| Introduction to the Series |
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ix | |
| Acknowledgements |
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xi | |
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xiii | |
| Introduction |
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xv | |
| Why teach dance to the deaf? |
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xv | |
| Dance provision in UK schools for the deaf and hard of hearing |
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xvi | |
| Starting out: problems, myths, misconceptions |
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xix | |
| Language, intellect, memory, `muscle memory', imagination |
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xx | |
| Categories of hearing loss |
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xxi | |
| Issues --- hearing and radio aids; segregation and mainstreaming; age |
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xxiii | |
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1 | (7) |
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Teachers with children as dancers |
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1 | (3) |
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To sign or not to sign? --- `total communication' |
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1 | (1) |
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Focusing attention: games and other methods |
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2 | (2) |
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Dancers and sound sources |
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4 | (1) |
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Dancers and space: spatial awareness |
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5 | (1) |
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Dancers with other dancers: socialization |
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5 | (3) |
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8 | (4) |
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8 | (2) |
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10 | (1) |
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10 | (2) |
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12 | (12) |
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12 | (1) |
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13 | (1) |
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14 | (1) |
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15 | (1) |
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16 | (1) |
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16 | (2) |
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Cooperation in imaginative dance |
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18 | (1) |
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19 | (1) |
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Shaping actions into dance |
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19 | (1) |
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20 | (2) |
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22 | (1) |
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23 | (1) |
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23 | (1) |
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24 | (11) |
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Noah's ark, balloons, water, underwater creatures, mermaids, seaside, rain, wind, snow and ice, animals, clowns, festivals, emotions, dance, drama, folk and fairy tales, work activities, robots, sport, flight, shape, giant signs, pop dance |
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35 | (11) |
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35 | (1) |
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36 | (1) |
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37 | (1) |
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38 | (3) |
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Dance notation, Music notation |
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41 | (3) |
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44 | (2) |
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46 | (6) |
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46 | (1) |
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46 | (2) |
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46 | (1) |
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46 | (1) |
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47 | (1) |
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47 | (1) |
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47 | (1) |
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48 | (1) |
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48 | (4) |
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Dancing a rhythmic sequence |
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48 | (1) |
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49 | (1) |
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Drum and dance into dance |
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49 | (1) |
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50 | (2) |
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52 | (3) |
| Bibliography |
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55 | (2) |
| Appendices |
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57 | (8) |
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57 | (4) |
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57 | (1) |
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58 | (1) |
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59 | (2) |
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61 | (1) |
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Contents of the accompanying video |
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62 | (3) |
| Index |
|
65 | |