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x | |
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xii | |
| Acknowledgements |
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xxiii | |
| Introduction: circus perspectives, precedents and presents I |
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1 | (12) |
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13 | (1) |
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13 | (66) |
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15 | (22) |
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2 The staging of actions: heroes, antiheroes and animal actors |
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37 | (13) |
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50 | (15) |
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4 The man in the red coat: management in the circus |
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65 | (14) |
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79 | (36) |
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81 | (24) |
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6 Diminutive catastrophe: clown's play |
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105 | (10) |
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115 | (56) |
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7 Circus music: the eye of the ear |
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117 | (19) |
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8 Art and androgyny: the aerialist |
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136 | (17) |
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9 When the future was now: Archaos within a theatre tradition |
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153 | (18) |
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171 | (36) |
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10 Respectable female nudity |
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173 | (25) |
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11 A queer circus: Amok in New York |
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198 | (9) |
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207 | (28) |
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12 Celebrated, then implied but finally denied: the erosion of Aboriginal identity in Australian circus, 1850s to 1950s |
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209 | (26) |
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235 | (42) |
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13 Freaks of culture: institutions, publics and the subjects of ethnographic knowledge |
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237 | (32) |
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14 The Jim Rose Circus Side Show: representing the postmodern body in pain |
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269 | (8) |
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277 | (20) |
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15 Sensational imbalance: the child acrobat and the mid-Victorians |
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279 | (18) |
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297 | (32) |
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16 Ecstasy and visceral flesh in motion |
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299 | (14) |
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17 Marginal body: the British acrobat in reference to sport |
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313 | (16) |
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329 | (1) |
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329 | (74) |
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18 The circus and nature in late Georgian England |
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331 | (18) |
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349 | (10) |
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20 P.T. Barnum: the legend and the man |
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359 | (18) |
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21 Notes on the Mexican--American circus |
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377 | (9) |
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22 The circus and modernity: a commitment to `the newer' and `the newest' |
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386 | (17) |
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403 | (50) |
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23 Bending the body for China: the uses of acrobatics in Sino-US diplomacy during the Cold War |
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405 | (25) |
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24 When pigs could fly and bears could dance: a peculiar institution |
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430 | (4) |
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25 A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art |
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434 | (19) |
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453 | (14) |
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26 To reach the clouds: my high-wire walk between the Twin Towers |
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455 | (6) |
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27 Thus Spoke Zarathustra |
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461 | (6) |
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467 | (30) |
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28 Why circuses are unsuited to elephants |
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469 | (20) |
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29 View from the big top: why elephants belong in North American circuses |
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489 | (8) |
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497 | (75) |
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30 Female circus performers and art: the shift to creative art forms and its implications |
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499 | (9) |
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31 The resilient body in social circus: Father Jesus Silva, Boris Cyrulnik and Peter A. Levine |
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508 | (20) |
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32 Risk, danger and other paradoxes in circus and Circus Oz parody |
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528 | (18) |
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33 The Cirque du Soleil in Las Vegas: an American strip-tease |
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546 | (7) |
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34 Contemporary Nordic circus: introduction to the art form |
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553 | (7) |
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35 Contemporary circus research in Quebec: building and negotiating an emerging interdisciplinary field |
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560 | (12) |
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| Selected Bibliography |
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572 | (39) |
| Index |
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611 | |