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Adobe Photoshop CS3 for Photographers: A Professional Image Editor's Guide to the Creative use of Photoshop for the Macintosh and PC [Pehme köide]

(professional photographer and digital imaging consultant; key demo artist for Adobe.)
  • Formaat: Paperback / softback, 704 pages, kõrgus x laius: 246x189 mm
  • Ilmumisaeg: 22-May-2007
  • Kirjastus: Focal Press
  • ISBN-10: 0240520289
  • ISBN-13: 9780240520285
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  • Formaat: Paperback / softback, 704 pages, kõrgus x laius: 246x189 mm
  • Ilmumisaeg: 22-May-2007
  • Kirjastus: Focal Press
  • ISBN-10: 0240520289
  • ISBN-13: 9780240520285
Teised raamatud teemal:
Master the power of Photoshop CS3 with an internationally renowned photographer by your side.

Adobe's Photoshop CS3 comes with powerful new features with huge payoffs. But it can be overwhelming to learn, even for professional photographers, graphic designers, keen amateurs, and others who already have an initial grasp of Photoshop. Acclaimed photographer Martin Evening, who wrote the best-selling previous books, 'Adobe Photoshop for Photographers', makes it easy with this new, thoroughly updated edition.

* Illustrated throughout with before-and-after pictures - more than 750 professional, color illustrations! * Practical techniques and real-life assignments * Step-by-step tutorials * Keyboard shortcut reference guide

Includes FREE DVD with: * QuickTime movie tutorials for MAC and PC * Searchable tips on tools, palettes layer styles, and shortcuts * Includes images selected for you to experiment with to get you up to speed with everything in the book, including the new Photoshop CS3 features, fast!

* Updated Camera Guide to help you decide which will best suit your needs, plus bonus Digital Capture chapter in printable PDF format

Uncover quickly exactly what Adobe's CS3 now offers photographers. New tutorials focus on the key features introduced in CS3. You lose no time in finding out how to put your ideas to work with:

* Adobe's Camera Raw 4 plug-in that can now also process TIFFs and JPEGs * New Align controls for combining HDR images; Photomerge; new Clone Stamp; Curves dialog that now incorporates Levels functionality; and improved controls for Brightness/Contrast to match raw image processing controls * The latest on Black and White adjustment, which provides all the black and white conversion tools you need for optimum monochrome conversions * A pro's scoop on choosing from among dozens of Photoshop's image adjustment methods to get the results you want * Tips on Bridge 2.0 and Lightroom - when you should use each * Top tactics for successful composite images, insider guidance on editing shadows and highlight adjustments, and lessons on how to preview and re-edit filter effects as many times as you want - without complex workarounds

Get the preeminent advice from one photographer to another as Martin completely updates you on the core aspects of working with Photoshop, digital workflow, and improving accessibility. Real-life examples, diagrams, illustrations, and step-by-step explanations ensure that you're up to speed with the next generation of digital photography in no time!

Foreword by Adobe Systems' key Director of Engineering, Digital Imaging, Marc Pawliger

Arvustused

Reviews of CS3 edition:

"If you've been wondering what's new in Adobe Photoshop CS3, why not get your information from the best? Martin Evening is a fantastic photographer and gifted teacher who makes time in his professional schedule to instruct photographers on digital imaging and Photoshop. Evening's Adobe Photoshop for Photographers titles have become classic reference sources, written to deal directly with the needs of photographers and filled with a wealth of practical advice, hints and tips to help you achieve professional results." Professional Photographer

"...investing in this 665-page book, diligent intermediates and advanced Photoshop users will feel reassured they've bought the definitive troubleshooting text." Photography Monthly (August 2007)

Reviews of the CS2 edition:

"One of the best and most comprehensive guides available...Each section includes examples with before and after images; we found some of the ideas really inspiring...If you are a photographer using CS2, this book is a must buy." - Which Digital Camera

"This one book excellently covers all aspects of Photoshop CS2 and presents them clearly from the photographer's point of view." - Advanced Photoshop

"Still very much the daddy of all Photoshop books...the quality of illustration and production are top rate...if this book is impressive then the accompanying CD-ROM is a delight." - British Journal of Photography

"Adobe Photoshop CS2 for Photographers by Martin Evening is like the bible...it contains everything you would want to know about the creative use of Photoshop for a Macintosh or PC...a must-have guide." - Amateur Photographer

