| Introduction |
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xx | |
| What's different in this book |
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xxii | |
| Acknowledgments |
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xxiv | |
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1 | (86) |
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2 | (1) |
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3 | (25) |
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5 | (1) |
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Photoshop Welcome experience |
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6 | (2) |
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8 | (1) |
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9 | (2) |
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Managing document windows |
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11 | (1) |
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Synchronized scroll and zoom |
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12 | (1) |
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Image document window details |
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13 | (2) |
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Title bar proxy icons (Mac only) |
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15 | (1) |
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Info panel status information |
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15 | (1) |
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16 | (1) |
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17 | (1) |
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18 | (1) |
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19 | (1) |
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19 | (1) |
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20 | (1) |
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Panel arrangements and docking |
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21 | (1) |
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Panel positions remembered in workspaces |
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22 | (1) |
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Customizing the menu options |
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23 | (1) |
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Customizing the keyboard shortcuts |
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24 | (1) |
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25 | (1) |
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Working with a dual display setup |
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26 | (2) |
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28 | (6) |
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30 | (2) |
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32 | (1) |
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32 | (2) |
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34 | (7) |
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36 | (2) |
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38 | (1) |
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Skin tone and faces selections |
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38 | (1) |
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38 | (1) |
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39 | (2) |
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41 | (9) |
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42 | (1) |
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On-screen brush adjustments |
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43 | (1) |
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44 | (1) |
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45 | (1) |
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Pressure sensitive control |
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45 | (1) |
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46 | (1) |
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46 | (2) |
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48 | (1) |
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49 | (1) |
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Setting a custom background color |
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49 | (1) |
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Automatically add colors to the Swatches panel |
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49 | (1) |
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50 | (1) |
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51 | (1) |
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52 | (4) |
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54 | (1) |
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Layer selection using the Move tool |
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54 | (2) |
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Navigation and information tools |
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56 | (5) |
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56 | (1) |
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56 | (1) |
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57 | (1) |
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58 | (1) |
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Windows Multi-touch support |
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58 | (1) |
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58 | (1) |
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58 | (1) |
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59 | (1) |
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60 | (1) |
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60 | (1) |
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61 | (1) |
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62 | (1) |
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63 | (1) |
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64 | (6) |
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64 | (1) |
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History settings and memory usage |
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65 | (2) |
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67 | (1) |
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Use of history versus undo |
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67 | (1) |
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68 | (1) |
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69 | (1) |
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70 | (4) |
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71 | (1) |
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72 | (1) |
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72 | (1) |
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Using Save As to save images |
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73 | (1) |
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74 | (5) |
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Photoshop native file format |
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74 | (1) |
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74 | (1) |
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Large Document (PSB) format |
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75 | (1) |
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TIFF (Tagged Image File Format) |
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75 | (1) |
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76 | (1) |
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76 | (1) |
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76 | (1) |
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76 | (1) |
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77 | (1) |
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77 | (1) |
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78 | (1) |
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78 | (1) |
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79 | (5) |
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81 | (1) |
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Custom work spaces in Bridge |
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82 | (1) |
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Opening files from Bridge |
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82 | (1) |
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83 | (1) |
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84 | (2) |
