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Adobe Photoshop CS4 for Photographers: A Professional Image Editor's Guide to the Creative use of Photoshop for the Macintosh and PC [Pehme köide]

3.64/5 (87 hinnangut Goodreads-ist)
(Adobe; Berkhamsted, UK)
  • Formaat: Paperback / softback, 704 pages, kõrgus x laius: 246x189 mm, kaal: 1746 g
  • Ilmumisaeg: 27-Nov-2008
  • Kirjastus: Focal Press
  • ISBN-10: 0240521250
  • ISBN-13: 9780240521251
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Adobe Photoshop CS4 for Photographers: A Professional Image Editor's Guide to the Creative use of Photoshop for the Macintosh and PCSuurem pilt
  • Formaat: Paperback / softback, 704 pages, kõrgus x laius: 246x189 mm, kaal: 1746 g
  • Ilmumisaeg: 27-Nov-2008
  • Kirjastus: Focal Press
  • ISBN-10: 0240521250
  • ISBN-13: 9780240521251
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9780240521251.html
Märksõnad:
Martin Evening’s Adobe Photoshop for Photographers titles have become classic reference sources for photographers at all skill levels. Whether you are an accomplished user or just starting out, the Adobe Photoshop CS4 for Photographers book contains a wealth of practical advice, hints and tips to help you achieve professional-looking results.
Adobe Photoshop CS4 for Photographers begins with an overview of the Photoshop interface and the fundamentals of how to use Photoshop, followed by how to configure and optimize your computer's performance to run the program and then it dives straight into the essentials of Camera Raw image editing. The Sharpening chapter shows how to use the Camera Raw controls to obtain optimum capture sharpening and noise reduction and the Essentials chapter outlines how to work with all the basic image adjustment tools that are in the program, some of which have been there since the very beginning.
Practical workshops show you how to master the essential techniques, such as color correction, retouching techniques, toning a black and white image, creating composite images and so on. Each technique is described in step-by-step detail, showing exactly which command to use, whether you are working with a Mac or PC computer.
The accompanying DVD contains a Photoshop for Photographers Help Guide. This is supplied in a web browser format that you can either run from the DVD or copy to your computer hard disk for off-line viewing. The Help Guide contains a complete guide to all the tools and panels in Photoshop as well as other items in the program. It is like having an off-line manual with which to learn more about what each Photoshop tool and palette does. The guide also provides 120 minutes of movie tutorials on Photoshop CS4. If you are just beginning to work with digital images or are looking for new ideas, the best techniques and ways to improve the quality of your work, this is the book for you!

* Learn Photoshop the Martin Evening way! Get up to speed fast with the essential information you need to create superb images in Photoshop CS4.
* Accompnying DVD includes the images you need to follow along as you read, with QuickTime movie tutorials for hands-on learning
* Contains over 750 professional, color images

Martin Evening's Adobe Photoshop for Photographers titles have become classic reference sources for photographers at all skill levels. Whether you are an accomplished user or just starting out, the Adobe Photoshop CS4 for Photographers book contains a wealth of practical advice, hints and tips to help you achieve professional-looking results.
Adobe Photoshop CS4 for Photographers begins with an overview of the Photoshop interface and the fundamentals of how to use Photoshop, followed by how to configure and optimize your computer's performance to run the program and then it dives straight into the essentials of Camera Raw image editing. The Sharpening chapter shows how to use the Camera Raw controls to obtain optimum capture sharpening and noise reduction and the Essentials chapter outlines how to work with all the basic image adjustment tools that are in the program, some of which have been there since the very beginning.
Practical workshops show you how to master the essential techniques, such as color correction, retouching techniques, toning a black and white image, creating composite images and so on. Each technique is described in step-by-step detail, showing exactly which command to use, whether you are working with a Mac or PC computer.