"The book is organized in a very clear and helpful color coding scheme...I thoroughly enjoyed this excellent volume. Evening covers a lot of ground and I want more from this expert and author... Highly recommended for anyone interested in real-world imaging processes and techniques." www.kickstartnews.com

"Clearly, this book will satisfy the most demanding Photoshop junkie... Martin Evening is a professional photographer who really understands his audience. It's amazingly comprehensive, and pitched to be suitable for all levels of users, from experienced pros to people with a more basic grasp of the software... There is an excellent mix of images that add relevance and credibility to the overall professional level of this book... This book could prove to be one of the most useful books you'll ever buy." - Digital Photographer

"Covering both Mac and PC, this is a great buy for the photographer who wants to get to grips with the latest features." - Digital Creative Arts

"The book does a great job of introducing all the features that are new to CS2. The tips on colour correction and setting up Photoshop for photographic work are invaluable. Even the most hardened Photoshop pro will find useful insights and tips here. The section on colour workflow is particularly good and one of the most lucid insights into the confounding world of reproducing accurate colour... Martin Evening's book is probably the best Photoshop manual available. Well priced and thoroughly informative." - MacFormat

"Richly illustrated with photos and screen grabs, this is an invaluable guide for anyone serious about Photoshop at a very reasonable price." - What Digital Camera

"The best just got better... For those who have the first CS version of the book, the decision to upgrade will depend on how much emphasis you place on the new features, however for others who are contemplating which book to buy, look no further - this book has it all... a must buy for every aspiring digital photographer and Photoshop user." - Timeless Digital Imaging

"Martin Evening has produced an indispensable guide to all of the new features and tricks... This is an easy to follow and well written guide." - Computer Arts

"...like the best software manual that you might expect with expensive computer programs, but actually rarely receive... (it is)beautifully illustrated. Evening's book - with its tutorial CD - manages that rare achievement, of hand-holding the fast-learning novice and old pro alike through some pretty involved procedures." - Stills Audio Motion

"This is one of the better general Photoshop books out there, with less about filters and more about using Photoshop to perfect images for fine art or adveritising." -Photo Techniques (2008)