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DNG and transparency support |
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84 | (1) |
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Opening photos from Bridge via Camera Raw |
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84 | (2) |
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86 | (1) |
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2 Camera Raw image processing |
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87 | (174) |
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88 | (6) |
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The new Camera Raw workflow |
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88 | (1) |
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89 | (1) |
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90 | (1) |
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91 | (1) |
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91 | (1) |
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Editing JPEGs and TIFFs in Camera Raw |
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91 | (1) |
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Alternative Raw processors |
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92 | (1) |
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93 | (1) |
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93 | (1) |
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Basic Camera Raw image editing |
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94 | (32) |
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Working with Bridge and Camera Raw |
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94 | (2) |
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General controls for single file opening |
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96 | (1) |
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96 | (2) |
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General controls for multiple file opening |
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98 | (2) |
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100 | (1) |
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101 | (1) |
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101 | (3) |
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104 | (1) |
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Saving photos from Camera Raw |
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105 | (1) |
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106 | (1) |
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Resolving naming conflicts |
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106 | (1) |
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Color space and image sizing options |
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107 | (1) |
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Opening raw files as Smart Objects |
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108 | (1) |
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Creating Lightroom-linked Smart Objects |
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108 | (4) |
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Altering the background color |
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112 | (1) |
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113 | (1) |
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Digital camera histograms |
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113 | (1) |
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113 | (1) |
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Image browsing via Camera Raw |
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114 | (2) |
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116 | (1) |
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Modal tool refinements in Camera Raw |
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116 | (2) |
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118 | (1) |
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119 | (1) |
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119 | (1) |
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119 | (1) |
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120 | (1) |
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Performance: Accelerated graphics (GPU) |
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121 | (1) |
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Graphics card compatibility |
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122 | (1) |
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122 | (1) |
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Camera Raw cropping and straightening |
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123 | (1) |
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How to straighten and crop |
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124 | (2) |
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126 | (74) |
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126 | (1) |
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Using the White balance tool |
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127 | (1) |
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Localized white balance measurements |
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128 | (2) |
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Independent auto white balance adjustments |
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130 | (2) |
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132 | (1) |
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The Process 2012 tone adjustment controls |
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133 | (1) |
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133 | (1) |
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134 | (1) |
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135 | (1) |
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136 | (1) |
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Auto-calculated Blacks range |
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136 | (1) |
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Suggested order for Basic panel adjustments |
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137 | (1) |
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Preserving the highlight detail |
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137 | (1) |
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Highlight recovery technology |
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138 | (2) |
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When to clip the highlights |
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140 | (1) |
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141 | (1) |
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Shadow levels after a conversion |
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142 | (2) |
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144 | (1) |
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145 | (1) |
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How Camera Raw interprets the raw data |
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145 | (1) |
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Basic panel image adjustment procedure |
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146 | (3) |
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149 | (1) |
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Auto Whites and Blacks sliders |
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149 | (2) |
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Camera-specific default settings |
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151 | (1) |
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152 | (2) |
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154 | (2) |
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156 | (2) |
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158 | (2) |
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160 | (1) |
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160 | (2) |
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Correcting a high contrast image |
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162 | (2) |
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164 | (1) |
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Recovering out-of-gamut colors |
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165 | (1) |
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Adjusting the hue and saturation |