The accompanying DVD contains a Photoshop for Photographers Help Guide. This is supplied in a web browser format that you can either run from the DVD or copy to your computer hard disk for off-line viewing. The Help Guide contains a complete guide to all the tools and panels in Photoshop as well as other items in the program. It is like having an off-line manual with which to learn more about what each Photoshop tool and palette does. The guide also provides 120 minutes of movie tutorials on Photoshop CS4. If you are just beginning to work with digital images or are looking for new ideas, the best techniques and ways to improve the quality of your work, this is the book for you!

Arvustused

"When it's all said and done, tools-whether hardware or software-are just tools, and it's your ideas and images that matter. You'll find that Martin knows both sides of the equation and never lets the techniques distract from the vision. I think you'll find his perspective and experience invaluable."--John Nack, Principal Product Manager, Adobe Photoshop



"Evening's Adobe Photoshop for Photographers titles have become classic reference sources, written to deal directly with the needs of photographers and filled with a wealth of practical advice, hints and tips to help you achieve professional results."--Professional Photographer



"Richly illustrated with photos and screen grabs, this is an invaluable guide for anyone serious about Photoshop at a very reasonable price."--What Digital Camera



"...the bible for digital photographers. Wonderfully illustrated and incredibly detailed to help you master all aspects of the program."--ephotozine



"[ A] survey packed with digital photo examples, screen shots, and all aspects of working with Photoshop CS4. An outstanding way to learn Photoshop CS4."--California Bookwatch

Foreword xxi
Introduction xxiii
Book and DVD contents xxv
Photoshop for Photographers website xxv
Photoshop Fundamentals
1(78)
An overview of the book chapters
2(2)
How to use this book
4(3)
Photoshop installation
7(1)
The Photoshop interface
8(18)
Tabbed document windows
10(2)
Managing document windows
12(2)
Image document window details
14(1)
Dynamic zoom views
14(1)
Title bar proxy icons (Macintosh)
15(1)
Rulers, Guides & Grid
16(1)
`Snap to' behavior
17(1)
Pixel Grid view
17(1)
Application bar
18(1)
The Photoshop panels
19(1)
Panel arrangements and docking
20(2)
Workspace settings
22(1)
Customizing the menu options
23(1)
Customizing the keyboard shortcuts
24(1)
Working with a dual monitor setup
25(1)
Photoshop CS4 Tools panel
26(4)
Options bar
28(1)
Tool Presets panel
29(1)
Selection tools
30(6)
Color Range
32(2)
Modifier keys
34(2)
Painting tools
36(6)
On-the-fly brush changes
37(2)
Brushes panel
39(1)
Brushes panel options
40(1)
Pressure sensitive control
41(1)
Brush tool presets
41(1)
Tools for filling
42(1)
Tools for drawing
43(1)
Image editing tools
44(2)
Working with Layers
46(1)
Automating Photoshop
47(3)
Move tool
48(1)
Layer selection using the move tool
48(2)
Navigation and information tools
50(5)
Flick panning
51(1)
Bird's-eye view
51(1)
Rotate view tool
52(1)
Notes tool
53(1)
Screen view modes
54(1)
Preset Manager
55(1)
History
56(16)
The History panel
56(1)
History settings and memory usage
57(2)
History brush
59(1)
Use of history versus undo
59(1)
Snapshots
60(1)
Non-linear history
61(1)
When files won't open
62(1)
Save often
63(1)
Using Save As... to save images
64(1)
File formats
65(1)
Photoshop native file format
65(1)
PSB (Large Document Format)
66(1)
TIFF (Tagged Image File Format)
66(1)
Flattened TIFFs
67(1)
Photoshop PDF
68(1)
PDF security
69(3)
Adobe Bridge CS4
72(6)
The Bridge interface
73(1)
Custom workspaces in Bridge
74(1)
Slideshows
74(2)
Opening photos via Camera Raw
76(1)
What's new in Camera Raw 5.0
77(1)
Easter eggs
78(1)
Configuring Photoshop
79(38)
What you will need
80(1)
Macintosh
80(1)
Windows
80(1)
The ideal computer setup
81(14)
Choosing a display
82(1)
Wide dynamic range displays
83(1)
Video cards
83(1)
Display calibration and profiling
84(2)
Calibration hardware
86(1)
The calibration/profiling procedure
87(1)
White point
87(1)
Gamma
88(1)
Luminance
88(1)
Device calibration and measurement
89(1)
The profiling process
90(1)
Do you want good color or just OK color?