Foreword xx
Introduction xxii
Book and DVD contents xxiii
Photoshop for Photographers website xxiii
Acknowledgments xxiv
What's New in Adobe Photoshop CS3
1(24)
New interface design
2(2)
Performance
4(1)
Camera Raw 4.0
4(2)
New Curves
6(1)
New Brightness and Contrast
7(1)
Black & White adjustments
8(1)
Align controls
9(1)
Automatic Photomerge
10(1)
Clone Source palette and options
11(1)
Blending multiple images with Stacks
12(2)
New Smart Object features
14(2)
Smart Filters
14(2)
Quick Selections
16(2)
Refine selection edges
16(2)
Vanishing Point 2.0
18(1)
Printing
19(1)
Bridge 2.0
20(2)
PDF enhancements
22(1)
Device Central
22(1)
Overall impressions
23(2)
Photoshop Fundamentals
25(72)
How to use this book
26(4)
Photoshop installation
30(1)
The Photoshop interface
30(6)
The image document window
32(1)
Title bar proxy icons (Macintosh)
33(1)
Managing document windows
34(1)
Rulers, Guides & Grid
35(1)
`Snap to' behavior
35(1)
The Photoshop palettes
36(3)
Palette docking
36(2)
Workspace settings
38(1)
Customizing the menu options
39(1)
Image resolution
39(3)
Pixels versus vectors
42(10)
Terminology
42(1)
ppi: pixels per inch
42(1)
Ipi: lines per inch
43(1)
dpi: dots per inch
43(1)
Desktop printer resolution
44(1)
Repro considerations
44(1)
The relationship between ppi and Ipi
45(2)
Creating a new document
47(1)
Altering the image size
48(1)
Image interpolation
49(1)
Nearest Neighbor
49(1)
Bilinear interpolation
49(1)
Bicubic interpolation
49(1)
Bicubic interpolation methods
50(1)
Bicubic Smoother
50(1)
Bicubic Sharper
50(1)
Step interpolation
50(2)
Converting raw data into pixels
52(2)
Photoshop CS3 Tools palette
54(4)
Options palette
56(1)
Tool Presets palette
57(1)
Selection tools
58(4)
Modifier keys
60(2)
Painting tools
62(4)
On-the-fly brush changes
63(1)
Brushes palette
64(1)
Brushes palette options
65(1)
Brush tool presets
66(1)
Tools for filling
66(1)
Tools for drawing
67(1)
Image editing tools
68(3)
Working with Layers
70(1)
Automating Photoshop
71(3)
Move tool
72(1)
Layer selection using the move tool
72(2)
Navigation and information tools
74(1)
History
75(6)
The History palette
75(1)
History settings and memory usage
76(2)
History brush
78(1)
Use of history versus undo
78(1)
Snapshots
79(1)
Non-linear history
80(1)
Present Manager
81(1)
Adobe Bridge CS3
82(14)
The Bridge interface
82(2)
Opening and saving images from Bridge
84(2)
When files won't open
86(1)
Save often
87(1)
Save As... and Save a Copy
88(1)
File formats
89(1)
Photoshop native file format
89(1)
PSB (Large Document Format)
90(1)
TIFF (Tagged Image File Format)
90(2)
Photoshop PDF
92(1)
PDF security
93(3)
Easter eggs
96(1)
Configuring Photoshop
97
What you will need
98(1)
Macintosh
98(1)
Windows
98(1)
The ideal computer setup
99(14)
Choosing a display
100(2)
Display calibration and profiling
102(2)
Calibration hardware
104(2)
Do you want good color or just OK color?
106(2)
Calibration using a third-party calibrator
108(2)
Color management settings
110(1)
Extras
111(1)
Backing up image data
112(1)
Photoshop preferences
113(3)
General preferences
113(2)
Interface
115(1)
File Handling
116(3)
File compatibility
116(3)
Performance
119(1)
RAM memory and scratch disks
120(3)
Enhancing memory and performance
121(1)
Scratch disks
121(2)
Scratch disk performance
123(1)
Interface connections
123(1)
RAID scratch disks
124(1)
RAID 0 (striping)
124(2)
Internal RAID
124(1)
External RAID
125(1)
Image Cache
126(1)
Cache pyramid structure
126(1)
Cursors
127(1)
Transparency & Gamut
128(1)
Units & Rulers
129(2)
Guides, Grid & Slices
130(1)
Plug-ins
131(1)
Type preferences
132
Basic Pixel Image Editing
133`(225)
Image capture and file output
134(4)
Scanner software
135(1)
The image histogram
136(2)
16 bits per channel support
138(26)
16-bit and color space selection
139(2)
Levels adjustments
141(3)
Levels after a conversion
144(2)
Fine-tuning the endpoints
146(2)
Specular Highlights
148(2)
Preserving the highlight detail
150(1)
Cutouts against a white background
150(2)
Curves adjustments
152(2)
Using Curves in place of Levels
154(2)