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166 | (2) |
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Lens Corrections panel: Profile tab |
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168 | (2) |
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Accessing and creating custom lens profiles |
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170 | (1) |
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171 | (2) |
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Lens Corrections panel: Manual tab |
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173 | (1) |
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The Defringe controls in use |
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174 | (1) |
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175 | (3) |
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Localized adjustments: Defringe slider |
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178 | (2) |
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Transform tool and Upright corrections |
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180 | (2) |
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Synchronizing Upright settings |
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182 | (4) |
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The other Transform controls |
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186 | (1) |
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Guided Upright adjustments |
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186 | (4) |
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190 | (2) |
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192 | (1) |
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Post Crop Vignetting control |
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192 | (2) |
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Post Crop Vignette style options |
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194 | (2) |
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196 | (2) |
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198 | (1) |
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198 | (2) |
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Localized Dehaze adjustment |
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200 | (22) |
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202 | (1) |
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202 | (1) |
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Camera look settings profiles |
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203 | (1) |
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Custom camera profile calibrations |
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204 | (1) |
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Camera Calibration manual sliders |
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204 | (4) |
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Camera Raw as a Photoshop filter |
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208 | (2) |
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210 | (1) |
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211 | (1) |
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Synchronized spotting with Camera Raw |
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212 | (1) |
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Spot removal tool feathering |
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212 | (1) |
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Spot removal tool fine-tuning |
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213 | (1) |
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214 | (2) |
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216 | |
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217 | (3) |
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220 | (1) |
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221 | (1) |
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222 | (34) |
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222 | (1) |
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Initial Adjustment brush options |
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223 | (1) |
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223 | (1) |
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Adding a new brush effect |
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224 | (1) |
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225 | (1) |
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Adjustment brush duplication |
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225 | (2) |
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Editing brush adjustments |
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227 | (1) |
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Previewing the brush stroke areas |
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227 | (2) |
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229 | (2) |
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231 | (2) |
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Hand-coloring in Color mode |
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233 | (2) |
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235 | (3) |
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Graduated color temperature adjustment |
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238 | (2) |
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Radial filter adjustments |
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240 | (3) |
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243 | (1) |
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Modifying Graduated and Radial filter masks |
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243 | (2) |
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Correcting edge sharpness with the Radial filter |
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245 | (1) |
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245 | (1) |
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Global sharpening + radial filter adjustment |
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246 | (1) |
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247 | (1) |
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248 | (1) |
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248 | (1) |
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Load Settings... Save Settings |
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248 | (1) |
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249 | (1) |
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249 | (1) |
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Saving and applying presets |
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249 | (2) |
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Copying and synchronizing settings |
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251 | (1) |
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Synchronizing different process versions |
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252 | (1) |
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252 | (1) |
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Synchronize Process 2010 from a Process 2012 master |
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253 | (1) |
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Synchronize Process 2012 from a Process 2010 master |
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253 | (1) |
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254 | (2) |
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256 | (5) |
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256 | (1) |
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257 | (1) |
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258 | (1) |
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258 | (2) |
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260 | (1) |
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3 Sharpening and noise redaction |
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261 | (52) |
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262 | (38) |
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Why one-step sharpening is ineffective |
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262 | (1) |
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262 | (1) |
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Capture sharpening for scanned images |
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263 | (1) |