90(2)
Color management settings
92(1)
Extras
93(1)
Backing up image data
94(1)
Photoshop preferences
95(22)
General preferences
95(2)
Interface
97(2)
File Handling
99(1)
File compatibility
99(3)
Performance
102(1)
GPU settings
103(1)
RAM memory and scratch disks
104(1)
Enhancing memory and performance
105(1)
Scratch disks
105(2)
Scratch disk performance
107(1)
Interface connections
107(1)
RAID setups
108(1)
RAID 0 (striping)
108(1)
RAID 1 (mirroring)
108(1)
Internal RAID
109(1)
External RAID
109(1)
Image Cache
110(1)
Cache pyramid structure
110(1)
Cursors
111(1)
Transparency & Gamut
112(1)
Units & Rulers
113(1)
Guides, Grid & Slices
114(1)
Plug-ins
115(1)
Type preferences
116(1)
Camera Raw Image Processing
117(114)
Camera Raw advantages
118(11)
The new Camera Raw workflow
118(2)
Does the order matter?
120(1)
Raw capture
120(1)
JPEG capture
121(1)
Editing JPEGs and TIFFs in Camera Raw
121(1)
Alternative Raw processors
122(1)
A basic Camera Raw/Photoshop workflow
123(3)
A Lightroom/Photoshop workflow
126(2)
Camera Raw support
128(1)
DNG compatibility
128(1)
Getting raw images into Photoshop
129(15)
Image ingestion
129(1)
Importing images via Photo Downloader
130(5)
Tethered shoot imports
135(4)
Importing images via other programs
139(1)
Lightroom imports
140(1)
Importing photos via Lightroom 2
141(3)
Basic Camera Raw image editing
144(18)
Working with Bridge and Camera Raw
144(2)
General controls for single file opening
146(2)
Full size window view
148(1)
General controls for multiple file opening
148(2)
Opening raw files as Smart Objects
150(4)
Saving photos from Camera Raw
154(1)
The histogram display
155(1)
Image browsing with Camera Raw
156(2)
Camera Raw preferences
158(1)
Auto corrections
159(1)
Camera-specific default settings
159(2)
Camera Raw cache size
161(1)
DNG file handling
161(1)
Basic panel controls
162(45)
White balance
162(1)
Using the white balance tool
163(1)
The tone adjustment controls
164(1)
Exposure
164(1)
Recovery
164(1)
Blacks
164(1)
Fill Light
165(1)
Suggested order for the basic adjustments
165(1)
Basic image adjustment procedure
166(2)
Preserving the highlight detail
168(2)
When to clip the highlights
170(1)
How to clip the shadows
171(1)
Shadow levels after a conversion
172(2)
Digital exposure
174(2)
Brightness
176(2)
Contrast
178(1)
Clarity
179(1)
Negative clarity
180(2)
Vibrance and Saturation
182(2)
Tone Curve panel
184(2)
Correcting a high contrast image
186(2)
HSL/Grayscale panel
188(1)
Recovering out-of-gamut colors
189(1)
Adjusting the hue and saturation
190(2)
Lens Corrections panel
192(1)
Defringe
193(1)
Lens Vignetting control
194(2)
Post Crop vignetting control
196(2)
Camera Calibration panel
198(1)
The ACR Calibrator script
199(3)
New Camera Raw profiles
202(2)
Spot removal tool
204(1)
Synchronized spotting with Camera Raw
205(1)
Red eye removal
206(1)
Localized adjustments
207(21)
Adjustment brush
207(1)
Initial Adjustment brush options
208(1)
Brush settings
208(1)
Adding a new brush effect
209(1)
Editing brush adjustments
210(1)
Previewing the brush stroke areas
210(2)
Auto masking
212(2)
Hand-coloring in Color mode
214(2)
Sharpness slider
216(1)
Graduated filter tool
217(3)
Angled gradients
220(1)
Adding clarity and contrast
220(2)
Camera Raw cropping and straightening
222(1)