Using Curves to improve contrast
156(1)
Curves luminance and saturation
156(2)
Saving and loading curves
158(1)
Curve presets
159(2)
Manipulating portions of a curve
161(1)
Improved Brightness and Contrast
162(2)
Color corrections
164(16)
Basic color balancing with Levels
165(1)
Auto adjustments
166(2)
Color correction with Levels or Curves
168(2)
Precise color correction using Curves
170(4)
Hue/Saturation
174(2)
Correcting shadow and highlight detail
176(1)
Amount
176(1)
Tonal Width
176(1)
Radius
177(2)
Color Correction
179(1)
Midtone Contrast
179(1)
Smart Filters
180(3)
Improving the midtone contrast
183
Removing noise from an image
186r(215)
Reducing film grain noise
187(1)
Reduce Noise filter
188(1)
Advanced mode noise reduction
189(1)
Targeted noise reduction
190(3)
JPEG noise removal
193(1)
Saving Reduce Noise settings
193(1)
Removing moire patterns
194(1)
Image sharpening
195(2)
Sharpening solutions
197(1)
Multipass sharpening
197(1)
Capture sharpening
198(1)
Sharpening for output
198(1)
Unsharp Mask filter
199(1)
Amount
199(1)
Radius
200(1)
Threshold
200(2)
Luminance sharpening
202(1)
Sharpening for the image source
203(2)
Which sharpen settings to use
205(4)
Sharpening for smooth edge content
209(4)
Presharpening summary
213(1)
Third-party sharpening plug-ins
213(1)
Selective sharpening
214(1)
Smart Sharpen filter
215(1)
Advanced Smart Sharpen mode
216(2)
Removing Motion Blur
217(1)
Cropping
218(3)
Selection-based cropping
220(1)
Perspective cropping
221(1)
Image rotation
222(1)
Canvas size
223(1)
Big data
224(1)
Camera Raw Image Processing
225(66)
Raw versus JPEG
226(1)
From light to digital
226(1)
Raw is the digital negative
227(1)
Raw conversion software
227(1)
DNG file format
228(1)
The DNG solution
229(2)
Getting raw images into Photoshop
231(14)
Image ingestion
231(1)
Importing images via Photo Downloader
232(5)
Tethered shoot imports
237(4)
Importing images via other programs
241(1)
Importing images via Lightroom
242(3)
Basic Camera Raw image editing
245(28)
Working with Camera Raw and Bridge
246(2)
General controls for single file opening
248(2)
General controls for multiple file opening
250(2)
Image browsing with Camera Raw
252(2)
Camera Raw preferences
254(1)
Basic panel controls
255(3)
Basic image adjustment procedure
258(2)
Digital exposure
260(2)
Vibrance and Saturation
262(1)
Tone Curve panel
263(2)
Image effects using the Point Curve editor
265(1)
Detail panel
266(2)
Removing noise using multiple exposures
268(2)
HSL/Grayscale panel
270(1)
Camera Raw black and white conversions
271(1)
Split Toning panel
272(1)
Lens Corrections panel
273(2)
Vignette control
274(1)
Camera Calibration panel
275(5)
The ACR Calibrator script
276(2)
Using Camera Calibration to distort colors
278(2)
Retouch tool
280(1)
Red eye removal
281(1)
Camera Raw cropping
282(1)
Presets panel
283(1)
Saving and applying presets
284(2)
Copying and synchronizing settings
285(1)
32-bit editing and High Dynamic Range
286(1)
Merge to HDR
286(5)
Fine-tuned Image Corrections
291(21)
Adjustment layers
292(8)
Adjustment layer dodging
293(2)
Multiple adjustment layers
295(1)
Blend mode adjustments
296(2)
Luminosity and Color blending modes
298(2)
Fine-tuned color adjustments
300(12)
Photo Filter
300(1)
Arbitrary Map mode curve editing
301(1)
Matching color and lighting across images
302(2)
Match Color settings
304(1)
Match Color auto adjustments
304(1)
Coloring effects with Match Color
304(2)
Color replacement tool
306(2)
Color Range
308(1)
Replace Color
309(1)
Selective Color
310(1)
Adjusting out-of-gamut colors
310(1)
The essential adjustment tools
310(2)
Image Retouching
312(42)
Basic cloning methods
313(35)
Alternative history brush spotting technique
316(2)
Healing brush
318(2)
Better healing edges
320(2)
Spot healing brush
322(1)
Clone and healing sample options
323(1)
Clone Source palette
324(2)
Patch tool
326(4)
Healing brush strategies
330(4)
Retouching portraits
334(1)
Adding lightness and contrast to the eyes
334(2)
Repair work using a copied selection
336(1)
Removing stray hairs
337(1)
Coloring hair roots
