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E-raamat: Official Portraits and Unofficial Counterportraits of At Risk Students: Writing Spaces in Hard Times

(University of New Mexico, USA)
  • Formaat: 312 pages
  • Ilmumisaeg: 15-Jan-2010
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781135240059
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  • Formaat: 312 pages
  • Ilmumisaeg: 15-Jan-2010
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781135240059

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This book chronicles 5th and 6th grade writers - children of gang members, drug users, poor people, and non-documented and documented immigrants - in a rural school in the southwest US coming into their voices, cultivating those voices, and using those voices in a variety of venues, beginning with the classroom community and spreading outward.

At the heart of this book is the cultivation of tension between official and unofficial portraits of these students. Official portraits are composed of demographic data, socioeconomic data, and test results. Unofficial counterportraits offer different views of children, schools, and communities. The big ideas of official and unofficial portraits are presented, then each chapter offers data (the children’s and teachers’ processes and products) and facets of the theoretical construct of counterportraits, as a response to official portraits. The counterportraits are built slowly in order to base them in evidence and to articulate their complexity.

Many teachers and soon-to-be teachers facing the dilemmas and complexities of teaching in diverse classrooms have serious questions about how to honor students’ lives outside of school, making school more relevant. This book offers evidence to present to the public, legislators, and the press as a way of talking back to official portraits, demonstrating that officially failing schools are not really failing - evidence that is crucial for the survival of public schools.

Preface xi
Acknowledgments xvii
Prologue 1
Writing Spaces and Hard Times
1
1 An Introduction to Searching for Our Truths 3
Before the Work Began
3
Portraits and Counterportraits
10
Mesa Vista Elementary School (MVE): The Official Portrait
14
Finding the School
17
Homelessness
19
2 Writers Reveal Themselves 21
Becoming More than an Observer
21
First Pieces of Writing
26
Initiating Data Analysis
29
Teacher as Screamer
30
Strictness, Power, and Microaggressions
32
Strict Schools and the Search for Joy
34
The Counterportrait Up to This Point
36
3 Claiming Spaces to Write 38
The Sixth Graders' Space
39
Finding the Space to Write
48
The Fifth Graders' Space
50
The Biography Assignment Begins to Evolve
52
Writing Spaces and the View of the Child
55
Counterportraits So Far
56
4 Rewriting Self and Writing About Others 58
Sixth Graders' Non-Biography Biography Work
58
Moving Towards Increased Sharing
64
Fifth Graders Begin Biography Writing
71
Composing Classmates' Biographies
73
Counterportraits (so far), Context, and the Presentation of Self
80
5 Expanding Writing Spaces as Communities of Practice 84
Fifth Graders Interview, Transcribe, and Write
85
Some Fifth Graders' Transcriptions (Excerpts)
87
And in the Sixth Grade
99
Communities, Borders, and Counterportraits
104
Legitimizing a Context for Counterportraiture
106
6 Writing Changes Writers: The Impact of Inertia 109
Good News
110
Sixth Graders Consider Expository Biography
111
Featured Fifth Grade Writer
115
Working for Hours
124
Counterportraiture, Working in the Plural Form, and Inertia
126
7 Heroes, Dark Secrets, Otter Pops, and Struggles 130
In the Fifth Grade
130
Featured Fifth Grade Authors
133
CHUCK, THE HUMORIST
133
ESTEVAN'S HERO
135
Sixth Grade Poets' Dark Poetry
137
Sixth Graders' Brief Biographies
142
Things Fall Apart
144
The Classroom as a "Site of Struggle"
149
STRUGGLE AND THE USE OF TIME
150
WRITING AS CARNIVAL
151
CARNIVALS BREED STRUGGLE
152
Counterportraits, Struggles, Legitimacy, and Possibilities
153
8 Writing Places as Hybrid Spaces 156
Sixth Graders Get Serious
157
Poetry in the Biography Genre
167
Hybridized Texts and Contexts
172
Hybridized Spaces and Counterportraits
175
9 Products, Presentations, and Power 177
Our First Public Venue
178
Reading Their Work in Small Groups
179
Slam Poetry
191
For Families
193
Counterportraits and Spheres of Influence
194
When Small Spheres Align
197
10 Suffering, Struggles, and the Community 199
Home Visits
200
Bringing the Community to Sixth Grade
205
Writers' Reflections on the Year
207
REFLECTIONS ON SELF-AS-WRITER AND COUNTERPORTRAITS
208
REFLECTIONS ON WRITING AND COUNTERPORTRAITS
210
WHAT ELSE, WHAT NEXT, AND COUNTERPORTRAITS
213
Thank You Notes, Relationships, and Counterportraits
215
Critical Literacy, Hope, and Counterportraits
218
11 Writing Spaces for Better Times 223
The Purposes of School, the Search for Joy, and the Spirit of the Child
224
Inner Struggles
226
Language and Identity Struggles
228
School as a Site of Struggle
229
Knowledge/Power Struggle
230
Agency: Responding to Struggles
231
Agency and Responsibilities in Composing Counterportraits
234
Agency and Responsibility: The Bigger Picture
235
Agency and Responsibility in Schools
239
Agency and Responsibility in Partnerships
242
Changing the Course of History
243
Epilogue: Microeducational Economies 246
Appendix 1: Counterportraiture as Method/Method as Political Work 248
Appendix 2: Full Text of Some Biographies 253
Appendix 3: The Storyboard Protocol 267
Appendix 4: Editorial Checklist: Biography Project Spring 2007 269
References 271
Index of Children's Work 283
Index 285
Richard J. Meyer is Professor in the Department of Language, Literacy, and Sociocultural Studies at the College of Education, University of New Mexico.