Introduction |
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Acknowledgements |
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Chapter 1 Before you shoot |
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1 | (14) |
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Before you shoot that picture! |
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2 | (13) |
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2 | (2) |
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Shooting multiple elements-intelligently |
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4 | (2) |
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Multi light blending technique |
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6 | (2) |
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8 | (2) |
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Fashion and beauty retouching |
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10 | (2) |
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When not to use Photoshop |
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12 | (3) |
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Chapter 2 Camera Raw workflow |
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15 | (30) |
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16 | (6) |
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16 | (2) |
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Process Versions in Camera Raw |
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18 | (2) |
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Camera Profiles in Camera Raw |
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20 | (2) |
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Optimizing the image tones |
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22 | (5) |
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Optimizing an image in Camera Raw |
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22 | (1) |
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Optimizing the highlights |
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23 | (1) |
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24 | (2) |
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Optimizing both the highlights and blacks |
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26 | (1) |
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Essential image editing steps |
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27 | (13) |
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29 | (1) |
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30 | (1) |
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31 | (1) |
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32 | (1) |
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32 | (1) |
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33 | (1) |
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34 | (1) |
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35 | (1) |
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35 | (1) |
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36 | (1) |
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37 | (1) |
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37 | (1) |
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38 | (1) |
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39 | (1) |
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39 | (1) |
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40 | (1) |
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40 | (1) |
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41 | (2) |
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42 | (1) |
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An overview of the Camera Raw workflow |
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43 | (2) |
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Chapter 3 Raising your IQ |
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45 | (50) |
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Improving camera capture sharpness |
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46 | (4) |
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46 | (1) |
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Shooting with a tripod vs. hand-held |
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47 | (1) |
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Improved sharpness using mirror-up mode |
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47 | (3) |
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50 | (5) |
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How far can we keep going? |
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50 | (1) |
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The limits of lens optics |
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50 | (2) |
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One photographer's viewpoint |
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52 | (3) |
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Fine-tuning the auto focus alignment |
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55 | (3) |
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Using Lens Corrections to improve IQ |
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58 | (4) |
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Capture sharpening workflow |
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62 | (6) |
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68 | (12) |
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Creating a surface mask in Photoshop |
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70 | (4) |
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Camera Raw noise reduction |
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74 | (4) |
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78 | (2) |
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Improving midtone contrast |
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80 | (10) |
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High Radius Unsharp Mask technique |
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83 | (2) |
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85 | (5) |
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Photomerging images to improve quality |
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90 | (2) |
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Improving the shadows with Merge to HDR Pro |
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92 | (3) |
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93 | (2) |
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Chapter 4 Mending and blending |
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95 | (36) |
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96 | (18) |
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96 | (2) |
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98 | (2) |
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100 | (2) |
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102 | (2) |
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Merging objects with displace distortion |
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104 | (4) |
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How to create a spotlight effect |
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108 | (2) |
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How to create a sparkle brush shape |
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110 | (4) |
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114 | (12) |
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Vanishing Point planes and measurements |
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120 | (6) |
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126 | (5) |
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Chapter 5 Now you see it, now you don't |
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131 | (36) |
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132 | (16) |
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Removing foreground objects |
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132 | (2) |
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134 | (2) |
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136 | (1) |
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Multiple Content-Aware fills |
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136 | (2) |
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Layer blending to remove tourists |
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138 | (1) |
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138 | (4) |
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Tidying hair against a busy backdrop |
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142 | (4) |
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146 | (2) |
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148 | (19) |
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A different way of compositing |
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148 | (2) |
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150 | (1) |
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150 | (3) |
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153 | (1) |
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154 | (1) |
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155 | (1) |
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156 | (6) |
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162 | (2) |
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164 | (3) |
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Chapter 6 Retouching people |
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167 | (32) |
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Fashion and beauty retouching |
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168 | (14) |
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Adding lightness and contrast to the eyes |
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168 | (2) |
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Repair work using a copied selection |
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170 | (2) |
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172 | (2) |
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174 | (1) |
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174 | (1) |
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175 | (1) |
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Beauty/fashion retouching |
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176 | (6) |
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182 | (17) |
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Hand coloring a photograph |
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188 | (4) |
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192 | (3) |
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How to remove reflections from glasses |
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195 | (4) |
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Chapter 7 Masking and compositing |
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199 | (98) |
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200 | (74) |
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Creating a realistic composite |
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200 | (8) |
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208 | (1) |
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208 | (1) |
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Getting the different elements to match |
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209 | (1) |
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209 | (8) |
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Hair masking using Refine Mask |
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217 | (4) |
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221 | (5) |
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226 | (4) |