Camera Raw settings menu
223(1)
Export settings to XMP
224(1)
Update DNG previews
224(1)
Load/Save Settings
224(1)
Camera Raw defaults
225(1)
Presets panel
225(1)
Saving and applying presets
226(1)
Copying and synchronizing settings
227(1)
DNG file format
228(3)
The DNG solution
229(1)
DNG adoption
229(1)
DNG Converter
230(1)
Sharpening and Noise Reduction
231(30)
When to sharpen
232(16)
Capture sharpening
232(1)
Capture sharpening for scanned images
233(1)
Sample sharpening image
234(1)
Detail panel
235(1)
The sharpening effect sliders
235(1)
Amount slider
236(1)
Radius slider
237(1)
The suppression controls
238(1)
Detail slider
238(2)
Interpreting the grayscale previews
240(1)
Radius and Detail grayscale preview
240(1)
Masking slider
241(1)
Masking slider example
242(1)
Some real world sharpening examples
243(1)
Sharpening a portrait
243(1)
Sharpening a landscape
244(1)
Sharpening a fine-detailed subject
245(1)
How to save sharpening settings as presets
246(1)
Capture sharpening roundup
247(1)
Selective sharpening
248(7)
Smart Sharpen filter
248(1)
Basic Smart Sharpen mode
248(2)
Advanced Smart Sharpen mode
250(1)
Removing Motion Blur
251(1)
Creating a depth of field brush
252(3)
Removing noise
255(6)
Reducing film grain noise
256(1)
Noise removal in Camera Raw
257(1)
Reduce Noise filter
258(1)
Advanced mode noise reduction
259(1)
JPEG noise removal
260(1)
Saving the Reduce Noise settings
260(1)
Image Editing Essentials
261(88)
Pixels versus vectors
262(3)
Terminology
263(1)
ppi: pixels per inch
263(1)
lpi: lines per inch
263(1)
dpi: dots per inch
264(1)
Desktop printer resolution
264(1)
Choosing the right pixel resolution for print
265(1)
Image resolution
265(9)
Repro considerations
266(1)
The relationship between ppi and lpi
267(2)
Creating a new document
269(1)
Altering the image size
270(1)
Image interpolation
271(1)
Nearest Neighbor
271(1)
Bilinear interpolation
271(1)
Bicubic interpolation
271(1)
Bicubic interpolation methods
272(1)
Bicubic Smoother
272(1)
Bicubic Sharper
272(1)
Step interpolation
272(2)
Basic pixel editing
274(40)
The image histogram
274(3)
Basic Levels editing and the histogram
277(1)
Bit depth
278(1)
8-bit versus 16-bit image editing
279(1)
Comparing 8-bit with 16-bit editing
280(1)
16-bit and color space selection
281(1)
The RGB edit space and color gamut
282(2)
Direct image adjustments
284(1)
Adjustment layers and Adjustments panel
284(1)
Adding an adjustment layer procedure
285(2)
Adjustment panel controls
287(1)
Levels adjustments
288(2)
Using Levels to improve the contrast
290(2)
Curves adjustment layers
292(2)
On-image Curves editing
294(2)
Direct Curves dialog
296(1)
Saving and loading curves
296(2)
Using Curves in place of Levels
298(2)
Using Curves to improve contrast
300(1)
Curves luminance and saturation
300(2)
Luminosity and Color blending modes
302(2)
Curve presets
304(2)
Locking down portions of the curve
306(1)
Creating a dual contrast curve
307(1)
Brightness and Contrast
308(2)
Correcting shadow and highlight detail
310(1)
Amount
310(1)
Tonal Width
310(1)
Radius
311(2)
Color Correction
313(1)
Midtone Contrast
313(1)
Color corrections
314(24)
Basic color balancing with Levels
315(1)
Auto image adjustments
316(2)
Color correction with Levels or Curves
318(2)
Precise color correction using Curves
