Muutke küpsiste eelistusi

Abstract Expressionism [Pehme köide]

  • Formaat: Paperback / softback, 318 pages, kõrgus x laius: 270x250 mm, 300 colour
  • Ilmumisaeg: 06-Jun-2019
  • Kirjastus: Royal Academy of Arts
  • ISBN-10: 1912520397
  • ISBN-13: 9781912520398
Teised raamatud teemal:
  • Formaat: Paperback / softback, 318 pages, kõrgus x laius: 270x250 mm, 300 colour
  • Ilmumisaeg: 06-Jun-2019
  • Kirjastus: Royal Academy of Arts
  • ISBN-10: 1912520397
  • ISBN-13: 9781912520398
Teised raamatud teemal:

The definitive study of the most important movement in postwar American art, now in paperback

Now available in paperback, this is the definitive book on abstract expressionism, with superb color plates of major works by the protagonists of the movement as well as lesser-known figures, and essays by key scholars. Working primarily in New York and San Francisco from the 1940s on, a generation of American artists injected a new sense of confidence in painting, experimenting with improvisation, spontaneity and color. This bold publication reevaluates the movement, making the case that, far from being unified, abstract expressionism was in fact complex and ever-changing. Included here are full-color plates of works by Willem de Kooning, Sam Francis, Helen Frankenthaler, Arshile Gorky, Adolph Gottlieb, Philip Guston, Franz Kline, Lee Krasner, Joan Mitchell, Robert Motherwell, Barnett Newman, Jackson Pollock, Richard Pousette-Dart, Mark Rothko, David Smith, Clyfford Still, Ad Reinhardt, Mark Tobey, Bradley Walker Tomlin and Jack Tworkov, among others. Among the abundant archival materials are images of Hans Hofmann’s famous classes; artists such as Krasner, Frankenthaler, Pollock and de Kooning in their studios; installation shots of some of the key international exhibitions of the era, both internationally and at the galleries of Betty Parsons and others; and photos of famous locations where these artists thrashed out their aesthetic concerns, such as the Cedar Street Tavern. Also featuring a superb chronology of the period, this landmark publication is a thrilling survey of an incredibly energetic moment in American art.

President's Foreword 7(1)
Sponsor's Statement 8(2)
Acknowledgements 10(4)
An Unending Equation
14(36)
David Anfam
`A New Spirit of Freedom': Abstract Expressionism in Europe in the Aftermath of War
50(20)
Jeremy Lewison
An Improvised Community
70(16)
Carter Ratcliff
Feminism for the Most Masculine: How Two Women Launched an Art Market
86(18)
Susan Davidson
Chronology
104(24)
Edith Devaney
Christian Wurst Catalogue Plates
Painting and Sculpture
128(156)
Works on Paper and Photography
284(21)
Lenders to the Exhibition 305(1)
Endnotes 306(5)
Select Bibliography 311(1)
Photographic Acknowledgements 312(2)
Index 314
David Anfam is the author of the now-standard textbook Abstract Expressionism (1990). Susan Davidson is Senior Curator, Collections and Exhibitions, at the Soloman R. Guggenheim Museum, New York. Edith Devaney is Curator of Contemporary Projects at the Royal Academy of Arts. Jeremy Lewison is former Director of Collections at Tate. Carter Ratcliff wrote Fate of a Gesture: Jackson Pollock and Postwar American Art (1996). Christian Wurst was researcher on The Catalogue Raisonne of the Drawings of Jasper Johns.