Powerful": Joseph Gai Ramaka's Cinema of Power |
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136 | (19) |
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155 | (62) |
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7 Transcultural Language Intimacies: The Linguistic Domestication of Indian Films in the Hausa Language |
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157 | (19) |
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8 The (Aural) Life of Neo-colonial Space |
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176 | (18) |
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9 "Outcast Orders" and the Imagining of a Queer African Cinema: A Fugitive, Afro-Jazz Reading of Karmen Get |
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194 | (23) |
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Part IV Platforms/Informality/Archives |
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217 | (74) |
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10 Streaming Quality, Streaming Cinema |
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219 | (25) |
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11 Between the Informal Sector and Transnational Capitalism: Transformations of Nollywood |
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244 | (25) |
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12 Nollywood Chronicles: Migrant Archives, Media Archeology, and the Itineraries of Taste |
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269 | (22) |
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Part V National Industries/Media Cities/Transnational Flows |
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291 | (46) |
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13 African Videoscapes: Southern Nigeria, Ethiopia, and Cote d'Ivoire in Comparative Perspective |
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293 | (22) |
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14 Nairobi-based Female Filmmakers: Screen Media Production between the Local and the Transnational |
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315 | (22) |
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Part VI Genre/Poetics/Gender |
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337 | (84) |
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15 Darker Vision: Global Cinema and Twenty-first-Century Moroccan Film Noir |
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339 | (19) |
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16 From Ethnography to Essay: Realism, Reflexivity, and African Documentary Film |
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358 | (21) |
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17 New Algerian Cinema: Portrayals of Women in Films Post-Les annees noires |
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379 | (23) |
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18 "Qu'elle aille explorer le possible!": Or African Cinema according to Jean-Pierre Bekolo |
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402 | (19) |
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Part VII Movement/Fluidity and Aesthetics/Migration |
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421 | (44) |
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19 Relational Histories in African Cinema |
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423 | (21) |
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20 Crossing Lines: Frontiers, Circulations, and Identity in Contemporary African and Diaspora Film |
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444 | (21) |
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Part VIII The End of Film Criticism?: The New Beginning of Curation and Bricolage |
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465 | (21) |
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21 Towards Alternative Histories and Herstories of African Filmmaking: From Bricolage to the "Curatorial Turn" in African Film Scholarship |
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467 | (19) |
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| Index |
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486 | |