Preface |
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xiii | |
Acknowledgements |
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xiv | |
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Modelling Characterisation |
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1 | (46) |
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1 | (2) |
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3 | (2) |
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Characters: Approaches in literary criticism |
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5 | (7) |
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6 | (1) |
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7 | (2) |
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9 | (3) |
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People: Approaches in linguistics |
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12 | (14) |
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Language attitude research |
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13 | (2) |
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Identity in sociolinguistics: Insights from gender studies |
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15 | (3) |
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Social constructivist approaches |
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18 | (5) |
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Developing a pragmatic view of language and people |
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23 | (3) |
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Text comprehension and characterisation |
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26 | (8) |
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Information sources and cognitive processes: Top-down and bottom-up |
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27 | (1) |
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Mental representations in text comprehension |
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28 | (4) |
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Mental representations in literary texts and characterisation |
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32 | (2) |
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A model for characterisation |
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34 | (4) |
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Characterisation in plays: Some preliminaries |
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38 | (9) |
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38 | (1) |
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39 | (8) |
PART ONE: CHARACTERISATION AND THE MIND |
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Character Categories and Impressions of Character |
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47 | (66) |
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47 | (1) |
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Literary approaches to categorising character |
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48 | (9) |
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48 | (1) |
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49 | (1) |
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50 | (2) |
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Character typologies: The 'flat'/ round' distinction |
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52 | (5) |
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The organisation and role of prior knowledge |
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57 | (13) |
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58 | (1) |
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Semantic memory and episodic memory |
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59 | (1) |
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60 | (10) |
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70 | (16) |
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Perspectives on social cognition |
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70 | (2) |
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Cognition, social dimensions and discourse |
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72 | (1) |
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From non-social to social categories |
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73 | (2) |
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Social categories: Three main groups |
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75 | (1) |
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76 | (4) |
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Social categories and social schemata in two advertisements |
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80 | (3) |
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83 | (3) |
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Social cognition and fictional characterisation |
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86 | (13) |
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Categories in characterisation |
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86 | (2) |
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Prototypically distortions in fictional contexts |
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88 | (4) |
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Possibility distortions in fictional contexts |
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92 | (1) |
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The flat/round distinction revisited |
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93 | (3) |
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Category shifts in characterisation |
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96 | (3) |
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Investigating readers' descriptions of character |
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99 | (11) |
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99 | (4) |
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103 | (7) |
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110 | (3) |
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Inferring Character From Texts |
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113 | (50) |
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113 | (1) |
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Approaching character inferencing from within literary studies |
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114 | (1) |
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115 | (14) |
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Correspondent inference theory |
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116 | (3) |
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Critique of correspondent inference theory |
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119 | (3) |
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Correspondent inference theory, speech act theory and play texts |
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122 | (4) |
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126 | (2) |
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Integrating two attribution theories |
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128 | (1) |
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129 | (4) |
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Foregrounding theory and attribution theory: Are they analogous? |
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133 | (2) |
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Attribution theory in practice |
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135 | (4) |
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When and how does attribution accur? |
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135 | (1) |
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Attribution and perceiver biases |
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136 | (3) |
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Attribution theory and language |
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139 | (5) |
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139 | (2) |
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Inferencing in a communicative context |
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141 | (2) |
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Language attitude research |
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143 | (1) |
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Inferring characteristics in plays |
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144 | (9) |
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145 | (1) |
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146 | (3) |
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Investigating readers' inferences |
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149 | (4) |
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153 | (10) |
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Further directions and exercises |
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156 | (1) |
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156 | (1) |
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157 | (1) |
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158 | (1) |
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159 | (4) |
PART TWO: CHARACTERISATION AND THE TEXT |
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Textual Cues in Characterisation |
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163 | (72) |
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163 | (1) |
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164 | (3) |
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Form, function and context |
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164 | (2) |
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Idiolect, dialect and different media |
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166 | (1) |
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Explicit cues: Self-presentation and other-presentation |
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167 | (5) |
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Self-presentation in the presence of other characters |
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168 | (1) |
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Self-presentation in the absence of other characters |
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169 | (2) |
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171 | (1) |
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172 | (57) |
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172 | (8) |
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Conversational implicature |
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180 | (2) |
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182 | (20) |
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202 | (4) |
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206 | (7) |
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213 | (2) |
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215 | (6) |
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221 | (4) |
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Context: A character's company and setting |
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225 | (4) |
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229 | (3) |
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229 | (2) |
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231 | (1) |
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232 | (3) |
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(IM) Politeness and Characterisation |
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235 | (28) |
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235 | (1) |
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Speech acts, politeness and characterisation: Opening examples |
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235 | (2) |
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237 | (8) |
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Face, face-threatening acts, and degree of face threat |
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238 | (5) |
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243 | (2) |
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245 | (2) |
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The case for the importance of (im) politeness in characterisation |
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247 | (8) |
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(IM)politeness, power and person perception |
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247 | (4) |
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(IM)politeness and characterisation: The study of The Entertainer revisited |
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251 | (4) |
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Characterisation in the film Scent of a Woman |
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255 | (6) |
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261 | (2) |
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Conclusion: The Characterisation of Katherina in Shakespeare's The Taming of the Shrew |
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263 | (28) |
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263 | (1) |
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Literary criticism and Katherina |
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263 | (2) |
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Analysis of Katherina in the Taming of the Shrew |
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265 | (18) |
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265 | (3) |
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First impressions: Instatiating the shrew schema |
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268 | (2) |
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Character context: The role of Bianca |
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270 | (1) |
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Inferring shrewish characteristics |
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271 | (2) |
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Characterisation through other-presentation |
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273 | (2) |
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275 | (1) |
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Character context: Petruchio replaces Bianca |
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276 | (2) |
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Characterisation through other-presentation: A reversal |
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278 | (1) |
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279 | (1) |
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Katherina and the run-up to the 'obedience' speech (V.ii.137--180) |
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280 | (3) |
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283 | (8) |
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Further directions and exercises |
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287 | (1) |
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287 | (2) |
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289 | (2) |
References |
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291 | (26) |
Index |
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317 | |