|
Lesson #1 Adventures in Rhythm -- Carrying Over the Bar |
|
|
4 | (2) |
|
Lesson #2 Adventures in Rhythm -- Triplets |
|
|
6 | (2) |
|
Lesson #3 Altered Dominant Scale |
|
|
8 | (2) |
|
Lesson #4 Arpeggiating Through the Changes |
|
|
10 | (2) |
|
Lesson #5 Bill Evans Voicings |
|
|
12 | (2) |
|
Lesson #6 Brazilian Comping -- Bossa Nova |
|
|
14 | (2) |
|
Lesson #7 Brazilian Comping -- Samba |
|
|
16 | (2) |
|
Lesson #8 Building Your Chops |
|
|
18 | (2) |
|
|
20 | (2) |
|
Lesson #10 Chromaticism II |
|
|
22 | (2) |
|
Lesson #11 Cuban Montunos -- Cha-Cha Patterns |
|
|
24 | (2) |
|
Lesson #12 Cuban Montunos -- Mambo Patterns |
|
|
26 | (2) |
|
Lesson #13 Diminished Scales |
|
|
28 | (2) |
|
Lesson #14 Dominant Cycle Progression |
|
|
30 | (2) |
|
|
32 | (2) |
|
|
34 | (2) |
|
|
36 | (2) |
|
Lesson #18 Latin Improv Ideas I |
|
|
38 | (2) |
|
Lesson #19 Latin Improv Ideas II |
|
|
40 | (2) |
|
Lesson #20 Latin Jazz -- Afro-Cuban 6/8 |
|
|
42 | (2) |
|
Lesson #21 Latin Stride Patterns |
|
|
44 | (2) |
|
Lesson #22 Left-Hand Stride Technique |
|
|
46 | (2) |
|
Lesson #23 Major Blues Scale |
|
|
48 | (2) |
|
Lesson #24 Melodic Contour |
|
|
50 | (2) |
|
Lesson #25 Melodic Sequence |
|
|
52 | (2) |
|
Lesson #26 Minor ii°-V-I Melodic Ideas |
|
|
54 | (2) |
|
Lesson #27 Motives and Their Development |
|
|
56 | (2) |
|
|
58 | (2) |
|
Lesson #29 Orchestrating Two-Handed Voicings |
|
|
60 | (2) |
|
Lesson #30 Phrygian Solo Ideas |
|
|
62 | (2) |
|
Lesson #31 Practicing the Modes in Every Key |
|
|
64 | (2) |
|
Lesson #32 Reharmonization |
|
|
66 | (2) |
|
Lesson #33 Rhapsodic Adventures -- Long Melodic Runs |
|
|
68 | (2) |
|
Lesson #34 Secondary Leading Tones |
|
|
70 | (2) |
|
Lesson #35 Taking It Out -- Chromatic Sequence |
|
|
72 | (2) |
|
Lesson #36 Taking It Out -- Superimposed Harmonies |
|
|
74 | (2) |
|
|
76 | (2) |
|
Lesson #38 The Hierarchy of Notes and Chord Tones |
|
|
78 | (2) |
|
Lesson #39 16th-Note Lines |
|
|
80 | (2) |
|
Lesson #40 The Whole-Tone Scale |
|
|
82 | (2) |
|
Lesson #41 Interpreting a Lead Sheet |
|
|
84 | (2) |
|
Lesson #42 ii-V-I Voicings: Major/Close Position |
|
|
86 | (2) |
|
Lesson #43 ii-V-I Voicings: Minor/Close Position |
|
|
88 | (2) |
|
Lesson #44 Drop-2 Voicings |
|
|
90 | (2) |
|
Lesson #45 Altered Chords |
|
|
92 | (2) |
|
Lesson #46 Tritone Substitution |
|
|
94 | (2) |
|
Lesson #47 Linear Cadence |
|
|
96 | (2) |
|
Lesson #48 Diminished 7th Chords |
|
|
98 | (2) |
|
Lesson #49 Utilizing Chord Tones in an Improvisation |
|
|
100 | (2) |
|
Lesson #50 Non-harmonics -- Neighbor Tones |
|
|
102 | (2) |
|
Lesson #51 Non-harmonics -- Changing Tones |
|
|
104 | (2) |
|
Lesson #52 Non-harmonics -- Passing Tones |
|
|
106 | (2) |
|
Lesson #53 Melodic Minor Scales -- Four Applications |
|
|
108 | (2) |
|
Lesson #54 Scale-Tone Triads & 7th Chords |
|
|
110 | (2) |
|
|
112 | (2) |
|
Lesson #56 Rhythm Streams |
|
|
114 | (2) |
|
Lesson #57 Motivic Etudes |
|
|
116 | (2) |
|
Lesson #58 Scale-Tone Voicing |
|
|
118 | (2) |
|
Lesson #59 Simplifying Extensions with Polychords |
|
|
120 | (2) |
|
Lesson #60 Drop-2 Tonicizing Diminished 7th Chords |
|
|
122 | (2) |
|
Lesson #61 Pentatonic Scales |
|
|
124 | (2) |
|
Lesson #62 Introduction to the Blues |
|
|
126 | (2) |
|
|
128 | (2) |
|
|
130 | (2) |
|
Lesson #65 Walking Bass Lines |
|
|
132 | (2) |
|
|
134 | (2) |
|
|
136 | (2) |
|
Lesson #68 Extended Alberti |
|
|
138 | (2) |
|
|
140 | (2) |
|
|
142 | (2) |
|
Lesson #71 Turnaround Progressions |
|
|
144 | (2) |
|
Lesson #72 Chord of Omission |
|
|
146 | (2) |
|
Lesson #73 Three-Note Voicings |
|
|
148 | (2) |
|
Lesson #74 Extended Harmony |
|
|
150 | (2) |
|
Lesson #75 Left-Hand Comping |
|
|
152 | (2) |
|
Lesson #76 Using 3rds and 7ths in the Left Hand |
|
|
154 | (2) |
|
Lesson #77 Quartal Harmony |
|
|
156 | (2) |
|
Lesson #78 Five-Part Ballad Voicings |
|
|
158 | (2) |
|
|
160 | (2) |
|
Lesson #80 Rootless Voicings |
|
|
162 | (2) |
|
Lesson #81 Using Diminished Scales |
|
|
164 | (2) |
|
|
166 | (2) |
|
Lesson #83 Introduction to Rhythm Changes |
|
|
168 | (2) |
|
|
170 | (2) |
|
|
172 | (2) |
|
Lesson #86 Creating an Arrangement |
|
|
174 | (2) |
|
Lesson #87 Memorizing Songs |
|
|
176 | (2) |
|
Lesson #88 Using Upper Structures in a Solo |
|
|
178 | (2) |
|
Lesson #89 Inner-Outer Concept |
|
|
180 | (2) |
|
Lesson #90 Comping Concepts |
|
|
182 | (2) |
|
Lesson #91 Call and Response |
|
|
184 | (2) |
|
Lesson #92 Jumping Tracks |
|
|
186 | (2) |
|
Lesson #93 The Extension Dimension |
|
|
188 | (2) |
|
Lesson #94 Sequential Essentials |
|
|
190 | (2) |
|
Lesson #95 The Trouble with Scales |
|
|
192 | (2) |
|
|
194 | (2) |
|
Lesson #97 Pentatonic to Mixolydian |
|
|
196 | (2) |
|
Lesson #98 Many Scales Over One Chord |
|
|
198 | (2) |
|
Lesson #99 Dominant Chord? Melodic Minor |
|
|
200 | (2) |
|
Lesson #100 Enclosure Time |
|
|
202 | |