| Acknowledgements |
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vii | |
| Series Preface |
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ix | |
| Introduction |
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xi | |
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`The Early History of Music Writing in the West', Journal of the American Musicological Society, 35, pp. 237-79 |
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3 | (44) |
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`De Accentibus Toni Oritur Nota Quae Dicitur Neuma: Prosodic Accents, the Accent Theory and the Paleofrankish Script', in Graeme M. Boone (ed.), Essays on Medieval Music in Honor of David G. Hughes, Cambridge, MA: Harvard University Department of Music, pp. 17-42 |
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47 | (28) |
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PART II NOTATION AND PERFORMANCE |
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`Gregorian Chant: The Restoration of the Chant and Seventy-Five Years of Recording', Early Music, 7, pp. 197-217 |
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75 | (16) |
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`The Pontificio Istituto di Musica Sacra in Rome and the Semiological School of Dom Eugene Cardine', Journal of the Plainsong and Medieval Music Society, 6, pp. 26-33 |
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91 | (8) |
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`The Performance of Plainchant: Some Preliminary Observations of the New Era', Early Music, 10, pp. 316-28 |
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99 | (16) |
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PART III ORAL AND WRITTEN TRANSMISSION |
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`Homer and Gregory: The Transmission of Epic Poetry and Plainchant', The Musical Quarterly, 60, pp. 333-72 |
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115 | (40) |
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```Centonate'' Chant: Obles Flickwerk or E pluribus unus?', Journal of the American Musicological Society, 28, pp. 1-23 |
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155 | (24) |
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`Evidence for the Traditional View of the Transmission of Gregorian Chant', Journal of the American Musicological Society, 40, pp. 377-404 |
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179 | (28) |
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`Charlemagne's Archetype of Gregorian Chant', Journal of the American Musicological Society, 40, pp. 1-30 |
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207 | (30) |
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`Communications', concerning Levy and Hughes, above, Journal of the American Musicological Society, 41, pp. 566-75. Levy's response, pp. 575-78; Hughes' response, pp. 578-79 |
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237 | (14) |
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`The Debate about the Oral and Written Transmission of Chant', International Musicological Society Congress Report XV: Madrid 1992 [ Revista de Musicologia, 16], pp. 706-29 |
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251 | (24) |
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`On Gregorian Orality', Journal of the American Musicological Society, 43, pp. 185-227 |
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275 | (44) |
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`The Transmission of Western Chant in the 8th and 9th Centuries: Evaluating Kenneth Levy's Reading of the Evidence', The Journal of Musicology, 21, pp. 418-57 |
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319 | (40) |
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`Chant Research at the Turn of the Century and the Analytical Programme of Helmut Hucke', Plainsong and Medieval Music, 7, pp. 47-71 |
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359 | (26) |
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`Ways of Telling Stories', in Graeme M. Boone (ed.), Essays on Medieval Music in Honor of David G. Hughes, Cambridge, MA: Harvard University Department of Music, pp. 371-94 |
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385 | (24) |
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`Interrelationships among Gregorian Chants: An Alternative View of Creativity in Early Chant', in Eugene K. Wolf and Edward H. Roesner (eds), Studies in Musical Sources and Style: Essays in Honor of Jan LaRue, Madison, WI: A-R Editions, pp. 1-40 |
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409 | (40) |
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| Index |
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449 | |