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Adobe Photoshop CS5 for Photographers: The Ultimate Workshop [Pehme köide]

  • Formaat: Paperback / softback, 498 pages, kõrgus x laius: 246x189 mm, kaal: 930 g
  • Ilmumisaeg: 04-Oct-2010
  • Kirjastus: Focal Press
  • ISBN-10: 0240814835
  • ISBN-13: 9780240814834
Teised raamatud teemal:
  • Formaat: Paperback / softback, 498 pages, kõrgus x laius: 246x189 mm, kaal: 930 g
  • Ilmumisaeg: 04-Oct-2010
  • Kirjastus: Focal Press
  • ISBN-10: 0240814835
  • ISBN-13: 9780240814834
Teised raamatud teemal:
If you already have a good knowledge of Adobe Photoshop and are looking to advance your skills, Adobe Photoshop CS5 for Photographers: The Ultimate Workshop is the book you've been waiting for. Renowned photographers Martin Evening and Jeff Schewe impart their Photoshop tips and workflow, showing you how to use a vast array of rarely seen advanced Photoshop techniques. Whether the subject is serious retouching work, weird and wonderful compositions, or planning a shoot before you've even picked up a camera, you can be sure that the advice is based on years of practical experience.Full of inspirational photographs and hundreds of full-color screenshots to show you how it's done, this book features:-Advice on becoming a retouching master with advanced masking and compositing techniques-A detailed workflow for preparing your images for the best possible output, showing you how to meet both deadline and budge without sacrificing quality-26 movie tutorials on the downloadable resources, offering over 3 hours of movie contentThe ideal companion to Photoshop CS5 for Photographers, this is a must-have resource for any serious user of Adobe Photoshop.

Arvustused

"[ This book] shows you in-depth how to master the features of CS5 so that you can take full advantage of the program and produce the highest quality imagery possible.. The book is broken down into 13 topic-based chapters, each of which are designed to simulate an actual workshop session. It shows you the specific methods, tips and techniques that are needed to complete each process, and explains, in detail , how it all fits into your complete workflow.. The chapters are well written and clearly noted whether they've been written by Martin, Jeff or both, and every single page features screenshots and photographic examples to illustrate the topic or method that's being explained. There are also tons of sidebar tips and explanations that help you better understand just what you're doing and why.. If you've reade Martin Evening or Jeff Schewe's books before, you know that they're both excellent, no nonsense writers and teachers, so having a book that's written by not just one expert, but two, means having one of the best, if not the best Photoshop reference manuals around. Whether you're looking to become an expert at retouching, or if you want to be more efficient at outputting professional quality digital image files for print or for commercial clients, this book will advance your skills to a new level of mastery and Photoshop expertise.. The bottom line is this: if you're a professional photographer, then you'll definitely want Adobe Photoshop CS5 for Photographers: the Ultimate Workshop. I'd also highly recommend it to amateurs and hobby photographers, because you'll learn a while lot in 426 pages from a pair of experienced experts."--Dan Bailey's Adventure Photography Blog

"Intended for readers comfortable with the basic functionality of Adobe Photoshop CS5, this volume provides a series of tutorials intended to showcase the unique capabilities of this ubiquitous photo manipulation and processing software. Topics discussed include image optimization, photography techniques for better processing outcomes, retouching, object removal, masking and compositing, and working with light and darkroom effects. Chapters include numerous illustrations, photographs and screen shots and tutorial files are provided on an accompanying DVD."--Reference and Research Book News

"Although Adobe Photoshop CS5 for Photographers, The Ultimate Workshop includes a DVD, it won't teach you the basics. Not for the occasional Photoshop user, this book is written for photographers who have regularly used the Adobe editing software. One should be very familiar with Photoshop CS5 software before reading The Ultimate Workshop.. For those photographers who are Photoshop veterans, The Ultimate Workshop will teach you some tricks to produce better photos. From what to look for in setting up the shot to the nuances seen after a slightly changed photo during the editing process, this is a complete guide.. The side-by-side, before and after photographs and color screen shots used in the text help even the Photoshop novice see the difference CS5 software makes when editing an image.. Professional photographer Martin Evening and professional imager and Photoshop expert Jeff Schewe, both Photoshop Hall of Famers, created this guidebook that requires little reading yet is full of information to help your Photoshop CS5 skills skyrocket and give your photos the edge they need to push them to the top of the publishers stack.. If you are savvy with Photoshop CS5, grab your copy and have fun with it!"--San Francisco Book Review