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Process versions and Camera Raw sharpening |
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264 | (3) |
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267 | (1) |
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267 | (1) |
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268 | (1) |
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The sharpening effect sliders |
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268 | (1) |
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269 | (1) |
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270 | (1) |
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271 | (2) |
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Interpreting the grayscale previews |
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273 | (1) |
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Radius and Detail grayscale preview |
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273 | (1) |
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274 | (1) |
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275 | (1) |
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Real world sharpening examples |
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276 | (1) |
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Sharpening portrait images |
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276 | (1) |
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Sharpening landscape images |
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277 | (1) |
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Sharpening a fine-detailed image |
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278 | (1) |
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How to save sharpening settings as presets |
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279 | (1) |
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Capture sharpening summary |
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280 | (1) |
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Selective sharpening in Camera Raw |
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281 | (1) |
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281 | (1) |
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Extending the sharpening limits |
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281 | (1) |
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Dual Smart Object sharpening layers |
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281 | (1) |
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How to apply localized sharpening |
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282 | (2) |
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Negative sharpening to blur an image |
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284 | (2) |
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Noise removal in Camera Raw |
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286 | (1) |
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287 | (1) |
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Is the noise really visible? |
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287 | (1) |
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Detail panel Noise Reduction sliders |
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288 | (1) |
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289 | (1) |
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Non-raw image noise reduction |
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289 | (3) |
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292 | (2) |
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Adding grain to improve appearance of sharpness |
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294 | (2) |
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Localized noise reduction in Camera Raw |
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296 | (2) |
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Localized moire removal in Camera Raw |
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298 | (2) |
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300 | (1) |
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300 | (1) |
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Localized sharpening in Photoshop |
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300 | (13) |
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300 | (1) |
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300 | (2) |
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Advanced Smart Sharpen mode |
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302 | (1) |
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303 | (1) |
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304 | (1) |
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The Shake Reduction controls |
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305 | (1) |
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306 | (1) |
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307 | (1) |
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How to get the best results |
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307 | (3) |
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Creating a depth of field brush |
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310 | (3) |
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4 Image editing essentials |
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313 | (84) |
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314 | (8) |
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Photoshop as a vector program |
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315 | (1) |
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Image resolution terminology |
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315 | (1) |
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315 | (1) |
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315 | (1) |
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316 | (1) |
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Desktop printer resolution |
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316 | (1) |
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317 | (1) |
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318 | (1) |
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Nearest Neighbor (hard edges) |
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319 | (1) |
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319 | (1) |
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Bicubic (smooth gradients) |
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319 | (1) |
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Bicubic Smoother (enlargement) |
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319 | (1) |
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Bicubic Sharper (reduction) |
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319 | (1) |
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319 | (1) |
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Preserve Details (enlargement) |
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320 | (2) |
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Photoshop image adjustments |
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322 | (56) |
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322 | (2) |
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324 | (1) |
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Basic Levels editing and the histogram |
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325 | (1) |
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326 | (1) |
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8-bit versus 16-bit image editing |
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327 | (1) |
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16-bit and color space selection |
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328 | (1) |
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Comparing 8-bit with 16-bit editing |
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329 | (1) |
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The RGB edit space and color gamut |
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330 | (2) |
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332 | (1) |
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Adjustment layers approach |
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332 | (1) |
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Adjustments panel controls |