320(4)
Hue/Saturation
324(1)
Colorize mode
324(3)
Vibrance
327(1)
Photo Filter
328(1)
Multiple adjustment layers
329(1)
Adjustment layer masks
330(1)
Masks panel controls
330(2)
Masks panel editing
332(2)
Color Range adjustment layer masking
334(2)
Blend mode adjustments
336(2)
Cropping
338(11)
Selection-based cropping
340(1)
Perspective cropping
341(1)
Image rotation
342(1)
Canvas size
343(1)
Content-Aware Scaling
344(2)
How to protect skin tones
346(1)
How to remove objects from a scene
347(1)
Big data
348(1)
Black and White
349(14)
Converting color to black and white
350(12)
The dumb black and white conversions
350(1)
Smarter black and white conversions
350(3)
Black & White adjustment presets
353(1)
Split color toning with Color Balance
354(2)
Curves adjustment layer split toning
356(2)
Camera Raw black and white conversions
358(1)
Pros and cons of the Camera Raw approach
359(1)
Camera Raw Split Toning panel
360(1)
Camera Raw color image split toning
361(1)
Black and white output
362(1)
Extending the Dynamic Range
363(20)
Multiple raw conversions
364(4)
Place-A-Matic script
367(1)
High dynamic range imaging
368(15)
HDR essentials
369(1)
Fuji Super CCD
370(1)
Alternative approaches
370(1)
Bracketed exposures
371(1)
Displaying deep-bit color
371(1)
Capturing a complete scenic tonal range
372(2)
HDR shooting tips
374(1)
HDR File formats
375(1)
Merge to HDR
376(2)
Tone mapping HDR images
378(1)
Local Adaptation
378(2)
Local Adaptation tone mapping
380(2)
Manual tone mapping
382(1)
Image Retouching
383(32)
Basic cloning methods
384(18)
Clone stamp tool
384(1)
Clone stamp brush settings
384(2)
Healing brush
386(2)
Choosing an appropriate alignment mode
388(1)
Clone Source panel and clone overlays
388(2)
Upside down cloning
390(2)
Better healing edges
392(2)
Spot healing brush
394(1)
Clone and healing sample options
395(1)
Patch tool
396(2)
Layer blending with Auto-Align layers
398(2)
Alternative history brush spotting technique
400(2)
Portrait retouching
402(2)
Beauty retouching
404(2)
Liquify
406(9)
Liquify tool controls
408(1)
Reconstructions
408(1)
Mask options
409(1)
View options
410(1)
Saving the mesh
410(2)
Straightening a fringe with Liquify
412(2)
Warp Transforms
414(1)
Layers, Selections and Masking
415(72)
Selections and channels
416(11)
Selections
416(2)
Quick Mask mode
418(1)
Creating an image selection
419(1)
Modifying selections
420(1)
Alpha channels
420(1)
Adding to an image selection
421(2)
Selections, alpha channels and masks
423(1)
Expanding and shrinking selections
424(1)
Smoothing a selection
424(2)
Anti-aliasing
426(1)
Feathering
426(1)
Layers
427(17)
Layer basics
427(1)
Image layers
427(1)
Shape layers
428(1)
Text layers
428(1)
Adjustment layers
428(1)
Layers panel controls
428(3)
Masking layers
431(1)
Adding a layer mask
431(1)
Viewing in Mask or Rubylith mode
432(1)
Removing a layer mask
432(1)
Adding an empty image layer mask
432(2)
Masks Panel
434(1)
Refine Edge command
435(1)
Working with the quick selection tool
436(2)
Combining quick selection with Refine Edge
438(2)
Color Range masking
440(4)
Layer blending modes
444(12)
Advanced Blending options
450(1)
Knockout options
450(1)
Blend Interior effects
450(2)
Creating panoramas with Photomerge
452(2)
Depth of field blending
454(2)