"Evening's book convinced me that I need to buy the upgrade from CS4 to CS5, and that his books belong on every professional photographer's bookshelf."--The Picture Professional

Introduction x
Acknowledgements x
Chapter 1 Before you shoot
1(14)
Before you shoot that picture!
2(13)
Interpreting a brief
2(2)
Shooting multiple elements-intelligently
4(2)
Multi light blending technique
6(2)
Complex composite work
8(2)
Fashion and beauty retouching
10(2)
When not to use Photoshop
12(3)
Chapter 2 Camera Raw workflow
15(30)
Optimizing images
16(6)
Camera Raw or Photoshop?
16(2)
Process Versions in Camera Raw
18(2)
Camera Profiles in Camera Raw
20(2)
Optimizing the image tones
22(5)
Optimizing an image in Camera Raw
22(1)
Optimizing the highlights
23(1)
Optimizing the blacks
24(2)
Optimizing both the highlights and blacks
26(1)
Essential image editing steps
27(13)
Auto Lens corrections
29(1)
Crop
30(1)
Color
31(1)
Tone
32(1)
Exposure
32(1)
Recovery
33(1)
Blacks
34(1)
Fill Light
35(1)
Brightness
35(1)
Contrast
36(1)
Finesse
37(1)
Clarity
37(1)
Vibrance
38(1)
Capture sharpening
39(1)
Amount and Radius
39(1)
Detail and Masking
40(1)
Noise reduction
40(1)
Localized adjustments
41(2)
Spotting
42(1)
An overview of the Camera Raw workflow
43(2)
Chapter 3 Raising your IQ
45(50)
Improving camera capture sharpness
46(4)
Choice of camera lens
46(1)
Shooting with a tripod vs. hand-held
47(1)
Improved sharpness using mirror-up mode
47(3)
Megapixel limits
50(5)
How far can we keep going?
50(1)
The limits of lens optics
50(2)
One photographer's viewpoint
52(3)
Fine-tuning the auto focus alignment
55(3)
Using Lens Corrections to improve IQ
58(4)
Capture sharpening workflow
62(6)
Noise reduction
68(12)
Creating a surface mask in Photoshop
70(4)
Camera Raw noise reduction
74(4)
Grain addition
78(2)
Improving midtone contrast
80(10)
High Radius Unsharp Mask technique
83(2)
Sculpting photos
85(5)
Photomerging images to improve quality
90(2)
Improving the shadows with Merge to HDR Pro
92(3)
Overexposing the shadows
93(2)
Chapter 4 Mending and blending
95(36)
General retouching
96(18)
Healing brush strategies
96(2)
Adding lens flare
98(2)
Simulating film grain
100(2)
Matching grain
102(2)
Merging objects with displace distortion
104(4)
How to create a spotlight effect
108(2)
How to create a sparkle brush shape
110(4)
Vanishing Point
114(12)
Vanishing Point planes and measurements
120(6)
Editing objects in 3D
126(5)
Chapter 5 Now you see it, now you don't
131(36)
Removing objects
132(16)
Removing foreground objects
132(2)
Leaf blower technique
134(2)
Content-Aware filling
136(1)
Multiple Content-Aware fills
136(2)
Layer blending to remove tourists
138(1)
Median rendering
138(4)
Tidying hair against a busy backdrop
142(4)
Coloring hair roots
146(2)
Snapshot painting
148(19)
A different way of compositing
148(2)
Slicing an image
150(1)
Image warping
150(3)
History basics
153(1)
Making snapshots
154(1)
The channels
155(1)
The blending
156(6)
The Wrap-up
162(2)
The Photoshop diet
164(3)
Chapter 6 Retouching people
167(32)
Fashion and beauty retouching
168(14)
Adding lightness and contrast to the eyes
168(2)
Repair work using a copied selection
170(2)
Removing stray hairs
172(2)
Beauty skin retouching
174(1)
Disguise your retouching
174(1)
Brush blending modes
175(1)
Beauty/fashion retouching
176(6)
Retouching portraits
182(17)
Hand coloring a photograph
188(4)
Working with Liquify
192(3)
How to remove reflections from glasses
195(4)
Chapter 7 Masking and compositing
199(98)
Compositing work
200(74)
Creating a realistic composite
200(8)
Masking hair
208(1)
How it works
208(1)
Getting the different elements to match
209(1)
Keep the mask edges soft
209(8)
Hair masking using Refine Mask
217(4)
Refine Mask controls
221(5)
Cheating a mask
226(4)
Masking an object with a path
230(4)
Working with Smart Objects
234(8)
Adding atmospherics
242(6)
Simulating the effect of motion
248(1)
Embossing the word
249(5)
Adding motion
254(6)
Adding lens blur
260(4)
Extending the depth of field
264(4)
