Preface |
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xi | |
Acknowledgments |
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xvii | |
Prologue |
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1 | |
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Writing Spaces and Hard Times |
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1 | |
1 An Introduction to Searching for Our Truths |
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3 | |
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3 | |
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Portraits and Counterportraits |
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10 | |
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Mesa Vista Elementary School (MVE): The Official Portrait |
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14 | |
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17 | |
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19 | |
2 Writers Reveal Themselves |
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21 | |
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Becoming More than an Observer |
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21 | |
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26 | |
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29 | |
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30 | |
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Strictness, Power, and Microaggressions |
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32 | |
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Strict Schools and the Search for Joy |
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34 | |
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The Counterportrait Up to This Point |
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36 | |
3 Claiming Spaces to Write |
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38 | |
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39 | |
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Finding the Space to Write |
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48 | |
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50 | |
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The Biography Assignment Begins to Evolve |
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52 | |
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Writing Spaces and the View of the Child |
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55 | |
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56 | |
4 Rewriting Self and Writing About Others |
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58 | |
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Sixth Graders' Non-Biography Biography Work |
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58 | |
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Moving Towards Increased Sharing |
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64 | |
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Fifth Graders Begin Biography Writing |
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71 | |
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Composing Classmates' Biographies |
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73 | |
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Counterportraits (so far), Context, and the Presentation of Self |
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80 | |
5 Expanding Writing Spaces as Communities of Practice |
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84 | |
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Fifth Graders Interview, Transcribe, and Write |
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85 | |
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Some Fifth Graders' Transcriptions (Excerpts) |
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87 | |
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99 | |
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Communities, Borders, and Counterportraits |
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104 | |
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Legitimizing a Context for Counterportraiture |
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106 | |
6 Writing Changes Writers: The Impact of Inertia |
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109 | |
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110 | |
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Sixth Graders Consider Expository Biography |
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111 | |
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Featured Fifth Grade Writer |
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115 | |
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124 | |
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Counterportraiture, Working in the Plural Form, and Inertia |
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126 | |
7 Heroes, Dark Secrets, Otter Pops, and Struggles |
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130 | |
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130 | |
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Featured Fifth Grade Authors |
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133 | |
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133 | |
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135 | |
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Sixth Grade Poets' Dark Poetry |
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137 | |
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Sixth Graders' Brief Biographies |
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142 | |
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144 | |
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The Classroom as a "Site of Struggle" |
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149 | |
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STRUGGLE AND THE USE OF TIME |
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150 | |
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151 | |
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152 | |
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Counterportraits, Struggles, Legitimacy, and Possibilities |
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153 | |
8 Writing Places as Hybrid Spaces |
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156 | |
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Sixth Graders Get Serious |
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157 | |
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Poetry in the Biography Genre |
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167 | |
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Hybridized Texts and Contexts |
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172 | |
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Hybridized Spaces and Counterportraits |
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175 | |
9 Products, Presentations, and Power |
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177 | |
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178 | |
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Reading Their Work in Small Groups |
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179 | |
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191 | |
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193 | |
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Counterportraits and Spheres of Influence |
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194 | |
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197 | |
10 Suffering, Struggles, and the Community |
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199 | |
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200 | |
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Bringing the Community to Sixth Grade |
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205 | |
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Writers' Reflections on the Year |
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207 | |
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REFLECTIONS ON SELF-AS-WRITER AND COUNTERPORTRAITS |
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208 | |
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REFLECTIONS ON WRITING AND COUNTERPORTRAITS |
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210 | |
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WHAT ELSE, WHAT NEXT, AND COUNTERPORTRAITS |
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213 | |
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Thank You Notes, Relationships, and Counterportraits |
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215 | |
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Critical Literacy, Hope, and Counterportraits |
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218 | |
11 Writing Spaces for Better Times |
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223 | |
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The Purposes of School, the Search for Joy, and the Spirit of the Child |
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224 | |
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226 | |
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Language and Identity Struggles |
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228 | |
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School as a Site of Struggle |
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229 | |
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230 | |
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Agency: Responding to Struggles |
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231 | |
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Agency and Responsibilities in Composing Counterportraits |
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234 | |
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Agency and Responsibility: The Bigger Picture |
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235 | |
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Agency and Responsibility in Schools |
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239 | |
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Agency and Responsibility in Partnerships |
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242 | |
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Changing the Course of History |
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243 | |
Epilogue: Microeducational Economies |
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246 | |
Appendix 1: Counterportraiture as Method/Method as Political Work |
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248 | |
Appendix 2: Full Text of Some Biographies |
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253 | |
Appendix 3: The Storyboard Protocol |
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267 | |
Appendix 4: Editorial Checklist: Biography Project Spring 2007 |
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269 | |
References |
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271 | |
Index of Children's Work |
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283 | |
Index |
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285 | |