Working with multiple layers
456(10)
Color coding layers
456(1)
Layer group management
456(2)
Managing layers in a group
458(1)
Clipping masks
459(1)
Creating a new clipping mask
459(1)
Masking layers within a group
460(1)
Clipping layers and adjustment layers
460(2)
Layer linking
462(1)
Layer selection with the move tool
463(1)
Layer mask linking
464(1)
Layer locking
465(1)
Lock Transparent Pixels
465(1)
Lock Image Pixels
465(1)
Lock Layer Position
465(1)
Lock All
465(1)
Transform commands
466(10)
Repeat Transforms
468(1)
Numeric Transforms
469(1)
Transforming selections and paths
469(1)
Warp transforms
470(2)
Transforms and alignment
472(1)
Using transforms to create a kaleidoscope pattern
473(3)
Smart Objects
476(4)
Photoshop paths
480(7)
Path modes
481(1)
Drawing paths with the pen tool
481(1)
Guidelines for drawing pen paths
481(2)
Pen tool shortcuts summary
483(1)
Rubber Band mode
483(1)
Vector masks
484(1)
Isolating an object from the background
485(2)
Essential Filters for Photo Editing
487(20)
Filter essentials
488(6)
Blur filters
488(1)
Adding a Radial Blur or Spin Blur to a photo
488(2)
Gaussian Blur
490(1)
Average Blur
490(1)
Motion Blur
490(3)
Surface Blur
493(1)
Box Blur
493(1)
Shape Blur
493(1)
Smart Filters
494(12)
Applying Smart Filters to pixel layers
495(3)
Lens Blur
498(1)
Depth of field effects
498(2)
Applying Lens Blur to a composite image
500(2)
Adding noise to disguise retouching
502(1)
Adding noise to create a grain effect
503(1)
Lens Corrections
504(2)
Filter Gallery
506(1)
Image Management
507(54)
The Bridge solution
508(4)
Configuring the General preferences
508(2)
Launching Bridge
510(1)
Rotating the thumbnails and preview
510(2)
Arranging the Bridge contents
512(16)
Customizing the panels and content area
514(2)
Bridge workspace examples
516(2)
Working with multiple windows
518(1)
Slideshow mode
519(1)
Thumbnail settings
520(1)
Cache management
521(2)
Advanced and miscellaneous preferences
523(1)
One-click previews
524(1)
Deleting contents
524(1)
Stacking images
524(2)
Auto-stacking
526(2)
Bridge panels
528(3)
Folders panel
528(1)
Favorites panel
528(1)
Preview panel
529(1)
Review mode
530(1)
Managing images in Bridge
531(17)
Image rating and labeling
532(2)
Sorting images in Bridge
534(1)
Filter panel
535(1)
Metadata panel
536(1)
Image metadata
537(1)
File Info metadata
537(3)
Other types of metadata
540(1)
Edit history log
541(1)
Hidden metadata
541(1)
Keywording
542(1)
Keywords panel
543(1)
Image searches
544(2)
Collections panel
546(1)
Smart Collections
547(1)
Output to Web and PDF
548(10)
Web output
548(2)
Output gallery styles
550(1)
Output gallery settings
550(4)
Output preferences
554(1)
PDF Output
555(1)
The PDF Output panels
556(1)
PDF Output options
557(1)
Bridge automation
558(3)
Renaming images
559(1)
Renaming schemes
560(1)
Undoing a Batch Rename
560(1)
Applying Camera Raw settings
560(1)
Color Management
561(50)
The need for color management
562(5)
The way things were
562(2)
RGB devices
564(1)
The versatility of RGB
565(1)
Output-centric color management
566(1)
Profiled color management
567(10)
Color Management Modules
568(1)
The Profile Connection Space
568(2)
Choosing an RGB workspace
570(1)
Apple RGB
570(1)
sRGB IEC-61966-2.1
570(1)
ColorMatch RGB
571(1)
ProPhoto RGB
