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E-raamat: Interpreting Modernism in Korean Art: Fluidity and Fragmentation [Taylor & Francis e-raamat]

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  • Formaat: 218 pages, 49 Halftones, black and white; 49 Illustrations, black and white
  • Sari: Routledge Research in Art History
  • Ilmumisaeg: 30-Sep-2021
  • Kirjastus: Routledge
  • ISBN-13: 9780429351112
Teised raamatud teemal:
  • Taylor & Francis e-raamat
  • Hind: 189,26 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 270,37 €
  • Säästad 30%
  • Formaat: 218 pages, 49 Halftones, black and white; 49 Illustrations, black and white
  • Sari: Routledge Research in Art History
  • Ilmumisaeg: 30-Sep-2021
  • Kirjastus: Routledge
  • ISBN-13: 9780429351112
Teised raamatud teemal:
"This book examines the development of national emblems, photographic portraiture, oil painting, world expositions, modern space for art exhibitions, university programs of visual arts, and other agencies of modern art in Korea. With few books on modern art in Korea available in English, this book is an authoritative volume on the topic and provides a comparative perspective on Asian modernism including Japan, China, and India. In turn, these essays also shed a light on Asian reception of and response tothe Orientalism and exoticism popular in Europe and North America in the early twentieth century. The book will be of interest to scholars working in art history, history of Asia, Asian studies, colonialism, nationalism, and cultural identity"--

This book examines the development of national emblems, photographic portraiture, oil painting, world expositions, modern space for art exhibitions, university programs of visual arts, and other agencies of modern art in Korea.



This book examines the development of national emblems, photographic portraiture, oil painting, world expositions, modern space for art exhibitions, university programs of visual arts, and other agencies of modern art in Korea.

With few books on modern art in Korea available in English, this book is an authoritative volume on the topic and provides a comparative perspective on Asian modernism including Japan, China, and India. In turn, these essays also shed a light on Asian reception of and response to the Orientalism and exoticism popular in Europe and North America in the early twentieth century.

The book will be of interest to scholars working in art history, history of Asia, Asian studies, colonialism, nationalism, and cultural identity.

List of Illustrations
viii
Contributors xi
Acknowledgments xvi
Introduction
1 Modernity, Modernism, and the Modern in Korean Art and Culture
3(14)
Jung-Ah Woo
Kyunghee Pyun
PART I Korean Modernity and Modernism
2 Korean Art in the Historiography of Multiple Modernisms
17(7)
Kyunghee Pyun
3 Modernist and Avant-Garde Art in Korea
24(15)
Youngna Kim
PART II Inventing a Modern Nation: Visual Culture at the Turn of the Century
4 The Search for Modernity in Korean Ink-Wash Painting
39(10)
Mingi Kang
5 Royal Propaganda and National Identity in Emperor Gojong's Portrait Photography
49(9)
Heangga Kwon
6 From Patriotism to Capitalism: Transformation of Korean National Symbols Under Colonial Rule
58(13)
Soohyun Mok
PART III Visualizing Colonial Modernities
7 Modernity and Authenticity in Korean Pictorialism: From Pungsok Painting to Art Photography
71(8)
Hye-Ri Oh
8 "Vernacular Modernism" in Modern Korea: Lee Quede's Hyangtosaek
79(10)
Yeon Shim Chung
9 Korea, Last Retreat in Wartime for Murayama Tomoyoshi, a Modernist
89(16)
Toshiharu Omuka
PART IV Cultural Consumption and Modernism
10 Magazine Covers and Colonial Modernity: Politics of the Korean Face
105(9)
Yuri Seo
11 Korean Modernists and the Nangnang Parlour Coffeehouse in the 1930s
114(14)
Younjung Oh
12 A Cultural Network in 1930s Korea: Supporting Avant-Garde Practices and Individual Artistry
128(15)
Inhye Kim
PART V Modernism as Ideology: Revision and Appropriation
13 Architecture as a Profession in Modern Korea
143(11)
Hyunjung Cho
14 Imitation or Necessity: A Framework for Postwar Korean Art in Contemporary Art Criticism
154(12)
Chunghoon Shin
15 Never a Failed Avant-Garde: Interdisciplinary Strategy of the Fourth Group, 1969-1970
166(13)
Sooran Choi
Epilogue
16 Contemporaneity of Korean Contemporary Art
179(16)
Jung-Ah Woo
Selected Bibliography 195(9)
Glossary 204(8)
Index 212
Kyunghee Pyun is Associate Professor of History of Art at the Fashion Institute of Technology, State University of New York, USA.

Jung-Ah Woo is Associate Professor of Art History at the Pohang University of Science and Technology, South Korea.