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Masking an object with a path |
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230 | (4) |
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Working with Smart Objects |
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234 | (8) |
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242 | (6) |
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Simulating the effect of motion |
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248 | (1) |
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249 | (5) |
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254 | (6) |
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260 | (4) |
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Extending the depth of field |
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264 | (4) |
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268 | (6) |
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274 | (8) |
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How to add extra water drops to a glass |
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275 | (5) |
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280 | (1) |
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280 | (2) |
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How we created the cover image |
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282 | (15) |
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Chapter 8 Photoshop after dark |
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297 | (22) |
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298 | (14) |
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Removing noise using multiple exposures |
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298 | (4) |
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Combining photographs of fireworks |
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302 | (4) |
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Photographing star trails |
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306 | (6) |
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312 | (7) |
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312 | (4) |
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Preserving colors with ProPhoto RGB |
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316 | (3) |
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319 | (34) |
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320 | (4) |
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324 | (29) |
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Resizing the source images |
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327 | (1) |
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A simple, one-step Photomerge |
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328 | (4) |
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332 | (6) |
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Stitching a spherical 360o panorama |
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338 | (1) |
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338 | (12) |
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How to create an aerial fisheye lens effect |
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350 | (3) |
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Chapter 10 Cooking with Photoshop |
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353 | (54) |
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354 | (6) |
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Content-aware scaling-another use |
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356 | (4) |
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360 | (36) |
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Advanced black and white conversion |
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360 | (4) |
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364 | (4) |
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368 | (4) |
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Simulating the black and white infrared look |
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372 | (4) |
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Black and white solarization |
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376 | (4) |
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380 | (4) |
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Coloring effects using Match Color |
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384 | (2) |
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Match Color auto adjustments |
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386 | (2) |
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Using Camera Calibration to distort colors |
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388 | (2) |
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390 | (1) |
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390 | (2) |
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392 | (2) |
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394 | (2) |
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396 | (11) |
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Adding a border to an image |
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396 | (4) |
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Adding a Clouds filter border |
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400 | (2) |
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Ragged borders with the Refine Edge command |
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402 | (5) |
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Chapter 11 Robo Photosphop |
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407 | (18) |
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Turning Photoshop into a robot |
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408 | (11) |
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408 | (1) |
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409 | (1) |
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The Actions panel magic decoder ring |
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410 | (1) |
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The Actions panel fly-out menu |
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411 | (1) |
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Recording a very basic action |
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412 | (1) |
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413 | (1) |
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414 | (1) |
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Limitations when recording actions |
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414 | (2) |
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416 | (2) |
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Alternative automated processing tools |
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418 | (1) |
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An automated raw processing workflow |
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419 | (6) |
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Combining Bridge, Camera Raw and Photoshop |
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419 | (1) |
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Recording the batch action |
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420 | (3) |
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423 | (2) |
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Chapter 12 Photoshop output |
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425 | (32) |
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426 | (13) |
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426 | (1) |
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426 | (1) |
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427 | (1) |
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Photographic print quality |
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428 | (1) |
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428 | (1) |
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429 | (1) |
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430 | (1) |
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430 | (1) |
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430 | (1) |
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Building custom printer profiles |
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431 | (1) |
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DIY custom printer profiles |
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431 | (1) |
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Printing a printer test target |
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431 | (1) |
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Target printing workaround |
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432 | (2) |
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Getting the most from your printer profiles |
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434 | (1) |
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Display gamut versus printer gamut |
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435 | (1) |
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Soft proofing via the display |
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435 | (2) |
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Display simulation options |
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437 | (2) |
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439 | (11) |
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Color proofing for press output |
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439 | (1) |
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CMYK proofing with an inkjet |
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440 | (1) |
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Simulation and rendering intents |
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440 | (2) |
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Preparing files for output |
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442 | (4) |
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Delivering files for output |
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446 | (1) |
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447 | (1) |
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448 | (2) |
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Fine-art printing workflow |
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450 | (7) |
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Chapter 13 Minding your own business |
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457 | (18) |
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Adding value to your images |
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458 | (4) |
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459 | (1) |
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File organization methods |
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460 | (2) |
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462 | (5) |
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Backing up is not archiving! |
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462 | (2) |
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464 | (2) |
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466 | (1) |
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How to make money with Photoshop |
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467 | (8) |
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467 | (2) |
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469 | (1) |
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470 | (2) |
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472 | (1) |
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473 | (1) |
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473 | (2) |
Index |
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