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E-raamat: Interpreting Modernism in Korean Art: Fluidity and Fragmentation

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This book examines the development of national emblems, photographic portraiture, oil painting, world expositions, modern space for art exhibitions, university programs of visual arts, and other agencies of modern art in Korea.



This book examines the development of national emblems, photographic portraiture, oil painting, world expositions, modern spaces for art exhibitions, university programs of visual arts, and other agencies of modern art in Korea.

With few books on modern art in Korea available in English, this book is an authoritative volume on the topic and provides a comparative perspective on Asian modernism including Japan, China, and India. In turn, these essays also shed a light on Asian reception of and response to the Orientalism and exoticism popular in Europe and North America in the early twentieth century.

The book will be of interest to scholars working in art history, the history of Asia, Asian studies, colonialism, nationalism, and cultural identity.

Introduction;
1. Modernity, Modernism, and the Modern in Korean Art and
Culture (Jung-Ah Woo and Kyunghee Pyun); Part I: Korean Modernity and
Modernism;
2. Korean Art in the Historiography of Multiple Modernities
(Kyunghee Pyun);
3. Modernism and Avant-Garde in Korean Art (Youngna Kim);
Part II: Inventing a Modern Nation: Visual Culture at the Turn of the
Century;
4. The Search for Modernity in Korean Ink-wash Painting (Mingi
Kang);
5. Royal Propaganda and National Identity in Emperor Gojongs Portrait
Photography (Heangga Kwon);
6. From Patriotism to Capitalism: Transformation
of Korean National Symbols Under Colonial Rule (Soohyun Mok); Part III:
Visualizing Colonial Modernities;
7. Modernity and Authenticity in Korean
Pictorialism: From Pungsok Painting to Art Photography (Hye-ri Oh);
8.
"Vernacular Modernism" in Korea: Lee Quedes Hyangtosaek and Yanagi
Muneyoshis Folk Art Movement (Yeon Shim Chung);
9. Korea, Last Retreat in
Wartime for Murayama Tomoyoshi, a Modernist (Toshiharu Omuka); Part IV:
Cultural Consumption and Modernism;
10. Magazine Covers and Colonial
Modernity: Politics of the Korean Face (Yuri Seo);
11. Korean Modernists and
the Nangnang Parlour Coffeehouse in the 1930s (Younjung Oh);
12. Cultural
Network in 1930s Korea: Avant-Garde Practices and Individual Artistry (Inhye
Kim); Part V: Modernism as Ideology: Revision and Appropriation;
13.
Architecture as a Profession in Modern Korea (Hyunjung Cho);
14. Imitation or
Necessity: A Framework for Postwar Korean Art in Contemporary Art Criticism
(Chunghoon Shin);
15. Never a Failed Avant-Garde: Interdisciplinary Strategy
of the Fourth Group in 19691970 (Sooran Choi); Epilogue;
16. Contemporaneity
of Korean Contemporary Art (Jung-Ah Woo)
Kyunghee Pyun is Associate Professor of History of Art at the Fashion Institute of Technology, State University of New York, USA.

Jung-Ah Woo is Associate Professor of Art History at the Pohang University of Science and Technology, South Korea.
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