Merging studio exposures
268(6)
Layer Styles
274(8)
How to add extra water drops to a glass
275(5)
Copying layer styles
280(1)
How to remove edge flare
280(2)
How we created the cover image
282(15)
Chapter 8 Photoshop after dark
297(22)
Combining images
298(14)
Removing noise using multiple exposures
298(4)
Combining photographs of fireworks
302(4)
Photographing star trails
306(6)
Nocturnal effect
312(7)
ProPhoto RGB editing
312(4)
Preserving colors with ProPhoto RGB
316(3)
Chapter 9 Photomerges
319(34)
Merge to HDR Pro
320(4)
Photomerge
324(29)
Resizing the source images
327(1)
A simple, one-step Photomerge
328(4)
A three-step Photomerge
332(6)
Stitching a spherical 360o panorama
338(1)
Panorama shooting tips
338(12)
How to create an aerial fisheye lens effect
350(3)
Chapter 10 Cooking with Photoshop
353(54)
Content-aware scaling
354(6)
Content-aware scaling-another use
356(4)
Digital darkroom effects
360(36)
Advanced black and white conversion
360(4)
Cross-processing
364(4)
Lab Color effects
368(4)
Simulating the black and white infrared look
372(4)
Black and white solarization
376(4)
Coloring an object
380(4)
Coloring effects using Match Color
384(2)
Match Color auto adjustments
386(2)
Using Camera Calibration to distort colors
388(2)
Softening the focus
390(1)
Fog effect
390(2)
Diffused printing effect
392(2)
Adding progressive blurs
394(2)
Image border effects
396(11)
Adding a border to an image
396(4)
Adding a Clouds filter border
400(2)
Ragged borders with the Refine Edge command
402(5)
Chapter 11 Robo Photosphop
407(18)
Turning Photoshop into a robot
408(11)
Actions in Photoshop
408(1)
Playing an action
409(1)
The Actions panel magic decoder ring
410(1)
The Actions panel fly-out menu
411(1)
Recording a very basic action
412(1)
Basic action editing
413(1)
Troubleshooting actions
414(1)
Limitations when recording actions
414(2)
Batch processing
416(2)
Alternative automated processing tools
418(1)
An automated raw processing workflow
419(6)
Combining Bridge, Camera Raw and Photoshop
419(1)
Recording the batch action
420(3)
It's a wrap!
423(2)
Chapter 12 Photoshop output
425(32)
Printing in Photoshop
426(13)
Inkjet printers
426(1)
How inkjet printers work
426(1)
The ideal inkjet
427(1)
Photographic print quality
428(1)
Image preservation
428(1)
Inks and media
429(1)
Third-party inks
430(1)
Inkjet economies
430(1)
Canned printer profiles
430(1)
Building custom printer profiles
431(1)
DIY custom printer profiles
431(1)
Printing a printer test target
431(1)
Target printing workaround
432(2)
Getting the most from your printer profiles
434(1)
Display gamut versus printer gamut
435(1)
Soft proofing via the display
435(2)
Display simulation options
437(2)
CMYK output
439(11)
Color proofing for press output
439(1)
CMYK proofing with an inkjet
440(1)
Simulation and rendering intents
440(2)
Preparing files for output
442(4)
Delivering files for output
446(1)
Is CMYK for you?
447(1)
Spot color channels
448(2)
Fine-art printing workflow
450(7)
Chapter 13 Minding your own business
457(18)
Adding value to your images
458(4)
Identifying your images
459(1)
File organization methods
460(2)
Archiving issues
462(5)
Backing up is not archiving!
462(2)
Backing up your data
464(2)
Image protection
466(1)
How to make money with Photoshop
467(8)
How much are you worth?
467(2)
Your rate is your rate
469(1)
How to bill for digital
470(2)
Protecting your rights
472(1)
Orphan works
473(1)
Image harvesting
473(2)
Index 475
Martin Evening is a professional photographer and digital imaging consultant, an experienced Photoshop user and key demo artist for Adobe. Based in London, UK, Martin was inducted into the legendary Photoshop Hall of Fame in 2008. Jeff Schewe is a world renowned Photoshop expert, professional commercial photographer, and digital imaging artist. Jeff is a member of the NAPP Photoshop Hall of Fame. An award winning advertising photographer by trade, he is known as a digital pioneer and has been a long term alpha/beta tester for Photoshop, Camera Raw and Lightroom.