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333 | (1) |
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Properties panel controls |
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333 | (2) |
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Maintaining focus in the Properties panel |
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335 | (1) |
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336 | (1) |
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336 | (2) |
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338 | (2) |
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340 | (1) |
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340 | (2) |
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Using Curves in place of Levels |
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342 | (1) |
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Output levels adjustments |
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342 | (2) |
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Luminosity and Color blending modes |
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344 | (2) |
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Locking down portions of a curve |
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346 | (1) |
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Creating a dual contrast curve |
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347 | (1) |
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Correcting shadow and highlight detail |
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348 | (1) |
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348 | (1) |
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348 | (1) |
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348 | (3) |
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351 | (1) |
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351 | (1) |
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352 | (2) |
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354 | (1) |
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Enhanced Brightness and Contrast |
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354 | (2) |
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Color corrections using Curves |
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356 | (2) |
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358 | (3) |
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361 | (1) |
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362 | (2) |
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Color Lookup Table Export |
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364 | (2) |
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366 | (1) |
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Multiple adjustment layers |
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367 | (1) |
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368 | (1) |
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Properties panel mask controls |
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368 | (2) |
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Editing a mask using the masks controls |
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370 | (2) |
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Image Adjustments as Smart Filters |
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372 | (2) |
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374 | (4) |
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378 | (19) |
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Entering measurement units |
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378 | (1) |
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379 | (1) |
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379 | (1) |
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Landscape and portrait mode crops |
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380 | (1) |
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380 | (1) |
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381 | (1) |
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382 | (1) |
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382 | (1) |
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382 | (2) |
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384 | (1) |
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385 | (2) |
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387 | (1) |
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387 | (3) |
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390 | (1) |
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391 | (1) |
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392 | (2) |
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How to protect skin tones |
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394 | (1) |
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How to remove objects from a scene |
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395 | (1) |
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396 | (1) |
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|
397 | (20) |
|
Converting color to black and white |
|
|
398 | (19) |
|
Dumb black and white conversions |
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398 | (1) |
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Smarter black and white conversions |
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398 | (3) |
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Black & White adjustment presets |
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401 | (1) |
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Split color toning using Color Balance |
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402 | (2) |
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Split color toning using Curves adjustments |
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404 | (2) |
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Split color toning using a Gradient Map |
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406 | (2) |
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Camera Raw black and white conversions |
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408 | (1) |
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Pros and cons of the Camera Raw approach |
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408 | (2) |
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HSL grayscale conversions |
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410 | (1) |
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Camera Calibration panel tweaks |
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410 | (1) |
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A Camera Raw Camera Calibration conversion |
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411 | (2) |
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Camera Raw Split Toning panel |
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413 | (1) |
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413 | (1) |
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Camera Raw color image split toning |
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414 | (3) |
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6 Extending the dynamic range |
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417 | (34) |
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High dynamic range imaging |
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418 | (8) |
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419 | (1) |
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420 | (1) |
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420 | (1) |
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421 | (1) |
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Displaying deep-bit color |
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421 | (1) |
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Capturing a complete scenic tonal range |
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422 | (1) |
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423 | (1) |
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424 | (1) |
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424 | (2) |
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Basic tonal compression technigues |
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426 | (12) |
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Blending multiple exposures |
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426 | (4) |
