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E-raamat: Official Portraits and Unofficial Counterportraits of At Risk Students: Writing Spaces in Hard Times [Taylor & Francis e-raamat]

(University of New Mexico, USA)
  • Formaat: 312 pages
  • Ilmumisaeg: 30-Oct-2009
  • Kirjastus: Routledge
  • ISBN-13: 9780203866795
Teised raamatud teemal:
  • Taylor & Francis e-raamat
  • Hind: 180,03 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 257,19 €
  • Säästad 30%
  • Formaat: 312 pages
  • Ilmumisaeg: 30-Oct-2009
  • Kirjastus: Routledge
  • ISBN-13: 9780203866795
Teised raamatud teemal:
This book chronicles 5th and 6th grade writers - children of gang members, drug users, poor people, and non-documented and documented immigrants - in a rural school in the southwest US coming into their voices, cultivating those voices, and using those voices in a variety of venues, beginning with the classroom community and spreading outward.

At the heart of this book is the cultivation of tension between official and unofficial portraits of these students. Official portraits are composed of demographic data, socioeconomic data, and test results. Unofficial counterportraits offer different views of children, schools, and communities. The big ideas of official and unofficial portraits are presented, then each chapter offers data (the childrens and teachers processes and products) and facets of the theoretical construct of counterportraits, as a response to official portraits. The counterportraits are built slowly in order to base them in evidence and to articulate their complexity.

Many teachers and soon-to-be teachers facing the dilemmas and complexities of teaching in diverse classrooms have serious questions about how to honor students lives outside of school, making school more relevant. This book offers evidence to present to the public, legislators, and the press as a way of talking back to official portraits, demonstrating that officially failing schools are not really failing - evidence that is crucial for the survival of public schools.
Preface xi
Acknowledgments xvii
Prologue 1(1)
Writing Spaces and Hard Times 1(2)
An Introduction to Searching for Our Truths
3(18)
Before the Work Began
3(7)
Portraits and Counterportraits
10(4)
Mesa Vista Elementary School (MVE): The Official Portrait
14(3)
Finding the School
17(2)
Homelessness
19(2)
Writers Reveal Themselves
21(17)
Becoming More than an Observer
21(5)
First Pieces of Writing
26(3)
Initiating Data Analysis
29(1)
Teacher as Screamer
30(2)
Strictness, Power, and Microaggressions
32(2)
Strict Schools and the Search for Joy
34(2)
The Counterportrait Up to This Point
36(2)
Claiming Spaces to Write
38(20)
The Sixth Graders' Space
39(9)
Finding the Space to Write
48(2)
The Fifth Graders' Space
50(2)
The Biography Assignment Begins to Evolve
52(3)
Writing Spaces and the View of the Child
55(1)
Counterportraits So Far
56(2)
Rewriting Self and Writing About Others
58(26)
Sixth Graders' Non-Biography Biography Work
58(6)
Moving Towards Increased Sharing
64(7)
Fifth Graders Begin Biography Writing
71(2)
Composing Classmates' Biographies
73(7)
Counterportraits (so far), Context, and the Presentation of Self
80(4)
Expanding Writing Spaces as Communities of Practice
84(25)
Fifth Graders Interview, Transcribe, and Write
85(2)
Some Fifth Graders' Transcriptions (Excerpts)
87(12)
And in the Sixth Grade
99(5)
Communities, Borders, and Counterportraits
104(2)
Legitimizing a Context for Counterportraiture
106(3)
Writing Changes Writers: The Impact of Inertia
109(21)
Good News
110(1)
Sixth Graders Consider Expository Biography
111(4)
Featured Fifth Grade Writer
115(9)
Working for Hours
124(2)
Counterportraiture, Working in the Plural Form, and Inertia
126(4)
Heroes, Dark Secrets, Otter Pops, and Struggles
130(26)
In the Fifth Grade
130(3)
Featured Fifth Grade Authors
133(4)
Chuck, The Humorist
133(2)
Estevan's Hero
135(2)
Sixth Grade Poets' Dark Poetry
137(5)
Sixth Graders' Brief Biographies
142(2)
Things Fall Apart
144(5)
The Classroom as a ``Site of Struggle''
149(4)
Struggle And The Use Of Time
150(1)
Writing As Carnival
151(1)
Carnivals Breed Struggle
152(1)
Counterportraits, Struggles, Legitimacy, and Possibilities
153(3)
Writing Places as Hybrid Spaces
156(21)
Sixth Graders Get Serious
157(10)
Poetry in the Biography Genre
167(5)
Hybridized Texts and Contexts
172(3)
Hybridized Spaces and Counterportraits
175(2)
Products, Presentations, and Power
177(22)
Our First Public Venue
178(1)
Reading Their Work in Small Groups
179(12)
Slam Poetry
191(2)
For Families
193(1)
Counterportraits and Spheres of Influence
194(3)
When Small Spheres Align...
197(2)
Suffering, Struggles, and the Community
199(24)
Home Visits
200(5)
Bringing the Community to Sixth Grade
205(2)
Writers' Reflections on the Year
207(8)
Reflections on Self-as-Writer and Counterportraits
208(2)
Reflections on Writing and Counterportraits
210(3)
What Else, What Next, and Counterportraits
213(2)
Thank You Notes, Relationships, and Counterportraits
215(3)
Critical Literacy, Hope, and Counterportraits
218(5)
Writing Spaces for Better Times
223(23)
The Purposes of School, the Search for Joy, and the Spirit of the Child
224(2)
Inncr Struggles
226(2)
Language and Identity Struggles
228(1)
School as a Site of Struggle
229(1)
Knowledge/Power Struggle
230(1)
Agency: Responding to Struggles
231(3)
Agency and Responsibilities in Composing Counterportraits
234(1)
Agency and Responsibility: The Bigger Picture
235(4)
Agency and Responsibility in Schools
239(3)
Agency and Responsibility in Partnerships
242(1)
Changing the Course of History
243(3)
Epilogue: Microeducational Economies 246(2)
Appendix 1: Counterportraiture as Method/Method as Political Work 248(5)
Appendix 2: Full Text of Some Biographies 253(14)
Appendix 3: The Storyboard Protocol 267(2)
Appendix 4: Editorial Checklist: Biography Project Spring 2007 269(2)
References 271(12)
Index of Children's Work 283(2)
Index 285
Richard J. Meyer is Professor in the Department of Language, Literacy, and Sociocultural Studies at the College of Education, University of New Mexico.