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Write a Blockbuster and Get it Published: Teach Yourself [Pehme köide]

  • Formaat: Paperback / softback, 272 pages, kõrgus x laius x paksus: 198x132x18 mm, kaal: 224 g
  • Ilmumisaeg: 30-Apr-2010
  • Kirjastus: Teach Yourself
  • ISBN-10: 1444103199
  • ISBN-13: 9781444103199
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  • Formaat: Paperback / softback, 272 pages, kõrgus x laius x paksus: 198x132x18 mm, kaal: 224 g
  • Ilmumisaeg: 30-Apr-2010
  • Kirjastus: Teach Yourself
  • ISBN-10: 1444103199
  • ISBN-13: 9781444103199
Teised raamatud teemal:
Is this the right book for me Designed for all those wanting to be the next Dan Brown, this introduction to writing popular fiction will be a key addition to the writer's bookshelf. Authored jointly by a literary consultant/agent and a highly successful author, it offers not simply a guide to writing a novel but an introduction to writing a plot-based, action-focused blockbuster. It covers such key practicalities as the importance of plot, pace, action, character and the different demands of such popular commercial genres as romantic fiction, thrillers and so on. For those looking to write for a living, this book provides vital information on the process, including finding an agent and making a living as a writer.Write a Blockbuster And Get it Published includes:Part one - Writing a blockbusterChapter 1: Getting startedChapter 2: CharacterizationChapter 3: Plot and scene structureChapter 4: Planning your storyChapter 5: Great openingsChapter 6: How to write blockbuster proseChapter 7: DialogueChapter 8: PacingChapter 9: Rewriting and self-editingChapter 10: The A-Z of genresPart two - Submitting a blockbuster, getting an agent and being publishedChapter 11: The commonsense approach to submittingChapter 13: The reality of being publishedChapter 14: Exploring other publishing avenuesChapter 15: TroubleshootingLearn effortlessly with a new easy-to-read page design and interactive features: Not got much time? One, five and ten-minute introductions to key principles to get you started.Author insightsLots of instant help with common problems and quick tips for success, based on the authors' many years of experience.Test yourselfTests in the book and online to keep track of your progress.Extend your knowledgeExtra online articles to give you a richer understanding of how to write a blockbuster.Five things to rememberQuick refreshers to help you remember the key facts.Try thisInnovative exercises illustrate what you've learnt and how to use it.

Arvustused

"This is the most useful book I've read about writing fiction and getting published." - A Reader "If you buy one book on writing, buy this one, won't you? It is FANTASTIC! " - A Reader "Great if you are a beginner, and even if you are already published they give you a new insight into your craft." - Writing Magazine

Muu info

An effective guide to writing bestselling fiction by a literary consultant and published author.
Meet the authors x
Only got a minute? xii
Only got five minutes? xiv
Only got ten minutes? xvi
Part one Writing a blockbuster
1 Getting started
3(16)
Choosing a genre
5(1)
Finding time
6(2)
Finding a space
8(1)
Writing goals
9(2)
The writer's mind
11(1)
Establish links with other writers in your genre
12(7)
2 Characterization
19(19)
Vital statistics
21(2)
Getting to know them
23(5)
Viewpoint
28(2)
Your main character
30(2)
The villain
32(1)
Secondary and minor characters
33(1)
What's the problem?
34(4)
3 Plot and scene structure
38(22)
Plot structure
39(1)
The three-act structure
39(10)
Scene structure
49(5)
Setting
54(1)
Research
55(5)
4 Planning your story
60(11)
To plan or not to plan?
61(2)
Different ways of planning
63(8)
5 Great openings
71(9)
An out-of-the-ordinary situation
72(1)
Posing an essential question
73(1)
Exciting action sequence
74(1)
Interesting use of language
75(1)
Strong character voice
76(1)
Which opening is right for you?
77(3)
6 How to write blockbuster prose
80(22)
Show, don't tell
80(4)
Keep it active
84(1)
Avoid adverbs and `emotion' words
85(3)
Choosing the perfect word
88(3)
Exposition through dialogue/incident
91(1)
Get inside your main character's head
92(2)
Use of metaphors/similes
94(4)
Action plan for active writing
98(4)
7 Dialogue
102(16)
What makes good dialogue?
102(2)
Tag lines
104(4)
Character-specific
108(1)
Italics
109(2)
Slang
111(1)
Dialect
111(7)
8 Pacing
118(19)
Tension
119(1)
Exposition: keeping your cards close to your chest
120(2)
When to slow down
122(4)
Avoiding overwriting
126(11)
9 Rewriting and self-editing
137(14)
Reading through your draft
138(3)
The art of receiving feedback
141(5)
How many drafts?
146(5)
10 The A-Z of genres
151(12)
Children's
151(2)
Chick-lit
153(1)
Crime
153(1)
Fantasy
154(1)
Historical
155(1)
Horror
155(1)
Lad-lit
156(1)
Mainstream
156(1)
Romance
156(1)
Science fiction
157(1)
Thriller
158(1)
Western
158(1)
Women's commercial
159(4)
Part two Submitting a blockbuster, getting an agent and being published
11 The commonsense approach to submitting
163(20)
Do your research
164(3)
Your submission package
167(9)
What if they say no?
176(7)
12 Getting an agent
183(15)
First meeting
184(6)
Which agent should you choose?
190(3)
Unhappy with your agent?
193(5)
13 The reality of being published
198(20)
An inside view of a publishing house
198(2)
You've got an offer!
200(3)
Publishing contracts
203(5)
You and your editor
208(3)
Publicize your book
211(3)
Your book is on the shelves
214(4)
14 Exploring other publishing avenues
218(15)
Publishers versus packagers
218(1)
Do-it-yourself publishing
219(9)
Self-publishing success stories
228(5)
15 Troubleshooting
233(9)
I've been told that my novel...
233(2)
I've studied writing books --- why can't I get published?
235(1)
If I can't get my first book published what's the point in carrying on?
236(1)
How do I protect and copyright my work?
236(1)
What are PLR and ALCS?
237(1)
I've used lines from famous songs --- do I need permission?
238(1)
Will I be sued for libel?
239(1)
An identical story to mine has just been published
240(1)
An author friend recommended I contact a publisher --- how do I mention this?
240(2)
Afterword 242(2)
Taking it further 244(8)
Index 252
Helen Corner is the founder of Cornerstones, a leading UK literary consultancy responsible for launching exciting new writers, such as Katherine Langrish--Troll Fell (HarperCollins, 2004); Judith Kelly--Rock Me Gently (Bloomsbury, 2005); and Jane Yardley--Painting Ruby Tuesday.Lee Weatherly writes contemporary fiction for teenagers; several of her books have been shortlisted for awards. She is also a commercial fiction consultant for the Cornerstones agency and runs a series of writing workshops.