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E-raamat: Routledge Circus Studies Reader

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  • Formaat: PDF+DRM
  • Ilmumisaeg: 10-Sep-2020
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781000112993
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  • Formaat: PDF+DRM
  • Ilmumisaeg: 10-Sep-2020
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781000112993
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The Routledge Circus Studies Reader offers an absorbing critical introduction to this diverse and emerging field. It brings together the work of over 30 scholars in this discipline, including Janet Davis, Helen Stoddart and Peta Tait, to highlight and address the field’s key historical, critical and theoretical issues. It is organised into three accessible sections,Perspectives, Precedents and Presents, which approach historical aspects, current issues, and the future of circus performance.

The chapters, grouped together into 13 theme-based sub-sections, provide a clear entry point into the field and emphasise the diversity of approaches available to students and scholars of circus studies. Classic accounts of performance, including pieces by Phillippe Petit and Friedrich Nietzsche, are included alongside more recent scholarship in the field.

Edited by two scholars whose work is deeply rooted in the dynamic world of performance, The Routledge Circus Studies Reader is an essential teaching and study resource for the emerging discipline of circus studies. It also provides a stimulating introduction to the field for lovers of circus.

List of illustrations
x
List of contributors
xii
Acknowledgements xiii
Introduction: circus perspectives, precedents and presents 1(12)
Peta Tait
Katie Lavers
PART I Perspectives
13(1)
Aesthetics
13(66)
1 Aesthetics
15(22)
Helen Stoddart
2 The staging of actions: heroes, antiheroes and animal actors
37(13)
Paul Bouissac
3 An epic of new circus
50(15)
Martine Maleval
Jane Mullett
4 The man in the red coat: management in the circus
65(14)
Ron Beadle
David Konyot
The clown
79(36)
5 Clowns and clown play
81(24)
Louise Peacock
6 Diminutive catastrophe: clown's play
105(10)
Maggi Phillips
Cross-arts
115(56)
7 Circus music: the eye of the ear
117(19)
Kim Baston
8 Art and androgyny: the aerialist
136(17)
Naomi Ritter
9 When the future was now: Archaos within a theatre tradition
153(18)
Roberta Mock
Gender and sexuality
171(36)
10 Respectable female nudity
173(25)
Janet M. Davis
11 A queer circus: Amok in New York
198(9)
Mark Sussman
Race
207(28)
12 Celebrated, then implied but finally denied: the erosion of Aboriginal identity in Australian circus, 1850s to 1950s
209(26)
Mark St Leon
Sideshows
235(42)
13 Freaks of culture: institutions, publics and the subjects of ethnographic knowledge
237(32)
Rachel Adams
14 The Jim Rose Circus Side Show: representing the postmodern body in pain
269(8)
Carrie Sandahl
Child performers
277(20)
15 Sensational imbalance: the child acrobat and the mid-Victorians
279(18)
Brenda Assael
Spectators
297(32)
16 Ecstasy and visceral flesh in motion
299(14)
Peta Tait
17 Marginal body: the British acrobat in reference to sport
313(16)
Yoram S. Carmeli
PART II Precedents
329(1)
Origins
329(74)
18 The circus and nature in late Georgian England
331(18)
Marius Kwint
19 The American circus
349(10)
Don B. Wilmeth
20 P.T. Barnum: the legend and the man
359(18)
A.H. Saxon
21 Notes on the Mexican--American circus
377(9)
Nicolas Kanellos
22 The circus and modernity: a commitment to `the newer' and `the newest'
386(17)
Gillian Arrighi
Politics
403(50)
23 Bending the body for China: the uses of acrobatics in Sino-US diplomacy during the Cold War
405(25)
Tracy Ying Zhang
24 When pigs could fly and bears could dance: a peculiar institution
430(4)
Miriam Neirick
25 A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art
434(19)
Julieta Infantino
Physical exceptionalism
453(14)
26 To reach the clouds: my high-wire walk between the Twin Towers
455(6)
Philippe Petit
27 Thus Spoke Zarathustra
461(6)
Friedrich Nietzsche
R.J. Hollingdale
Animal performers
467(30)
28 Why circuses are unsuited to elephants
469(20)
Lori Alward
29 View from the big top: why elephants belong in North American circuses
489(8)
Dennis Schmitt
PART III Presents
497(75)
30 Female circus performers and art: the shift to creative art forms and its implications
499(9)
Magali Sizorn
31 The resilient body in social circus: Father Jesus Silva, Boris Cyrulnik and Peter A. Levine
508(20)
Katie Lavers
32 Risk, danger and other paradoxes in circus and Circus Oz parody
528(18)
Peta Tait
33 The Cirque du Soleil in Las Vegas: an American strip-tease
546(7)
Louis Patrick Leroux
34 Contemporary Nordic circus: introduction to the art form
553(7)
Tomi Purovaara
35 Contemporary circus research in Quebec: building and negotiating an emerging interdisciplinary field
560(12)
Louis Patrick Leroux
Selected Bibliography 572(39)
Index 611
Peta Tait is chair of Theatre and Drama at LaTrobe University, Australia. Her previous publications include Circus Bodies: Cultural identity in aerial performance (2005) and Wild and Dangerous Performances: Animals, emotions, circus (2012)

Katie Lavers is a director and producer of inter-media circus, as co-founder and director of Skadada circus company.