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Guerilla Film Makers Pocketbook: The Ultimate Guide to Digital Film Making [Pehme köide]

(Independent Scholar, UK), , (Independent Scholar, UK)
  • Formaat: Paperback / softback, 320 pages, kõrgus x laius: 160x120 mm, kaal: 250 g, 200
  • Sari: The Guerilla Filmmakers Handbooks
  • Ilmumisaeg: 18-Mar-2010
  • Kirjastus: Continuum Publishing Corporation
  • ISBN-10: 1441180788
  • ISBN-13: 9781441180780
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  • Formaat: Paperback / softback, 320 pages, kõrgus x laius: 160x120 mm, kaal: 250 g, 200
  • Sari: The Guerilla Filmmakers Handbooks
  • Ilmumisaeg: 18-Mar-2010
  • Kirjastus: Continuum Publishing Corporation
  • ISBN-10: 1441180788
  • ISBN-13: 9781441180780
This title distills the essence of "The Guerilla Film Makers" brand into one new, up-to-date, amazingly concise book. Making your own film can be complicated, infuriating, crazy, and expensive - not to mention incredibly hard work. Luckily, "The Guerilla Film Makers Pocket Manual" is crammed with tips, facts, checklists, and more - all of the stuff you need to know, and none of the stuff you don't. Never set up an office before? You'll need to, and we can tell you how. Worried about putting together - and sticking to - a realistic budget for your movie? No problem, we can show you how to do that, too. Ever had to feed a hungry film crew? We know what they like to eat, and how to make it cheaply. How about a press kit for your movie, for the upcoming festival? Yup, all covered in here. We've seen it, done it, and learned the hard way. Now it's your turn. The authors have made their own low budget movies, given hundreds of workshops, and sold over 100,000 copies of their filmmaking handbooks. Now, they've distilled everything they know into this brand new book.

Arvustused

Article about the complete Guerilla brand and its authors in The Oxford Times blog, 5th May 2010.  'If you've ever had the urge to make a film but don't know how, this is the perfect companion ... Passionately written and entertaining to read, this is a brilliant how-to book that makes you want to start plotting your movie straight away.' The Stage