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Camera Raw adjustments using Process 2012 |
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430 | (2) |
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Processing HDR files in Camera Raw |
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432 | (1) |
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The Camera Raw HDR TIFF processing |
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432 | (1) |
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Creating HDR photos using Photo Merge |
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433 | (1) |
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Creating Photo Merge DNGs |
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433 | (5) |
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438 | (13) |
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438 | (2) |
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440 | (1) |
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440 | (2) |
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442 | (1) |
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How to avoid the `HDR look' |
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442 | (1) |
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442 | (2) |
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444 | (1) |
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444 | (4) |
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How to smooth HDR toned images |
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448 | (3) |
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451 | (46) |
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452 | (32) |
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452 | (1) |
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Clone stamp brush settings |
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452 | (2) |
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454 | (2) |
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Clone Source panel and clone overlays |
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456 | (1) |
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Choosing an appropriate alignment mode |
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456 | (2) |
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Clone and healing sample options |
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458 | (1) |
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459 | (1) |
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460 | (1) |
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461 | (1) |
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Spot healing in Content-Aware mode |
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462 | (2) |
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Diffusion slider for the Healing tools |
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464 | (2) |
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466 | (2) |
|
The Patch tool and content-aware filling |
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468 | (2) |
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470 | (1) |
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471 | (2) |
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Content-Aware move tool in Extend mode |
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473 | (1) |
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Enhanced content-aware color adaptation |
|
|
474 | (4) |
|
Content-Aware move with transformations |
|
|
478 | (2) |
|
Working with the Clone Source panel |
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|
480 | (2) |
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482 | (2) |
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484 | (2) |
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486 | (9) |
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486 | (2) |
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On-screen cursor adjustments |
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488 | (1) |
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|
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489 | (1) |
|
Saving and loading the mesh |
|
|
489 | (1) |
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489 | (1) |
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490 | (1) |
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|
490 | (1) |
|
Facial Liquify adjustments |
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|
491 | (3) |
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|
494 | (1) |
|
Smart Object support for Liquify |
|
|
494 | (1) |
|
Targeted distortions using Liquify |
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|
495 | (2) |
|
8 Layers, selections and masking |
|
|
497 | (116) |
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498 | (9) |
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498 | (2) |
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500 | (1) |
|
Creating an image selection |
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501 | (1) |
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502 | (1) |
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502 | (1) |
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Modifying an image selection |
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503 | (2) |
|
Selections, alpha channels and masks |
|
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505 | (1) |
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506 | (1) |
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506 | (1) |
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507 | (27) |
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507 | (1) |
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507 | (1) |
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508 | (1) |
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508 | (1) |
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508 | (1) |
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508 | (3) |
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511 | (1) |
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511 | (1) |
|
Viewing in Mask or Rubylith mode |
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|
512 | (1) |
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|
512 | (1) |
|
Adding an empty layer mask |
|
|
512 | (1) |
|
Thumbnail preview clipping |
|
|
512 | (2) |
|
Properties Panel in Masks mode |
|
|
514 | (1) |
|
Working with the Quick selection tool |
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|
515 | (2) |
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|
|
517 | (2) |
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|
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519 | (1) |
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519 | (1) |
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519 | (1) |
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520 | (1) |
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521 | (1) |
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Select and Mask performance |
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|
521 | (5) |
|
Ragged borders using Select and Mask |
|
|
526 | (2) |
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|
|
528 | (2) |
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|
|
530 | (4) |
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|
|
534 | (18) |
|
Creating panoramas with Photomerge |
|
|
540 | (4) |
|
Panorama Photo Merges in Camera Raw |
|
|
544 | (1) |
|
Creating Photo Merge panoramas |
|
|
544 | (1) |
|
The panorama projection options |
|
|
545 | (3) |
|
Photo Merge Boundary Warp |
|
|
548 | (1) |
|
Panorama Photo Merges and the Adaptive Wide Angle filter |
|
|
548 | (2) |
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|
|
550 | (2) |
|
Working with multiple layers |
|
|
552 | (61) |
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|
|
552 | (1) |
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|
|
552 | (1) |
|
Nested layer group warnings |
|
|
553 | (1) |
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553 | (1) |
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|
|
553 | (1) |
|
Managing layers in a group |
|
|
554 | (1) |
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|
|
555 | (1) |
|
How to create a clipping mask |
|
|
555 | (1) |
|
Masking layers within a group |
|
|
556 | (1) |
|
Clipping layers and adjustment layers |
|
|
556 | (2) |
|
|
|
558 | (2) |
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|
|
560 | (1) |
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|
|
560 | (1) |
|
