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Companion to African Cinema [Kõva köide]

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An authoritative guide to African cinema with contributions from a team of experts on the topic

A Companion to African Cinema offers an overview of critical approaches to African cinema. With contributions from an international panel of experts, the Companion approaches the topic through the lens of cultural studies, contemporary transformations in the world order, the rise of globalization, film production, distribution, and exhibition. This volume represents a new approach to African cinema criticism that once stressed the sociological and sociopolitical aspects of a film.

The text explores a wide range of broad topics including: cinematic economics, video movies, life in cinematic urban Africa, reframing human rights, as well as more targeted topics such as the linguistic domestication of Indian films in the Hausa language and the importance of female African filmmakers and their successes in overcoming limitations caused by gender inequality. The book also highlights a comparative perspective of African videoscapes of Southern Nigeria, Ethiopia, and Côte d’Ivoire and explores the rise of Nairobi-based Female Filmmakers. This important resource:

  • Puts the focus on critical analyses that take into account manifestations of the political changes brought by neocolonialism and the waning of the cold war
  • Explores
  • Examines the urgent questions raised by commercial video about globalization
  • Addresses issues such as funding, the acquisition of adequate production technologies and apparatuses, and the development of adequately trained actors

Written for film students and scholars, A Companion to African Cinema offers a look at new critical approaches to African cinema.

Notes on Contributors x
Introduction: Critical Approaches to Africa's Cinema, From the Age of Liberation and Struggle to the Global, Popular, and Curatorial 1(20)
Kenneth W. Harrow
Carmela Garritano
Part I Time/Crisis/Uncertainty
21(68)
1 Cinematic Economies of the Hypercontemporary in Haroun and Sissako
23(21)
Justin Izzo
2 Approaching the Uncertain Turn in African Video-Movies: Subalternity, Superfluity, and (Non-)Cinematic Time
44(25)
Jacques de Villiers
3 Life in Cinematic Urban Africa: Inertia, Suspension, Flow
69(20)
Karen Bouwer
Part II Trauma/Violence/Precarity in an Age of Global Neoliberalism
89(66)
4 At the Intersection of Trauma, Precarity, and African Cinema: A Reflection on Mahamat-Saleh Haroun's Grigris
91(21)
MaryEllen Higgins
5 Reframing Human Rights: Hotel Rwanda (2004), A Screaming Man (2010), Global Conflict, and International Intervention
112(24)
Dayna Oscherwitz
6 "The Invisible Government of the Powerful": Joseph Gai Ramaka's Cinema of Power
136(19)
Akin Adesokan
Part III Sound/Form/Dub
155(62)
7 Transcultural Language Intimacies: The Linguistic Domestication of Indian Films in the Hausa Language
157(19)
Abdalla Uba Adamu
8 The (Aural) Life of Neo-colonial Space
176(18)
Vlad Dima
9 "Outcast Orders" and the Imagining of a Queer African Cinema: A Fugitive, Afro-Jazz Reading of Karmen Get
194(23)
Lindsey Green-Simms
Part IV Platforms/Informality/Archives
217(74)
10 Streaming Quality, Streaming Cinema
219(25)
Moradewun Adejunmobi
11 Between the Informal Sector and Transnational Capitalism: Transformations of Nollywood
244(25)
Jonathan Haynes
12 Nollywood Chronicles: Migrant Archives, Media Archeology, and the Itineraries of Taste
269(22)
Noah Tsika
Part V National Industries/Media Cities/Transnational Flows
291(46)
13 African Videoscapes: Southern Nigeria, Ethiopia, and Cote d'Ivoire in Comparative Perspective
293(22)
Alessandro Jedlowski
14 Nairobi-based Female Filmmakers: Screen Media Production between the Local and the Transnational
315(22)
Robin Steedman
Part VI Genre/Poetics/Gender
337(84)
15 Darker Vision: Global Cinema and Twenty-first-Century Moroccan Film Noir
339(19)
Suzanne Gauch
16 From Ethnography to Essay: Realism, Reflexivity, and African Documentary Film
358(21)
Rachel Gabara
17 New Algerian Cinema: Portrayals of Women in Films Post-Les annees noires
379(23)
Valerie K. Orlando
18 "Qu'elle aille explorer le possible!": Or African Cinema according to Jean-Pierre Bekolo
402(19)
P. Julie Papaioannou
Part VII Movement/Fluidity and Aesthetics/Migration
421(44)
19 Relational Histories in African Cinema
423(21)
Sheila Petty
20 Crossing Lines: Frontiers, Circulations, and Identity in Contemporary African and Diaspora Film
444(21)
Melissa Thackway
Part VIII The End of Film Criticism?: The New Beginning of Curation and Bricolage
465(21)
21 Towards Alternative Histories and Herstories of African Filmmaking: From Bricolage to the "Curatorial Turn" in African Film Scholarship
467(19)
Lindiwe Dovey
Index 486
Kenneth W. Harrow is Distinguished Professor Emeritus of English at Michigan State University with specializations in African literature and cinema. He has taught in the Université de Yaounde, Cameroon and l'Université Cheikh Anta Diop in Dakar, Senegal.

Carmela Garritano is Associate Professor of Africana Studies and Film Studies at Texas A&M University. Her research has been supported by Fulbright IIE and the West African Research Association.