Muu info

Distills the essence of the Guerilla Film Makers brand into one new, up-to-date, amazingly concise book.
Introduction 3(7)
The Setup-Meet The Guerilla Film Makers
10(9)
What do you really need?
11(1)
Being the best on the cheap
12(3)
PPP-A Strategy for success
15(2)
Goals to set now
17(2)
Words of Wisdom From Our Friends
19(12)
Screenplay
31(22)
Writing A Feature Film-Blake Snyder
32(4)
What makes a great story?
33(1)
Writing dialogue
34(2)
Writing For Low Budgets-Genevieve Jolliffe
36(6)
Writing low budget
37(3)
What is a genre script?
40(1)
Short or feature?
41(1)
Script Doctor-Julie Gray
42(6)
Script editing
43(1)
Writing narration
44(2)
`JAWS' and the classic 3 act structure
46(2)
Writing A Short Film-Chris Jones
48(5)
External versus internal
49(1)
Documentary story basics
50(2)
Screenplay formatters
52(1)
Planning
53(46)
Producing for Low Budgets-Genevieve Jolliffe
54(4)
Form a company
56(2)
Funding - Chris Jones
58(8)
The problem with deferred fees
59(1)
Keeping investors happy
60(5)
Crewing up - how big is your crew?
65(1)
Doing Deals - Ivan Clements
66(6)
Doing deals
67(2)
efail - How to make enemies and alienate people
69(3)
P.A. - Judy Goldberg
72(2)
Production Management - Andrew Zinnes
74(2)
Casting - Terry Tocantins & JJ Mayes
76(6)
Casting and actors
77(4)
Building relationships
81(1)
Locations - Kathy Mccurdy
82(12)
Location, location, location
83(8)
How long will it take?
91(2)
Rewrite for the shoot
93(1)
Insurance - Paul Cable
94(5)
Fiscal sponsorship
98(1)
The business plan
98(1)
Production
99(60)
Camera - Philip Bloom
100(10)
Buying a camera
101(3)
Depth of field
104(2)
Shooting HD Dslr basic kit
106(4)
Sound - Adrian Bell
110(8)
Sound gear
114(4)
Assistant Director - Nicolas D. Harvard
118(6)
Script timing
119(1)
Coverage tips
120(2)
Script visualisation
122(2)
Production Design - Melanie Light
124(6)
Building a set
126(2)
Prop problems
128(2)
Costume - Shanna Knecht
130(6)
Costume tips
131(3)
Story days
134(2)
Make-up-Kat Bardot
136(6)
Micro budget make-up
137(2)
Make-up tips
139(3)
Stunts and FX - Nils Stewart
142(6)
Stunts
143(2)
Stunts on no money
145(1)
Practical effects
146(2)
Working with Actors - Jan Dunn
148(6)
Blocking a scene
149(1)
Casting experience
150(3)
What to negotiate
153(1)
Producers Overview - Chris Jones
154(5)
Catering
156(3)
Post Production
159(34)
Editor - Eddie Hamilton
160(12)
The marathon begins
161(1)
The editor's job
162(2)
Editing tips
164(4)
Pickups and reshoots
168(4)
Audio post Production - Bernard Oreilly
172(6)
Track laying at home
173(1)
Sound elements
174(2)
Recording foley at home
176(2)
Music - Jermaine Stegall
178(6)
Spotting and timing
179(1)
Temp music
180(1)
Music rights
181(1)
Online music
182(2)
Documentary Edit - Amaya Cervino
184(5)
Editing docs
186(3)
Post, The Producers Overview - Chris Jones
189(4)
Kit and setup for post
191(2)
Festivals & Sales
193(62)
Festival Organiser - patrick Schwiess
194(6)
Festival bliss
195(1)
Which festivals?
196(3)
Our favourite festivals
199(1)
Festival Veteran - Susan Cohen
200(8)
Stuff you will need for a festival push
202(2)
Don't forget your toothbrush!
204(2)
Q&A at festivals
206(2)
Marketing - Sheri Candler
208(10)
Start marketing early
209(1)
Publicity tips
210(3)
Handling interviews
213(5)
Sales Agent - Julian Richards
218(12)
Why not sell yourself?
219(1)
Sales agents tips
220(2)
10 things to spot in a contract
222(2)
Delivering the micro budget film
224(4)
What is all that stuff?
228(2)
Domestic Distribution - David Wilkinson
230(8)
Distribution pointers
233(3)
DVD sales from home
236(2)
Short Film Sales - Linda `O' Olszewski
238(6)
Shorts - what are they worth?
239(2)
Delivering the short
241(3)
Beyond Traditional Distribution - Jon Reiss
244(6)
What Next? - Chris Jones
250(5)
Coming to Hollywood
252(3)
Case Studies
255(62)
`Colin' - Marc Price
256(8)
`Ink'- Jamin & Kiowa Winans
264(10)
`Ten Dead Men' - Ross Boyas
274(6)
`Treevenge' - Jason Eisener & Rob Cotterill
280(8)
`The Black Hole' - Phil Sansom & Olly Williams
288(4)
`Dead Wood' - David Bryant & Sebastian Smith
292(6)
`Paranormal Activity' - Orenpeli
298(6)
`Gone Fishing' - Chris Jones
304(8)
From Short to Feature - Jonathan Newman
312(5)
Index 317
Chris Jones has been making micro-budget features since he and Genevieve Jolliffe made The Runner in 1992. In 2009, his short film "Gone Fishing" was Oscars shortlisted. Genevieve Jolliffe met Chris Jones at film school and the two went into independent filmmaking through their production company, Living Spirit Pictures. Andrew Zinnes has worked in development at Paramount Pictures and at USA Networks. He is a founding partner of the film company Crazee Pictures.