338(1)
Red eye correction
339(1)
Beauty retouching
340(1)
Brush blending modes
340(4)
Retouching portraits
344(2)
Adding Noise
346(1)
Blurring along a path
347(1)
Smudging pixels
347(1)
Vanishing Point
348(6)
Vanishing Point planes and measurements
352(2)
Layers, Selections and Masking
354(93)
Selections and channels
355(8)
Selections
355(1)
Quick Mask mode
356(1)
Modifying selections
357(1)
Alpha channels
357(2)
Selections, alpha channels and masks
359(1)
Smoothing a selection
360(1)
Expanding and shrinking selections
361(1)
Anti-aliasing and feathering
362(1)
Smoother selection edges
362(1)
Photoshop paths
363(4)
Creating a path
364(1)
Drawing paths with the pen tool
364(1)
Guidelines for drawing pen paths
364(2)
Rubber Band mode
366(1)
Layers
367(4)
Image layers
367(1)
Shape layers
368(1)
Text layers
368(1)
Adjustment layers
368(1)
Layers palette controls
368(3)
Masking layers
371(4)
Adding a layer mask
371(1)
Removing a layer mask
372(1)
Vector masks
373(2)
Working with multiple layers
375(7)
Layer group management
375(3)
Layer selection and linking
378(2)
Layer mask linking
380(1)
Layer locking
381(1)
Lock Transparent Pixels
381(1)
Lock Image Pixels
381(1)
Lock Layer Position
381(1)
Lock All
381(1)
Layer blending modes
382(8)
Advanced Blending options
388(2)
Smart Objects
390(12)
Multiple raw conversions of an image
394(3)
Place-A-Matic script
397(1)
Layer blending to remove objects
398(4)
Transform commands
402(20)
Repeat Transforms
404(1)
Numeric Transforms
405(1)
Transforming selections and paths
405(1)
Transforms and alignment
406(2)
Auto-Alignment
408(2)
Auto-Blend layers
410(2)
Creating a montage
412(2)
Removing a matte color
414(2)
Cheating a mask
416(1)
Masking an object with a vector path
416(6)
Masking hair
422(14)
Masking tips
431(1)
Refine Edge command
431(1)
Working with the quick selection tool
432(2)
Clipping masks
434(2)
Extract filter
436(5)
Layer Styles
441(4)
Applying layer styles to image layers
441(1)
Adding glows and shadows
442(2)
Inner shadows
444(1)
Spot color channels
445(2)
Darkroom Effects
447(28)
Black and white from color
448(13)
Split color toning
451(2)
Adjustment layer split toning
453(1)
Black and white solarization
454(2)
Duotone mode
456(2)
Infrared film simulation
458(3)
Coloring effects
461(14)
Cross-processing
461(1)
Lab Color effects
461(5)
Channel Mixer color adjustments
466(2)
Color overlays
468(2)
Hand coloring a photograph
470(2)
Gradient Map coloring
472(1)
Adding a border to an image
473(1)
Softening the focus
474(1)
Photoshop Filters
475(33)
Filter essentials
476(1)
Blur filters
476(10)
Gaussian Blur
476(1)
Radial Blur
476(2)
Smart Blur
478(1)
Average Blur
478(1)
Motion Blur
478(3)
Surface Blur
481(1)
Box Blur
481(1)
Sampled Blur
481(1)
Lens Blur
482(1)
Depth of field effects
482(2)
Applying Lens Blur to a composite image
484(2)
Smart Filters
486(1)
Lighting and rendering
487(6)
Fibers filter
487(1)
Lighting Effects
487(3)
Clouds and Difference Clouds
490(2)
Lens Flare
492(1)
Pattern Maker
493(1)
Pixel distortions and corrections
494(11)
Displace filter
494(2)
Lens Correction
496(2)
Liquify
498(2)
Liquify tool controls
500(1)
Reconstructions
500(1)
Mask options
501(1)
View options
502(1)
Saving the mesh
502(3)
Filter Gallery
505(1)
Warp transforms
506(2)
Image management
508(35)
Launching Bridge
511(6)
Rotating the thumbnails and preview
511(1)
Bridge preferences
512(1)
General preferences
512(1)
Thumbnails preferences
513(1)
Metadata preferences
514(1)
Advanced preferences
514(1)
Cache management
515(2)
Slideshow view
517(1)
Arranging the Bridge contents
518(15)
Customizing the panels and content area
520(2)
Selecting a Bridge workspace
522(2)
Working with multiple windows
524(1)
Bridge panels
525(1)
Folders panel
525(1)
Favorites panel
525(1)
Preview panel
526(1)
Metadata panel
527(1)
Image metadata
528(1)
File Info metadata
528(2)
Other types of metadata
530(1)
Edit History log
531(1)
Keywords panel
532(1)
Managing images in Bridge
533(5)
Image rating and labeling
534(1)
Filtering images
535(1)
Filter panel
536(1)
Image searches