571(1)
Adobe RGB (1998)
571(1)
Profiling the display
572(1)
Calibration and profiling
573(1)
Profiling the input
574(1)
Profiling the output
575(2)
Photoshop color management interface
577(18)
The Color Settings
577(1)
Color management policies
578(1)
Preserve embedded profiles
578(1)
Profile mismatches and missing profiles
579(1)
Convert to Working space
580(1)
Color Management Off
581(1)
Profile conversions
582(1)
Convert to Profile
582(2)
Assign Profile
584(1)
Profile mismatches when pasting
585(1)
Saving a Color Setting
586(1)
Reducing the opportunities for error
587(3)
Working with Grayscale
590(1)
Advanced Color Settings
591(1)
Conversion options
592(1)
Rendering intents
592(1)
Black Point Compensation
592(1)
Use Dither (8-bit per channel images)
592(1)
Blend RGB colors using gamma
593(1)
Custom RGB and workspace gamma
594(1)
RGB to CMYK
595(6)
CMYK setup
595(1)
Creating a custom CMYK setting
595(1)
Ink Colors
596(1)
Dot gain
597(1)
Gray Component Replacement (GCR)
598(1)
Black generation
598(1)
Undercolor Addition (UCA)
599(1)
Undercolor Removal (UCR)
599(2)
Choosing a suitable RGB workspace
601(10)
Rendering intents
602(1)
Perceptual
602(1)
Saturation (Graphics)
602(1)
Relative Colorimetric
603(1)
Absolute Colorimetric
603(3)
Fine-tuning the CMYK endpoints
606(2)
CMYK to CMYK
608(1)
Lab Color
608(1)
Info panel
609(1)
Keeping it simple
610(1)
Print Output
611(18)
Print sharpening
612(6)
Judge the print, not the monitor
613(1)
High Pass filter edge sharpening technique
613(3)
Soft proof before printing
616(2)
Making a print
618(11)
Page Setup
619(1)
Ensuring your prints are centered
620(1)
Photoshop Print dialog
621(1)
Output settings
621(2)
Color Management
623(2)
Setting the Proof Setup in the Print dialog
625(1)
Proof print or aim print?
625(1)
About the print dialogs
625(1)
System Print dialog settings
626(2)
Custom print profiles
628(1)
Output for the Web
629(16)
Sending images over the Internet
630(15)
Email attachments
630(1)
Uploading to a server
631(2)
File formats for the Web
633(1)
JPEG
633(3)
Choosing the right compression type
636(1)
TIFF compression for FTP transfer
637(1)
GIF
638(1)
PNG (Portable Network Graphics)
638(1)
Save for Web & Devices
639(1)
Web browser previews
640(1)
Optimize image settings
640(1)
`Save' options
641(1)
GIF Save for Web & Devices
642(2)
ZoomifyTM Export
644(1)
Automating Photoshop
645(15)
Working with actions
646(10)
Playing an action
646(1)
Recording actions
647(2)
Troubleshooting actions
649(1)
Limitations when recording actions
650(1)
Actions only record changed settings
650(1)
Backgrounds and bit depth
650(1)
Action recording tips
651(1)
Inserting menu items
651(1)
Batch processing actions
652(2)
Creating a droplet
654(1)
Image Processor
655(1)
Scripting
656(1)
Script Event Manager
656(1)
Automated plug-ins
657(1)
Crop and Straighten Photos
657(1)
Fit Image
657(1)
How To help files
658(1)
AdobeTM Configurator application
659(1)
Index 660(16)
Remote profiling for RGB printers 676(1)
Consultancy services 676(1)
Pixel Genius PhotoKit plug-in 677
Martin Evening is a professional photographer and digital imaging consultant, an experienced Photoshop user and key demo artist for Adobe. Based in London, UK, Martin was inducted into the legendary Photoshop Hall of Fame in 2008.