Layer selection using the Move tool |
|
|
561 | (1) |
|
Layer selection with the Path selection tools |
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|
562 | (2) |
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|
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564 | (1) |
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565 | (1) |
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565 | (1) |
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565 | (1) |
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565 | (1) |
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565 | (1) |
|
Generator: generating assets from layers |
|
|
566 | (1) |
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|
|
566 | (1) |
|
Summary of how Generator works |
|
|
567 | (1) |
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|
567 | (1) |
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|
|
568 | (2) |
|
Metadata and Color Space sections |
|
|
570 | (1) |
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|
570 | (1) |
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|
|
570 | (1) |
|
Adding and linking assets |
|
|
571 | (1) |
|
Sharing libraries with other users |
|
|
572 | (1) |
|
Auto create library assets from documents |
|
|
573 | (1) |
|
Smarter naming when merging layers |
|
|
574 | (1) |
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|
|
574 | (2) |
|
Isolation mode layer filtering |
|
|
576 | (1) |
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|
577 | (2) |
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|
|
579 | (1) |
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|
|
579 | (1) |
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580 | (1) |
|
Transforming paths and selections |
|
|
580 | (1) |
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581 | (1) |
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582 | (2) |
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584 | (5) |
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589 | (1) |
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590 | (1) |
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591 | (1) |
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591 | (1) |
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591 | (4) |
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595 | (1) |
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|
596 | (3) |
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|
|
599 | (1) |
|
Creating linked Smart Objects |
|
|
599 | (2) |
|
Packaging linked embedded assets |
|
|
601 | (1) |
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|
|
601 | (1) |
|
Layers panel Smart Object searches |
|
|
602 | (1) |
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|
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603 | (1) |
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|
|
604 | (1) |
|
Drawing paths with the Pen tool |
|
|
604 | (1) |
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|
|
604 | (2) |
|
Pen tool shortcuts summary |
|
|
606 | (1) |
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|
|
606 | (1) |
|
Multi-selection path options |
|
|
607 | (2) |
|
Selecting path anchor points |
|
|
609 | (1) |
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|
|
610 | (1) |
|
Isolating an object from the background |
|
|
611 | (2) |
|
9 Blur, optical and rendering filters |
|
|
613 | (62) |
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|
614 | (28) |
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|
|
614 | (1) |
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|
|
614 | (1) |
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614 | (1) |
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|
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615 | (1) |
|
Adding a Radial Blur to a photo |
|
|
615 | (2) |
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|
|
617 | (1) |
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|
|
617 | (1) |
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|
|
617 | (2) |
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|
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619 | (1) |
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619 | (1) |
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620 | (1) |
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620 | (1) |
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621 | (1) |
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622 | (2) |
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624 | (2) |
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626 | (2) |
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628 | (1) |
|
|
|
628 | (2) |
|
|
|
630 | (3) |
|
|
|
633 | (2) |
|
Motion Blur Effects panel |
|
|
635 | (3) |
|
|
|
638 | (1) |
|
Blur Gallery filters on video layers |
|
|
638 | (1) |
|
Smart objects and selections |
|
|
638 | (1) |
|
Applying a Blur Gallery filter to a video clip |
|
|
639 | (1) |
|
Blur Gallery filter with a smart object plus mask |
|
|
640 | (2) |
|
|
|
642 | (32) |
|
Applying Smart Filters to pixel layers |
|
|
643 | (5) |
|
|
|
648 | (1) |
|
|
|
649 | (3) |
|
Selecting the most appropriate profiles |
|
|
652 | (1) |
|
Adobe Lens Profile Creator |
|
|
653 | (1) |
|
Interpolating between lens profiles |
|
|
653 | (1) |
|
Lens Correction profiles and Auto-Align |
|
|
653 | (1) |
|
Batch lens correction processing |
|
|
653 | (1) |
|
Adaptive Wide Angle filter |
|
|
654 | (2) |
|
How the Adaptive Wide Angle filter works |
|
|
656 | (1) |
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|
657 | (1) |
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|
658 | (1) |
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659 | (1) |
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|
659 | (1) |
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|
|
659 | (3) |
|
Calibrating with the Adaptive Wide Angle filter |
|
|
662 | (1) |
|
|
|
663 | (3) |
|
|
|
666 | (2) |
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|
668 | (1) |
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|
|
669 | (2) |
|
Tree filter checkbox options |
|
|
671 | (1) |
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|
|
672 | (2) |
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|
|
674 | (1) |
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|
|
675 | (24) |
|
|
|
676 | (7) |
|
Judge the print, not the display |
|
|
677 | (1) |
|
High Pass filter edge sharpening technique |
|
|
677 | (3) |
|
Soft proof before printing |
|
|
680 | (2) |
|
Managing print expectations |
|
|
682 | (1) |
|
|
|
683 | (16) |
|
|
|
683 | (1) |
|
|
|
683 | (3) |
|
|
|
686 | (2) |
|
Rendering intent selection |
|
|
688 | (1) |
|
|
|
689 | (2) |
|
|
|
691 | (1) |
|
|
|
692 | (1) |
|
Ensuring your prints are centered (Mac) |
|
|
693 | (1) |
|
|
|
694 | (1) |
|
|
|
694 | (1) |
|
Saving operating system print presets |
|
|
695 | (1) |
|
|
|
695 | (1) |
|
Configuring the Print Settings (Mac and PC) |
|
|
696 | (1) |
|
Photoshop managed color on Windows |
|
|
697 | (1) |
|
|
|
698 | (1) |
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|
699 | (14) |
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700 | (12) |
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|
700 | (1) |
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701 | (2) |
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|
|
703 | (1) |
|
Limitations when recording actions |
|
|
704 | (1) |
|
Actions only record changed settings |
|
|
704 | (1) |
|
|
|
704 | (1) |
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|
|
705 | (1) |
|
Background layers and bit depth |
|
|
705 | (1) |
|
|
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705 | (1) |
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|
|
706 | (1) |
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|
706 | (1) |
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|
|
706 | (3) |
|
Exporting and importing presets |
|
|
709 | (1) |
|
|
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710 | (1) |
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|
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711 | (1) |
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|
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712 | (1) |
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|
|
712 | (1) |
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|
712 | (1) |
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|
|
713 | |
|
Remote profiling for RGB printers |
|
|
727 | (1) |
|
|
|
727 | (1) |
|
|
|
728 | (1) |
|
|
|
728 | (1) |
|
Pixel Genius PhotoKit plug-in |
|
|
729 | |
|
|
|
729 | |
