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E-raamat: Oral and Written Transmission in Chant

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  • Formaat: PDF+DRM
  • Sari: Music in Medieval Europe
  • Ilmumisaeg: 30-Jan-2023
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781351555647
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Oral and Written Transmission in ChantSuurem pilt
  • Formaat: PDF+DRM
  • Sari: Music in Medieval Europe
  • Ilmumisaeg: 30-Jan-2023
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781351555647
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The writing down of music is one of the triumphant technologies of the West. Without writing, the performance of music involves some combination of memory and improvisation. Isidore of Seville famously wrote that "unless sounds are remembered by man, they perish, for they cannot be written down". This volume deals with the materials of chant from the point of view of transmission. The early history of chant is a history of orality, of transmission by mouth to ear, and yet we can study it only through the use of written documents. Scholars of medieval music have taken up the ideas and techniques of scholars of folklore, of oral transmission, of ethnomusicology; for the chant is, in fact, an ancient music transmitted for a time in oral culture; and we study a culture not our own, whose informants are not people but manuscripts. All depends, ironically, on deducing oral issues from written documents.

Arvustused

'...the introductions to each volume are excellent...' Early Music Review 'It would be hard to overestimate the value of the work presented in these collections.' Medieval Review

Acknowledgements vii
Series Preface ix
Introduction xi
PART I MUSIC-WRITING
`The Early History of Music Writing in the West', Journal of the American Musicological Society, 35, pp. 237-79
3(44)
Leo Treitler
`De Accentibus Toni Oritur Nota Quae Dicitur Neuma: Prosodic Accents, the Accent Theory and the Paleofrankish Script', in Graeme M. Boone (ed.), Essays on Medieval Music in Honor of David G. Hughes, Cambridge, MA: Harvard University Department of Music, pp. 17-42
47(28)
Charles M. Atkinson
PART II NOTATION AND PERFORMANCE
`Gregorian Chant: The Restoration of the Chant and Seventy-Five Years of Recording', Early Music, 7, pp. 197-217
75(16)
Mary Berry
`The Pontificio Istituto di Musica Sacra in Rome and the Semiological School of Dom Eugene Cardine', Journal of the Plainsong and Medieval Music Society, 6, pp. 26-33
91(8)
Nino Albarosa
`The Performance of Plainchant: Some Preliminary Observations of the New Era', Early Music, 10, pp. 316-28
99(16)
Lance W. Brunner
PART III ORAL AND WRITTEN TRANSMISSION
`Homer and Gregory: The Transmission of Epic Poetry and Plainchant', The Musical Quarterly, 60, pp. 333-72
115(40)
Leo Treitler
```Centonate'' Chant: Obles Flickwerk or E pluribus unus?', Journal of the American Musicological Society, 28, pp. 1-23
155(24)
Leo Treitler
`Evidence for the Traditional View of the Transmission of Gregorian Chant', Journal of the American Musicological Society, 40, pp. 377-404
179(28)
David G. Hughes
`Charlemagne's Archetype of Gregorian Chant', Journal of the American Musicological Society, 40, pp. 1-30
207(30)
Kenneth Levy
`Communications', concerning Levy and Hughes, above, Journal of the American Musicological Society, 41, pp. 566-75. Levy's response, pp. 575-78; Hughes' response, pp. 578-79
237(14)
Leo Treitler
`The Debate about the Oral and Written Transmission of Chant', International Musicological Society Congress Report XV: Madrid 1992 [ Revista de Musicologia, 16], pp. 706-29
251(24)
Laszlo Dobszay
`On Gregorian Orality', Journal of the American Musicological Society, 43, pp. 185-227
275(44)
Kenneth Levy
`The Transmission of Western Chant in the 8th and 9th Centuries: Evaluating Kenneth Levy's Reading of the Evidence', The Journal of Musicology, 21, pp. 418-57
319(40)
Emma Hornby
`Chant Research at the Turn of the Century and the Analytical Programme of Helmut Hucke', Plainsong and Medieval Music, 7, pp. 47-71
359(26)
Edward Nowacki
`Ways of Telling Stories', in Graeme M. Boone (ed.), Essays on Medieval Music in Honor of David G. Hughes, Cambridge, MA: Harvard University Department of Music, pp. 371-94
385(24)
Susan Rankin
`Interrelationships among Gregorian Chants: An Alternative View of Creativity in Early Chant', in Eugene K. Wolf and Edward H. Roesner (eds), Studies in Musical Sources and Style: Essays in Honor of Jan LaRue, Madison, WI: A-R Editions, pp. 1-40
409(40)
Theodore Karp
Index 449
Thomas Forrest Kelly is Harvard College Professor and Morton B. Knafel Professor of Music, Harvard University, USA
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