537(1)
Bridge automation
538(2)
Renaming images
538(1)
Applying Camera Raw settings
539(1)
Bridge extras
540(1)
Backing up your data
540(3)
Image protection
542(1)
Color Management
543(47)
The need for color management
544(5)
The way things were
544(2)
RGB devices
546(1)
The versatility of RGB
547(1)
Output-centric color management
548(1)
Profiled color management
549(10)
Color Management Modules
550(1)
The Profile Connection Space
550(2)
Choosing an RGB work space
552(1)
Apple RGB
552(1)
sRGB IEC-61966-2.1
552(1)
ColorMatch RGB
553(1)
ProPhoto RGB
553(1)
Adobe RGB (1998)
553(1)
Profiling the display
554(1)
Calibration and profiling
555(1)
Profiling the input
556(1)
Profiling the output
557(2)
Photoshop color management interface
559(18)
The Color Settings
559(1)
Color management policies
560(1)
Profile mismatches and missing profiles
560(1)
Preserve embedded profiles
561(1)
Convert to Working space
562(1)
Color Management Off
563(1)
Profile conversions
564(1)
Convert to Profile
564(2)
Assign Profile
566(1)
Profile mismatches
567(1)
Saving a Color Setting
568(1)
Reducing the opportunities for error
569(3)
Working with Grayscale
572(1)
Advanced Color Settings
573(1)
Conversion options
574(1)
Black Point Compensation
574(1)
Use Dither (8-bit per channel images)
574(1)
Rendering intents
574(1)
Blend RGB colors using gamma
575(1)
Customizing the RGB and work space gamma
576(1)
RGB to CMYK
577(6)
CMYK setup
577(1)
Creating a custom CMYK setting
577(1)
Ink Colors
578(1)
Dot gain
579(1)
Gray Component Replacement (GCR)
580(1)
Undercolor Removal (UCR)
580(1)
Undercolor Addition (UCA)
581(1)
Black generation
581(2)
Choosing a suitable RGB work space
583(7)
Rendering intents
584(1)
Perceptual
584(1)
Saturation (Graphics)
584(1)
Relative Colorimetric
585(1)
Absolute Colorimetric
585(3)
CMYK to CMYK
588(1)
Lab Color
588(1)
Info palette
589(1)
Keeping it simple
589(1)
Print Output
590(27)
Inkjet printers
591(1)
The ideal inkjet
592(1)
Photographic print quality
592(1)
Image permanence
593(1)
Inks and media
593(1)
Third-party inks
594(1)
Print sharpening
595(2)
High Pass filter edge sharpening
595(2)
Making a print
597(20)
Page Setup
598(1)
Ensuring your prints are centered
599(1)
Photoshop Print dialog
600(1)
Output settings
600(2)
Color Management
602(2)
System Print dialog settings
604(1)
System print dialog options
605(1)
Building a custom printer profile
606(1)
Printing a printer test target
606(4)
Getting the most from your printer profiles
610(1)
Soft proofing via the display
611(2)
Display simulation options
613(1)
Color proofing for press output
614(1)
CMYK proofing with an inkjet
615(1)
Simulation and rendering intents
616(1)
Output for Web
617(26)
Sending images over the Internet
618(18)
Email attachments
618(1)
Uploading to a server
619(2)
File formats for the Web
621(1)
JPEG
621(2)
Choosing the right compression type
623(2)
JPEG 2000
625(1)
GIF
626(1)
PNG (Portable Network Graphics)
626(1)
Save for Web
627(3)
GIF Save for Web
630(2)
Device Central
632(1)
Zoomify™ Export
633(1)
Adding a copyright watermark
634(2)
Web Photo Gallery
636(7)
Information and feedback
642(1)
Automating Photoshop
643(23)
Custom keyboard shortcuts
644(3)
Menu customization
646(1)
Working with Actions
647(8)
Playing an action
647(1)
Recording actions
648(2)
Troubleshooting actions
650(1)
Action recording tips
651(1)
Inserting menu items
651(1)
Batch processing actions
652(2)
Creating a droplet
654(1)
Scripting
655(2)
Script Event Manager
655(1)
Image Processor
656(1)
Automated plug-ins
657(9)
Crop and Straighten Photos
657(1)
Fit Image
657(1)
Picture Package
658(2)
Photomerge in Interactive layout mode
660(4)
Contact Sheet II
664(1)
Export Transparent Image and Resize Image
665(1)
Index
666(14)
Remote profiling for RGB printers
679(1)
Pixel Genius PhotoKit plug-in discounts
680


Martin Evening is a professional photographer and digital imaging consultant, an experienced Photoshop user and key demo artist for Adobe. Based in London, UK, Martin was inducted into the legendary Photoshop Hall of Fame in 2008.