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4 | (2) |
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6 | (2) |
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8 | (2) |
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10 | (2) |
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12 | (2) |
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14 | (2) |
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16 | (1) |
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17 | (1) |
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18 | (1) |
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19 | (1) |
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5 Harmonic Colors, Unmixed |
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20 | (2) |
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6 Two Harmonic Colors, Mixed |
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22 | (1) |
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23 | (1) |
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24 | (1) |
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25 | (1) |
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10 Discontinuous Gradations |
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26 | (1) |
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27 | (1) |
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28 | (1) |
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13 Paper Dampened in Areas |
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29 | (1) |
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14 Absorbing with the Brush |
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30 | (2) |
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32 | (1) |
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33 | (1) |
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34 | (2) |
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18 Monochrome Transparency |
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36 | (1) |
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19 Accumulated Transparencies |
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37 | (1) |
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20 Transparencies with Different Colors |
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38 | (1) |
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39 | (1) |
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40 | (1) |
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41 | (1) |
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42 | (2) |
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25 Opaque over Transparent |
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44 | (1) |
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26 Reflections and Opacities |
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45 | (1) |
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27 Monochromatic Transparencies |
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46 | (2) |
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28 Drawing with Pencil and Watercolor |
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48 | (2) |
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29 Precision Drawing with a Brush |
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50 | (1) |
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30 Schematic Color Drawing with a Brush |
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51 | (1) |
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52 | (2) |
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32 Plumage with Color Brushstrokes |
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54 | (1) |
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33 Lines with Color Pencils |
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55 | (1) |
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56 | (2) |
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35 Detailed Drawing with a Marker |
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58 | (1) |
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36 Decoration with Watercolor Pencils |
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59 | (1) |
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60 | (2) |
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38 Drawing with a Watercolor Marker |
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62 | (1) |
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39 Drawing with a Conventional Marker |
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63 | (1) |
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40 Drawing with a Charcoal Pencil |
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64 | (2) |
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41 Reserves as White Areas |
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66 | (1) |
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42 Reserves as Illuminated Areas |
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67 | (1) |
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43 Reserves as Forms Against a Background |
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68 | (2) |
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70 | (1) |
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45 White for Atmospheric Effects |
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71 | (1) |
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46 Reserves as Unfinished Areas |
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72 | (1) |
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47 Reserves Made by Blotting |
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73 | (1) |
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48 Creating with Values and Reserves |
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74 | (1) |
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49 A Large Reserve for the Subject |
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75 | (1) |
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76 | (1) |
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77 | (1) |
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52 Painting Process Based on Reserves |
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78 | (2) |
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80 | (1) |
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54 Warm Chromatic Harmony |
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81 | (1) |
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82 | (1) |
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56 Cool Chromatic Harmony |
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83 | (1) |
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84 | (2) |
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58 Neutral Harmony by Mixing |
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86 | (1) |
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59 Contrasting Neutral Harmony |
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87 | (1) |
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88 | (1) |
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89 | (1) |
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62 Harmonies of Warm and Cool Colors |
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90 | (2) |
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63 Cool and Warm Overlaid Colors |
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92 | (1) |
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64 Contrasts with Cool and Warm Colors |
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93 | (1) |
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94 | (1) |
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95 | (1) |
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96 | (2) |
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68 With Complementary Colors |
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98 | (1) |
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99 | (1) |
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100 | (1) |
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101 | (1) |
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102 | (2) |
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104 | (1) |
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105 | (1) |
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75 Twilight and Backlighting |
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106 | (2) |
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76 The Texture of the Paper |
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108 | (1) |
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77 The Effect of Transparency |
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109 | (1) |
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78 The Effect of Rain and Wind |
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110 | (2) |
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112 | (1) |
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113 | (1) |
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114 | (2) |
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116 | (1) |
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117 | (1) |
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118 | (2) |
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120 | (2) |
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122 | (1) |
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87 Emphasis with Wax Crayons |
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123 | (1) |
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88 Paper Covered with Gesso |
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124 | (2) |
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126 | (1) |
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127 | (1) |
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128 | (2) |
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92 Highlights with a Nib Pen |
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130 | (1) |
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93 Ink and Watercolor Combined |
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131 | (1) |
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132 | (1) |
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95 Watercolor Applied with a Reed Pen |
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133 | (1) |
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134 | (2) |
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136 | (2) |
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138 | (1) |
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139 | (1) |
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140 | (2) |
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101 On Paper with Long Fibers |
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142 | |
| Beginner Level |
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| Advanced Level |
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